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	<title>Salon.com > Steve Ramos</title>
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	<link>http://www.salon.com</link>
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		<title>When Don Draper toppled a dictator</title>
		<link>http://www.salon.com/2013/03/15/how_an_ad_man_helped_topple_chiles_dictator_partner/</link>
		<comments>http://www.salon.com/2013/03/15/how_an_ad_man_helped_topple_chiles_dictator_partner/#comments</comments>
		<pubDate>Fri, 15 Mar 2013 17:10:00 +0000</pubDate>
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				<category><![CDATA[Social]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Hyperallergic]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Pinochet]]></category>
		<category><![CDATA[political ads]]></category>
		<category><![CDATA[dictator]]></category>
		<category><![CDATA[resistance]]></category>

		<guid isPermaLink="false">http://www.railrode.net/?p=13230226</guid>
		<description><![CDATA[The Oscar-nominated "No," which examines the fall of Pinochet, makes a powerful case for advertising as art]]></description>
			<content:encoded><![CDATA[<p><a href="http://hyperallergic.com"><img align="left" style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/07/hyperallergic-1.jpg" alt="Hyperallergic" /></a></p><p>Close your eyes and picture America’s most famous ad man, the fictional Don Draper of the cable TV hit <em>Mad Men</em>. Now push aside your favorite scenes of Don’s bedroom antics, bourbon-fueled lunches, and persuasive client pitches and think: over five seasons of storytelling, what has the dashing ladies’ man done that’s truly made an impact on the world outside his agency office suite?</p><p>In the cinema, however, the story is different. Set in Chile in 1988, the recent Best Foreign Film Oscar nominee <em>No</em> features the equally handsome Santiago ad man René Saavedra (played by Gael García Bernal, no less), who heads a campaign against Augusto Pinochet. The impetus is the Chilean military dictator’s call for a referendum to decide his permanence in power. The opposition responds by persuading Saavedra, a young advertising executive, to take on its “No” — meaning no Pinochet — campaign.</p><p><a href="http://www.salon.com/2013/03/15/how_an_ad_man_helped_topple_chiles_dictator_partner/">Continue Reading...</a></p>]]></content:encoded>
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		<title>Five things Sundance can tell us about the future of film</title>
		<link>http://www.salon.com/2013/02/21/five_things_sundance_can_tell_us_about_the_future_film_industry_partner/</link>
		<comments>http://www.salon.com/2013/02/21/five_things_sundance_can_tell_us_about_the_future_film_industry_partner/#comments</comments>
		<pubDate>Thu, 21 Feb 2013 22:00:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[All Salon]]></category>
		<category><![CDATA[Hyperallergic]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>
		<category><![CDATA[indie movies]]></category>
		<category><![CDATA[Film Festivals]]></category>

		<guid isPermaLink="false">http://www.origin.railrode.net/?p=13207592</guid>
		<description><![CDATA[From crowdfunding to more female filmmakers, here's a list of five trends from the 2013 Sundance Film Festival]]></description>
			<content:encoded><![CDATA[<p>The deal making begins weeks before the celebrities touch down in Park City, Utah, a pop-up center of the universe for the culture industry during the ten-day run of the <a href="http://www.sundance.org/festival/">2013 Sundance Film Festival</a>. Open Road Films buys the Steve Jobs biopic <em>jOBS</em>, starring Ashton Kutcher as the Apple co-founder, long before audiences clap, yawn, or both at its Sundance Closing Weekend premiere. Other movies including <em>Mud</em>, starring Matthew McConaughey, and <em>No</em>, featuring Gael García Bernal, also arrive with deals intact. The pre-fest deals, as well as decisions by filmmakers from former Nirvana drummer and Foo Fighters frontman Dave Grohl (<em>Sound City</em>) to Shane Carruth (<em>Upstream Color</em>) to take on a DIY release model, lead to an inevitable question: with the ability to build communities of fans and supporters 24/7 on digital platforms, are the time, energy, and money spent getting in and getting to Sundance still necessary?<br /> <a href="http://hyperallergic.com"><img style="margin: 0 10px 0 0;" src="http://media.salon.com/2012/07/hyperallergic-1.jpg" alt="Hyperallergic" align="left" /></a></p><p><a href="http://www.salon.com/2013/02/21/five_things_sundance_can_tell_us_about_the_future_film_industry_partner/">Continue Reading...</a></p>]]></content:encoded>
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