Salon.com > Willa Paskin http://www.salon.com Fri, 03 May 2013 03:47:40 +0000 en hourly 1 http://wordpress.org/?v=3.2.1 “The Americans’” creators discuss the season finale http://www.salon.com/2013/05/02/the_americans_showrunners_discuss_the_season_finale/ http://www.salon.com/2013/05/02/the_americans_showrunners_discuss_the_season_finale/#comments Thu, 02 May 2013 03:00:00 +0000 http://www.railrode.net/?p=13287209 "The Americans," FX's excellent and exciting spy series about two married, deep-cover KGB agents, Philip and Elizabeth Jennings, living in 1980s America, finished its first season in fitting fashion: with a finale full of, but never overrun by, action. The season ender contained not one but two covert missions, a sting, a high-speed car chase, and a shooting, but ended quietly, with the CIA momentarily foiled and Philip and Elizabeth, a bullet wound in her side, finally reconciled. Next season has near endless juicy material to explore: Nina, now a USSR double agent, is out to flip Stan; Elizabeth may want Philip to come home, but one of his alter-egos is still married to Martha; the Jennings' daughter is getting suspicious of her mother; and the Cold War is only escalating. "The Americans''' two showrunners, Joel Fields and Joe Weisberg, also the series creator and a former CIA agent himself, spoke with me about the finale, season 2, the intentional lack of cliffhanger and those super wigs.

How much of what happened this season did you know was going to happen when you began?

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]]> http://www.salon.com/2013/05/02/the_americans_showrunners_discuss_the_season_finale/feed/ 6 “Inside Amy Schumer,” a female-centric take on bro-comedy http://www.salon.com/2013/04/30/inside_amy_schumer_a_female_centric_take_on_bro_comedy/ http://www.salon.com/2013/04/30/inside_amy_schumer_a_female_centric_take_on_bro_comedy/#comments Tue, 30 Apr 2013 15:20:00 +0000 http://www.railrode.net/?p=13285585 Amy Schumer’s new sketch comedy show “Inside Amy Schumer” begins tonight on Comedy Central, a female-centric take on bro-comedy, raunchy and dedicated to exploring the ways girls can be crazy. Her persona combines Whitney Cummings’ bawdiness and Mindy Kaling’s entitlement with a self-proclaimed slutty streak ("I am sluttier than your average bear," she proclaims), a familiar combination that feels original only in flashes. Schumer is sharper than her material.

In one sketch, Schumer plays a girl who starts to plan a wedding with a one-night stand who barely knows her name, going so far as to buy them side-by-side funeral plots. A clueless woman behaving insanely because she’s so desperate for a relationship is both an easy target and an archetype we’ve seen before. (In another sketch, Schumer sits on the couch stuffing pasta in her face, sending unsexy text messages to a dude who gets off anyway. If I never have to see a fictional woman stuffing carbs into her face, it will be too soon.) But Schumer adds a grace note at the very end that should have been the focus of the whole bit: The woman in question is totally unflappable, unperturbed when the guy doesn’t know who she is, moving on immediately to the next dude. She’s not just pathetic, she’s also obliviously overconfident.

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]]> http://www.salon.com/2013/04/30/inside_amy_schumer_a_female_centric_take_on_bro_comedy/feed/ 3 “The Good Wife” finishes a fantastic season http://www.salon.com/2013/04/29/the_good_wife_finishes_a_fanastic_season/ http://www.salon.com/2013/04/29/the_good_wife_finishes_a_fanastic_season/#comments Mon, 29 Apr 2013 13:48:00 +0000 http://www.railrode.net/?p=13284615 “The Good Wife” finished its fourth season last night, overshadowed as always by TV’s other blockbuster Sunday offerings, from “Homeland” to “Game of Thrones” and “Mad Men.” This season had a rocky start— Kalinda and her implausible, raunchy ex-husband, he of the perverse ice cream— but boy did it recover. The last two thirds of the season have been fantastic, a sprawling, entertaining, tightly plotted, non-didactic (yes, that is a “Mad Men” dig), razor sharp examination of power, ethics, and corruption, as serious and seriously entertaining as anything on cable.

