Showing results for: culture (page 27)

The Olympics went big for their Opening Ceremony — literally

CK Smith
Honoring Italy’s history of classical music was a whimsical turn in showcase of centuries of cultural arts heritage

Savannah Guthrie steps back from Olympics coverage amid search for her mother

CK Smith
Amid her mother’s disappearance, Guthrie stepped away from Olympic coverage, as Mary Carillo carried on with care

The Olympics are pricing out their own audience

CK Smith
Unsold tickets, luxury pricing, empty seats reveal how the Games drifted from their roots as a public celebration

Minnesota’s red-hat resistance isn’t Pussy Hats 2.0

Andi Zeisler
The Norwegian-inspired craftivism of Melt the ICE hats raises familiar questions about whose activism matters

What happens when democracy loses its watchdogs

Brian Karem
Layoffs at the Washington Post under Jeff Bezos are a dire warning for journalism and government accountability

Shock Democratic upset in Texas shows voters still hate book bans

Amanda Marcotte
Running against Moms for Liberty is a winning 2026 strategy

“A Mighty Wind” is Catherine O’Hara’s emotional tightrope act

Coleman Spilde
The actor's singular balance of absurdity and sincerity defined Christopher Guest's mockumentaries

Catherine O’Hara knew that motherhood can be a slapstick comedy

Melanie McFarland
O’Hara gave us decades' worth of moms who know it's better to be a star than a self-sacrificing angel

Why the Olympics matter in a fascist moment

Andi Zeisler
Team USA deserves our attention, and watching them on the world stage is a chance to reclaim national pride

Kennedy Center teaches MAGA a tough lesson

Amanda Marcotte
Donald Trump's coalition is finding that they can't bully their way into the nation's art and culture

The new “Fear Factor” is gross in all the wrong ways

Andi Zeisler
Johnny Knoxville hosts a reboot that turns reality TV’s old shock value into joyless competitive degradation

Trump administration plans to write regulations using AI

Jesse Coburn
“We don’t need the perfect rule,” said top Transportation Department lawyer. “We want good enough”

The “Melania” movie is empty, foul and worse than we imagined

Coleman Spilde
Neither insightful nor interesting, the first lady’s disgraceful doc exists only to fuel Trump’s propaganda machine

Democrats build momentum through special elections

CK Smith
A growing pattern of Democratic overperformance is tightening margins and reshaping the potential 2026 midterms map

“Primal” is a life-affirming zombie tale

Melanie McFarland
Genndy Tartakovsky defies our short attention spans with the quiet tale of a lost soul seeking the ones he loves

Amanda Seyfried’s “Housemaid” performance is a cinema-saving miracle

Coleman Spilde
A fearless, over-the-top performance shows why movies at the edge of camp and prestige still matter

Mary Tyler Moore stands for Minneapolis

Melanie McFarland
“The Mary Tyler Moore Show" demonstrated that progress can be won

Eating the same thing isn’t failing

Ashlie D. Stevens
The quiet relief of meals that require fewer decisions — and why that matters more than novelty

“Schitt’s Creek” star Catherine O’Hara, dead at 71

Melanie McFarland
O'Hara's costars were quick to sing her praises in the wake of her passing, remarking on her one-of-a-kind talent

The lost joy of the Food Network chef as teacher

Melanie McFarland
TikTok is where the recipes are, but it's a poor substitute for a TV expert's instruction

Turning Point’s Super Bowl alternative to Bad Bunny looks like a flop

Amanda Marcotte
The organization won’t reveal the performers until the day of the game

The beauty-industrial complex is Ryan Murphy’s new villain

Andi Zeisler
Ryan Murphy’s new show is as extravagant as ever — except when it highlights the real-world risks of looksmaxxing

Vice signaling explains Trump’s enduring appeal

Chauncey DeVega
Minneapolis reveals why outrage alone fails to loosen Trump’s grip

Bruce Springsteen’s “Streets of Minneapolis” revives the sound of protest

Kenneth Womack
Written amid unrest in Minnesota, "Streets of Minneapolis" fills a notable absence of musical dissent
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