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Topic: Music (page 167)

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Music: Even Moby gets the blues: On his new album, the techno star finds his (and the music's) black roots

Scott Marc Becker
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Music: Pavement gleams in the "Terror Twilight"

Seth Mnookin
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Music: Thievery Corporation remixes David Byrne, Stereolab and Pizzicato Five with sexy house and dub

Amanda Nowinski
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Music: Waylon Jennings' outlaw streak

David Bowman
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Music: An underground supergroup: Post-rocky Tortoise meets the artsy Ex

Joe Gross
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Sarah Vowell: Love, truth and videotape

Sarah Vowell
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Music: Orbital's latest electro-monotonous mess will hypnotize you right to sleep, hypnotize you right to sleep

Amanda Nowinski
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Music: A minor suite of Duke Ellington's five most breathtaking recordings

Ezra Gale
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Music: A retrospective on Can, the best improvisational German progressive rock band of the '70s

Alex Pappademas
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Zé mania: Why Beck, Stereolab, Tortoise, the High Llamas and Sean Lennon are all fascinated by Brazilian pop star Tom Z

Jeff Stark
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Music: Singer-songwriter Ron Sexsmith's moody blues

John Milward
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Music: Bob Marley gets a worthy interpreter (finally)

Philip Booth
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Carole King's long-lost "Really Rosie": "Tapestry" for the under-10 set

Douglas Wolk
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Poniewozik on Internet radio: Will it eat the pablum lunch of the commercial airwaves?

James Poniewozik
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Sarah Vowell: Quitting time for "Melrose Place"

Sarah Vowell
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Music: Homespun guitarist Bill Frisell finds the organic side of avant-garde jazz.

Seth Mnookin
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The Boss does Barcelona: Springsteen kicked off his reunion tour -- and a global group of lucky fans got treated to a private co

Michael Yessis
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Music: Ubiquity's "The New Latinaires" dances to the experimental beat of salsa

Amanda Nowinski
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Open-source music: Freedom is in the tracks

Jimmy Guterman
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Music "Felicity" soundtrack: Dewy singers and chamomile sentimentality

Alex Pappademas
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Music: Jazz pianist Jacky Terrasson takes on Pink Floyd -- and Ravel

Philip Booth
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Hole on the edge: Rage, sarcasm and near-pandemonium as Courtney Love does Boston

Charles Taylor
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Music: Country neo-traditionalist Radney Foster faces genre oblivion

Tony Scherman
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The Old 97's on songwriting: A verse, a chorus, a broken heart -- and "massive amounts of marijuana"

Jeff Stark
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