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]]> http://www.salon.com/2013/04/29/the_good_wife_finishes_a_fanastic_season/feed/ 12 “Game of Thrones” Recap: Flaming swords! http://www.salon.com/2013/04/29/game_of_thrones_recap_now_were_cooking_with_hot_swords/ http://www.salon.com/2013/04/29/game_of_thrones_recap_now_were_cooking_with_hot_swords/#comments Mon, 29 Apr 2013 02:00:00 +0000 http://www.railrode.net/?p=13283407 Let’s start with the most substantial aspect of this episode: man butt. “Kissed by Fire” is the episode of “Game of Thrones” where the writers finally said, “OK, OK, we will do something about our show's gross nudity imbalance across genders.” So after Ygritte takes off her clothes, it’s John and Jaime’s turn to flash some tush, and then Loras’s conquest/Littlefinger’s spy puts a new twist on the “random character we have never met going full frontal” role just by being a man, instead of woman.

Even more remarkably, the camera opts not to ogle Brienne of Tarth, treating her with the sort of restraint it usually reserves for its male characters. Jaime climbs in the bathtub with her and goads her into anger; she lurches up at him in the altogether. But while Jaime gets a good look at the whole Brienne, the camera stays squarely on her face and shoulders, never straying down. We see a flash of her backside, but that's exactly the amount of nudity usually asked of the fellas. This is both respectful and complicated: Brienne, who is more ‘masculine’ than the other female characters, more attuned to the idea of male honor, gets treated with visual restraint. I’m sure, if she knew, she would appreciate the courtesy. But maybe all the other women on the show would prefer not being objectified too?

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]]> http://www.salon.com/2013/04/29/game_of_thrones_recap_now_were_cooking_with_hot_swords/feed/ 27 “Mary Tyler Moore” Rewind: It’s wonderful, current, not funny http://www.salon.com/2013/04/26/mary_tyler_moore_rewind_its_wonderful_current_not_funny/ http://www.salon.com/2013/04/26/mary_tyler_moore_rewind_its_wonderful_current_not_funny/#comments Fri, 26 Apr 2013 23:00:00 +0000 http://www.railrode.net/?p=13282113 “The Mary Tyler Moore Show" began airing in 1970, but its DNA is still all over TV. It is the progenitor of every comedy starring a woman, single, working or otherwise — “30 Rock’s” characterizations are closely modeled on “Mary Tyler Moore’s”; “Sex and the City” took “Mary Tyler Moore” story lines and made them explicit — but also every workplace sitcom, every friends-as-family sitcom, and every sitcom aimed squarely at adults. So most comedies. A book about its making is about to be released. It is all over most "best TV ever" lists. Because of "Mary Tyler Moore" costar Valerie Harper's illness, she has been making the talk show rounds with Tyler Moore, Cloris Leachman and Betty White. Hannah Horvath recently fell asleep watching reruns. It could not be more current, except for one thing — and this is some weapon’s grade sitcom sacrilege — it’s not that funny.

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]]> http://www.salon.com/2013/04/26/mary_tyler_moore_rewind_its_wonderful_current_not_funny/feed/ 94 “The Bletchley Circle,” a feminist murder mystery http://www.salon.com/2013/04/26/the_bletchley_circle_a_feminist_murder_mystery/ http://www.salon.com/2013/04/26/the_bletchley_circle_a_feminist_murder_mystery/#comments Fri, 26 Apr 2013 14:28:00 +0000 http://www.railrode.net/?p=13282799 When it comes to TV, Sunday nights are already more overstuffed than a turducken. Between “Mad Men,” “Game of Thrones,” and “The Good Wife,” and with “Walking Dead,” “Breaking Bad” and “Downton Abbey” waiting in the wings, it’s a DVR's busiest night of the week. You can now add PBS’s “The Bletchley Circle” to the list of worthwhile Sunday night programming, though this at least is one you can record to watch on some non-Sunday — no one is going to spoil it on Twitter — or track down after Don Draper has slunk his mopey, existentially despairing self through the ninthcircle of hell and into “Mad Men’s” off-season hiatus.

“The Bletchley Circle” is a refreshingly brief — three episode — miniseries from ITV; more precisely, it is a feminist, period, murder mystery miniseries from ITV. The first episode, which aired last week, began during World War II at Bletchley Park, the center of British code-breaking, with four women cracking a code about German troop movements. The series picks up in 1952, with those women — and everyone else who worked at Bletchley Park —  having signed the Official Secrets Act, forbidding them from disclosing their work during the war, a return to normalcy that has left some of them unfulfilled.

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]]> http://www.salon.com/2013/04/26/the_bletchley_circle_a_feminist_murder_mystery/feed/ 9 Ke$ha and Ryan Lochte get the reality TV treatment http://www.salon.com/2013/04/24/keha_and_ryan_lochte_reality_tv_stars/ http://www.salon.com/2013/04/24/keha_and_ryan_lochte_reality_tv_stars/#comments Wed, 24 Apr 2013 14:38:00 +0000 http://www.railrode.net/?p=13280727 ‘Ke$ha: My Crazy Beautiful Life,” a reality show about the glitter-loving, jack-swishing pop star, began last night on MTV. “What Would Ryan Lochte Do,” a reality show about the grill-wearing, ab-having Olympic swimmer, began on Friday on E! Both shows are about people with physically demanding, time-intensive, all-consuming work lives. On tour, Ke$ha spends her days going from place to place so at night she can sprint around stage covered in body paint. While training, Lochte gets to the pool before most people are awake. Both shows are also about people who have cultivated — or, in Locthte’s case, maybe wandered into — reputations as partiers. Ke$ha’s songs are anthems to drinking and misbehaving. Lochte has convinced many that he’s a dim, brotastic douchebag. (Don’t ask him what that "douchebag" means, though: As he explained in his show, he really has no idea.) These shows are built around the second aspect of their stars' personas — that they are wild and vibrant and fun —  when it’s the first that's worthwhile.

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]]> http://www.salon.com/2013/04/24/keha_and_ryan_lochte_reality_tv_stars/feed/ 11 Judging Amazon’s comedy pilots http://www.salon.com/2013/04/23/judging_amazons_comedy_pilots/ http://www.salon.com/2013/04/23/judging_amazons_comedy_pilots/#comments Tue, 23 Apr 2013 16:41:00 +0000 http://www.railrode.net/?p=13279737 On Friday, Amazon made the pilots for eight sitcoms (and six kids shows) available to be streamed for free. After watching, viewers can opine and check boxes about the series in a survey, similar to a course evaluation form. Based on the responses, as well as focus group information and viewing data, Amazon will give some of these shows a 13-episode order. When ABC picks up a sitcom about two working-class guys who start to dress in drag to secure jobs, one wonders what on earth ABC executives were thinking. If Amazon picks up a musical comedy set at a faux-Huffington Post where Bebe Neuwirth plays Arianna Huffington and sings about how she is “someone with whom not to fuck,” we will only have ourselves to applaud.

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]]> http://www.salon.com/2013/04/23/judging_amazons_comedy_pilots/feed/ 2 “Rectify”: Off death row, but not quite free http://www.salon.com/2013/04/22/rectify_off_death_row_but_not_quite_free/ http://www.salon.com/2013/04/22/rectify_off_death_row_but_not_quite_free/#comments Mon, 22 Apr 2013 18:25:00 +0000 http://www.railrode.net/?p=13278764 “Rectify,” the excellent and patient new drama that begins tonight on the Sundance Channel, is about a man just freed from death row. At 18, Daniel Holden, an odd boy from a small Georgia town, was found cradling the bloody, raped corpse of a girl he went to high school with. He was arrested and confessed to the crime. A friend testified to having witnessed both the rape and the murder. He was convicted and placed on death row. His sister, years younger than him, continued to sit in math class with the murdered girl’s brother. Twenty years later, as “Rectify” begins, Daniel (Aden Young, who looks not unlike Damien Echols) is set free by DNA evidence proving he was not the rapist. Daniel has spent his entire adult life in a small cell and he comes back into the world, to the town he grew up in, like a newborn, but not an innocent.

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]]> http://www.salon.com/2013/04/22/rectify_off_death_row_but_not_quite_free/feed/ 1 “Game of Thrones”: “Or is the little girl the bravest one here?” http://www.salon.com/2013/04/22/game_of_thrones_or_is_the_little_girl_the_bravest_one_here/ http://www.salon.com/2013/04/22/game_of_thrones_or_is_the_little_girl_the_bravest_one_here/#comments Mon, 22 Apr 2013 02:00:00 +0000 http://www.railrode.net/?p=13276807 At the beginning of this season, one of “Game of Thrones'” TV overlords, David Benioff, told Grantland’s Andy Greenwald that "Themes are for eighth-grade book reports.” There is a reason the people who make stuff don’t get the final say on the meaning of that stuff. “And Now His Watch Is Ended” was particularly theme-y — the theme being revenge — but it also demostrated how little “Game of Thrones” cares about creating “normal” episodes of television. The huge cast of characters have been flitting in and out all season. Now they are starting to show up for what amount to special appearances, both short — Bran appeared in one scene — and long — Daenerys gets the most fist-pumping segment of the season thus far, but only in the episode’s last 10 minutes. Four episodes in, it still feels like the season’s pieces are being put into place, and it seems that the best way to watch would be to wait and binge on it all at once.

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]]> http://www.salon.com/2013/04/22/game_of_thrones_or_is_the_little_girl_the_bravest_one_here/feed/ 9 The sprinting, sloppy TV news coverage of the Boston manhunt http://www.salon.com/2013/04/19/the_sprinting_sloppy_tv_news_coverage_of_the_boston_manhunt/ http://www.salon.com/2013/04/19/the_sprinting_sloppy_tv_news_coverage_of_the_boston_manhunt/#comments Fri, 19 Apr 2013 20:35:00 +0000 http://www.railrode.net/?p=13276692 If you woke up after 7:30 EDT this morning, there have been no new developments in the manhunt for Dzhokhar A. Tsarnaev, the white-hat-wearing 19-year-old suspect in the Boston bombing, since you got out of bed. If you have been following the story closely on television — or Twitter — it most certainly feels like this could not be the case. Over the past nine hours, news coverage has been in a flat-out sprint, continuous and unending, huffing and puffing to supply us with the latest news when there is no new latest news. The news networks are treading water but trying to make it look like they are free-styling by hysterically flailing their arms in a forward motion. At one of the rare moments when there is a huge, breaking news story, TV news is having just as rocky, sloppy and manipulative a time filling its schedule as when it is struggling to find stories to cover. How can this be?

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]]> http://www.salon.com/2013/04/19/the_sprinting_sloppy_tv_news_coverage_of_the_boston_manhunt/feed/ 18 Newsrooming it: How Aaron Sorkin reframed bad media behavior http://www.salon.com/2013/04/18/newsrooming_it_how_aaron_sorkin_reframed_bad_media_behavior/ http://www.salon.com/2013/04/18/newsrooming_it_how_aaron_sorkin_reframed_bad_media_behavior/#comments Thu, 18 Apr 2013 14:06:00 +0000 http://www.railrode.net/?p=13275063 Last July, the most widely ridiculed episode of Aaron Sorkin’s “The Newsroom” aired. Titled “I’ll Try to Fix You,” it climaxed with the shooting of Gabrielle Giffords. The staff of “News Night,” assembled at the office on a Saturday, quickly went into action, as the sound of Coldplay’s “Fix You” began to play on the soundtrack. Other news agencies— NPR, and then Fox, MSNBC and CNN— began to report that Giffords was dead. The crass head of ratings stormed into the newsroom and demanded that the “News Night” team “call” Giffords’ death: “Every second you’re not current a thousand people are changing the channel! That’s the business you’re in,” he shouted, looking to his typical ally, the cynical producer Don, for support. Don didn’t provide any: “She’s a person. A doctor pronounces her dead, not the news,” he said. Jeff Daniels’ Will McAvoy then made the righteous choice, deciding not to announce Giffords’ death on air, but to stick to the facts. Seconds later, word came that Giffords was alive and headed for surgery. The “News Night” team, virtuous resistor of peer-pressure, had made the right call. The Coldplay swelled.

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]]> http://www.salon.com/2013/04/18/newsrooming_it_how_aaron_sorkin_reframed_bad_media_behavior/feed/ 10 “Top of the Lake’s” superb finale http://www.salon.com/2013/04/16/top_of_the_lakes_great_finale/ http://www.salon.com/2013/04/16/top_of_the_lakes_great_finale/#comments Tue, 16 Apr 2013 13:51:00 +0000 http://www.railrode.net/?p=13272334 The stupendous Jane Campion-Elisabeth Moss collaboration “Top of the Lake” finished on the Sundance Channel last night: if you haven’t seen it yet, what are you waiting for? If you have, you know that the last two hour installment masterfully wrapped up the series major mystery without forgoing its lyrical, steady tone. A dramatic and vast shot of a teenage boy plummeting off a cliff was balanced with scenes of that same teenager and his friends having an outdoor slumber party, that same teenager comforting his friend by cutely demonstrating how a baby might worm its way out of the birth canal. The small moments were not drowned out by the large.

We now know who impregnated the 12 year old Tui, or at least the circumstances under which she was impregnated. The police chief Al, a strange guy who has never shown that much urgency about the rape, who kept hitting on his colleague Robin (Moss), who was pretty chummy with Tui's father and town druglord Matt, but who seemed harmless enough, was actually running an underage sex ring. This reveal made sense of many things— no wonder this town has had such a lackadaisical attitude towards rape— without feeling like the heart of the drama. The scene of Robin, drinking alone and considering suicide, felt more like an emotional climax than her epiphany about Al. Tui shooting Matt in the back felt more like the dramatic climax than Robin shooting Al in the chest.

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]]> http://www.salon.com/2013/04/16/top_of_the_lakes_great_finale/feed/ 6 Boston Marathon explosion: On cable, the same footage, best behavior http://www.salon.com/2013/04/16/boston_marathon_explosion_on_cable_the_same_footage_best_behavior/ http://www.salon.com/2013/04/16/boston_marathon_explosion_on_cable_the_same_footage_best_behavior/#comments Tue, 16 Apr 2013 02:42:00 +0000 http://www.railrode.net/?p=13272026 In the immediate aftermath of national tragedies, TV news becomes a kind of collective waiting room: You’re there because you can’t be anywhere else. There’s nowhere else to go, nowhere else to channel your fear and anxiety, or at least nowhere else that could maybe inform you, in five minutes or five hours, of something that you might need or want to know, something that will make sense of what happened. So for hours and hours you wait, because waiting is all there is to do, with news teams that have real, serious, tragic news to report -- but too much empty time to report it in.

Immediately after the bombing at the Boston Marathon, all of the network news channels, the cable news channels, and ESPN were airing nonstop commercial-free coverage of the catastrophe. Shamed by recent misreportings brought on by working too fast and carelessly — falsely IDing Ryan Lanza as the shooter at Newtown, claiming Gabrielle Giffords was dead, botching the Affordable Care Act decision— the news programs tried to be cautious. They were careful not repeat something just because it had appeared on Twitter (or in the New York Post). They didn’t want to speculate — the anchors kept saying they didn’t want to speculate — but they did have time to fill, and so on-air experts started talking about whether the attack was "sophisticated" or "homegrown,” whether it was perpetrated by al-Qaida or a lone wolf, whether the presence of shrapnel suggested the bomb makers had overseas roots or a working knowledge of the Internet. Speculation accrued.

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]]> http://www.salon.com/2013/04/16/boston_marathon_explosion_on_cable_the_same_footage_best_behavior/feed/ 6 “Game of Thrones” recap: All men must die, but we are not men http://www.salon.com/2013/04/15/game_of_thrones_recap_all_men_must_die_but_we_are_not_men/ http://www.salon.com/2013/04/15/game_of_thrones_recap_all_men_must_die_but_we_are_not_men/#comments Mon, 15 Apr 2013 03:00:00 +0000 http://www.railrode.net/?p=13269237 This episode of “Game of Thrones” opens with a series of near misses. Catelyn Stark’s idiotic, self-satisfied and incompetent brother is trying to light his father’s funeral pyre as it floats down the river. He aims his bow three times, and three times he fails to connect, the flaming arrow ineffectually plunking into the water. His gruff uncle, the brother of the corpse in the boat, finally takes the matter into his own more competent hands and with one arrow, sets the pyre ablaze. It’s a funny moment, in an unusually funny episode of “Game of Thrones,” where the jokes function kind of like those errant arrows: an amusing preamble to the final sure shot. It’s an episode of near misses — or really, near rapes — until the very last moment, a brutal make: Jaime Lannister’s sword hand getting lopped off.

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]]> http://www.salon.com/2013/04/15/game_of_thrones_recap_all_men_must_die_but_we_are_not_men/feed/ 9 “Veep’s” creator: “I think politics just makes people go insane” http://www.salon.com/2013/04/14/veeps_creator_i_think_politics_just_makes_people_go_insane/ http://www.salon.com/2013/04/14/veeps_creator_i_think_politics_just_makes_people_go_insane/#comments Sun, 14 Apr 2013 20:00:00 +0000 http://www.railrode.net/?p=13268960 Armando Iannucci, the creator of HBO's "Veep," which returns for a much improved second season on Sunday night, is a master of the bureaucratic satire. Set in the world of politics, his shows, which also include the BBC's "The Thick of It," explore the hilarious ways that everyday banalities, crises and widespread incompetence grind everyone down, turning governance into a daily dysfunction. The glorious string of insults and curse words his civil servants are known for unleashing are the most creative and effective things they're likely to do on any given day.

I spoke with Iannucci, who is putting the finishing touches on "Veep's" second season in England, about giving Vice President Selina Meyer (Julia Louis-Dreyfus) a little more power, and the time someone took him around the real West Wing and said, "This is where CJ would sit."

What’s different about the new season?

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]]> http://www.salon.com/2013/04/14/veeps_creator_i_think_politics_just_makes_people_go_insane/feed/ 0 The much improved “Veep” http://www.salon.com/2013/04/11/the_much_improved_veep/ http://www.salon.com/2013/04/11/the_much_improved_veep/#comments Thu, 11 Apr 2013 19:33:00 +0000 http://www.railrode.net/?p=13268307 “Veep,” HBO’s satire of American governance, returns on Sunday night for a much-improved second season, as sharp and scabrous as the bureaucracy it mocks is incompetent and beleaguered. Set in the office of Vice President Selina Meyer (Julia Louis-Dreyfus), the big joke of “Veep’s” first season was the terrible tease of being second in command, a gig that, until Dick Cheney used it to ruin the world, was widely known to be a front row seat to your own powerlessness. All last season, Selena would ask her staff,  “Did the president call?” He never had.  In the new season, on the strength of a whole .9 percent statistically relevant influence over voters, the “thick rubber condom” between Meyer and the president has been removed, granting her “unprotected access” to power, and “Veep” a whole new range of jokes.

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]]> http://www.salon.com/2013/04/11/the_much_improved_veep/feed/ 4 “Duck Dynasty” is a great sitcom http://www.salon.com/2013/04/10/%e2%80%9cduck_dynasty%e2%80%9d_is_a_great_sitcom/ http://www.salon.com/2013/04/10/%e2%80%9cduck_dynasty%e2%80%9d_is_a_great_sitcom/#comments Wed, 10 Apr 2013 16:58:00 +0000 http://www.railrode.net/?p=13266953 A&E’s reality TV show "Duck Dynasty" is one of the ratings monsters of cable, which means it is one of the ratings monsters of television. Airing Wednesdays at 10, "Duck Dynasty" focuses on the high jinks of the Robertson clan, men who worship at the sartorial altar of ZZ Top and have made a fortune selling duck calls from the wilds of Louisiana. Its third season premiere in February attracted more than 12 million viewers, which would be a great number for any network show and is double and triple the size audience NBC gets for its Thursday sitcoms. It’s the sort of up-is-down piece of ratings data that makes one worry for the future of network TV until one watches “Duck Dynasty” and realizes nothing mysterious or strange is going on: “Duck Dynasty” is just a great sitcom in reality TV trappings.

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]]> http://www.salon.com/2013/04/10/%e2%80%9cduck_dynasty%e2%80%9d_is_a_great_sitcom/feed/ 7 Matchmaker, matchmaker make me a reality TV match http://www.salon.com/2013/04/10/matchmaker_matchmaker_make_me_a_reality_tv_match/ http://www.salon.com/2013/04/10/matchmaker_matchmaker_make_me_a_reality_tv_match/#comments Wed, 10 Apr 2013 14:11:00 +0000 http://www.railrode.net/?p=13266741 All week, NBC has been promoting its new dating series “Ready for Love” by promising that it will “revolutionize” the genre, part of NBC’s ongoing strategy to denude the word “revolution” of all meaning.  (“Revolution” is also the name of NBC’s fairly popular, totally execrable, not at all revolutionary TV show. Current tag line: “Join the Revolution.” Yes, every single person who has been part of any revolution, anywhere, at any time is rolling over in their grave.) “Ready for Love,” which premiered Tuesday night in a two-hour installment that felt even longer, is not only not a “revolution” of the dating genre, it is not even an evolution or advancement, just a mishmash. Put “The Bachelor,” “Millionaire Matchmaker,” “The Voice,” “The Dating Game,” Giuliana Rancic and a studio audience in a bowl, mash, slash, pound and serve. If you close your eyes, it tastes pretty much like “The Bachelor.”

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]]> http://www.salon.com/2013/04/10/matchmaker_matchmaker_make_me_a_reality_tv_match/feed/ 3 John Slattery on joking at the doctor’s office http://www.salon.com/2013/04/08/john_slattery_on_joking_at_the_doctors_office/ http://www.salon.com/2013/04/08/john_slattery_on_joking_at_the_doctors_office/#comments Mon, 08 Apr 2013 14:12:00 +0000 http://www.railrode.net/?p=13264635 Roger Sterling was all over last night's "Mad Men" premiere: in analysis, at his mother's funeral, hiding out on a bed covered in fur coats, sobbing in his office, uttering some of the episode's best lines. ("This is my funeral!" is a pretty amazing thing to say at someone else's funeral, even if it is your mother's and you kind of have a point.) In an episode unduly focused on change and death— how do we change? Can we do it some way other than dying? — Don dealt with these heady issues the way he usually deals with things — tortured and silent— and Roger dealt with these heady issues the way he usually deals with things — arch, dry, ultimately emotional. John Slattery, who plays Roger, spoke with me about the first episode, directing and joking at the doctor's office.

Roger seems like he might be kind of adaptable, better suited to a new world, but there’s this problem: He’s just getting older.

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