Advertising

The return of the hidden persuaders

Driven by a booming economy, a corporate obsession with brand-building and a feelgood philosophy, a motley crew of ex-grad students, starry-eyed admen and hypnosis gurus are probing the consumer unconscious to sell soap.

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The return of the hidden persuaders

Sixtus Oeschle, manager of corporate advertising for Shell Oil, was at his wits’ end. For months, he and his team of researchers had pumped the consumer psyche, desperate to uncover the real reason behind a decade-long sales slump at the $26 billion conglomerate. For months, they’d come up empty. “We tried psychographic memory triggers,” Oeschle recalls. “We tried dream therapy. We tried what I’ll call tangible manifestation exercises.” All to no avail. “We weren’t generating anything that was breakthrough,” he says. “It was all kind of the same sort of stuff.” At one point, respondents were given mounds of wet clay and urged to mold figures that expressed their inner feelings about Shell. When that, too, proved a dud, Oeschle passed out sketchbooks and Crayolas. “We said, ‘Draw what Shell is to you,’” Oeschle recalls. “Then we said, ‘Draw what you would like Shell to be to you.’” The results, while eye-opening, were not particularly useful from a marketing standpoint. “I can’t tell you what they drew,” Oeschle says glumly. “Let’s just say it was something so magisterial, so huge, that there was almost no way a corporate entity could do that.”

It was time, Oeschle decided, to try something radical. “All the techniques I’ve just mentioned — they’re all legitimate tools for arriving at consumer insight,” he says. “But they only operate on the surface level.” To craft a more potent appeal for its brand of gasoline, Oeschle concluded, Shell would have to go deeper — much deeper. Oeschle decided to call in Hal Goldberg, an Irvine, California-based consumer researcher who specializes in focus groups conducted under hypnosis.

The decision to put respondents in a trance, Oeschle recalls, was a controversial one. “My own research staff fought me on it,” he says. “A number of people at Shell said, ‘What the hell is this?’ They thought it was unethical. They gave me all the reasons I shouldn’t even embark on it.”

The results, Oeschle says, wowed even the skeptics. “I’ve got to tell you, it was fascinating, fascinating stuff,” he says. After dimming the lights, Goldberg asked respondents to fix their eyes on a green spot on the wall. Then he took them back, back — back to the last time they purchased gasoline. “What were you doing?” asked Goldberg. “What were you thinking?” Goldberg didn’t stop, Oeschle recalls, until the participants had regressed to a state of mewling infancy. “He just kept taking them back and back,” he says. “Until 40 minutes later, he’s saying, ‘Tell me about your first experience in a gas station.’ And people were actually having memory flashbacks. I mean, they were going there. They were saying, ‘I was three-and-a half years old. I was in the back of my dad’s brand new Chevy.’ It was like it was yesterday to them. I was stunned.”

The real breakthrough, however, came after the respondents awoke out of their trance. “When Hal brought them all back out, he asked them who’d they prefer as a gasoline purveyor,” Oeschle says. “What staggered me was that, to a person, it was always linked to that experience in their youth.” One woman volunteered that she always made a point of filling her engine at Texaco. “We asked her why,” Oeschle recalls. “And she said, ‘I don’t know, I guess I just feel good about Texaco.’ Well, this was the little 3-and-a-half-year-old in the back of her daddy’s car speaking.”

Shell is now in the process of coming up with some new customer-catching techniques — derived, Oeschle says, from the insights gleaned from his groups of mesmerized motorists. “It dawned on us, as a result of this process, that we’d better figure out how to favorably impact people from an early age,” he says. Where Shell had gone wrong, it seems, was in reasoning that, since people don’t start buying gas until at least age 16, there was no need to target the tiniest consumers. “They weren’t even on Shell’s radar,” Oeschle laments. To remedy that oversight, the company is now moving forward with a “multifaceted campaign” aimed at conditioning youngsters to be loyal enthusiasts of Shell products. Oeschle politely declines to divulge the specifics of the company’s plan to mold young minds. “Some of the things we’re going to do down the road, I can’t talk about right now, because they’re still in the potential launch phase,” he explains. “I’m not interested in tipping my hand before we launch a program. We want to own this position. We don’t want to be running up a mountain against somebody else.”

At first blush, petroleum gasoline might seem a humdrum commodity, an improbable receptacle for consumers’ hopes, dreams and misty hidden yearnings. But Shell is only the latest blue-chip company to conclude that the secret to a healthy bottom line lies not in tracking surveys or usage studies, but in the murky depths of the consumer unconscious. Ironically, even as Freudianism is increasingly viewed as suspect in society at large, it has been worshipfully embraced by no-nonsense, jut-jawed captains of industry. A growing number of CEOs have become convinced that they cannot sell their brand of deodorant, or deli meat, or automobile until they first explore the Jungian substrata of four-wheel drive; unlock the discourse codes of female power sweating; or deconstruct the sexual politics of bologna.

Far from being consigned to the maverick fringe, the new psycho-persuaders of corporate America have colonized the marketing departments of mainstream conglomerates. At companies like Kraft, Coca-Cola, Proctor & Gamble and Daimler-Chrysler, the most sought-after consultants hail not from McKinsey & Company, but from brand consultancies with names like Archetype Discoveries, PsychoLogics and Semiotic Solutions.

David Bostwick, director of market research at Daimler Chrysler, is one of the beleaguered executives struggling to adapt to the new order. An engineer by trade, Bostwick is frequently called upon to decode the all-embracing parables of Dr. Clothaire Rapaille, the Palm Beach-based Jungian whose “archetype research” inspired the design of Chrysler’s latest sports-utility vehicle, the PT Cruiser. Asked how the company settled on Rapaille, Bostwick, a genial, soft-spoken man who rose to his current executive position from the shop-floor ranks, rattles off trendy academic models with the ennui of a harried grad student. “There is so much out there,” he says. “For a while, we had a collagist working with us. He was trying, through collages, to have people express certain cognitive and emotional connections. Then there was linguistics. Basically, you take the words that people say, and try to find a pattern.” Boldly rejecting the work of Saussure, Sapir, and Chomsky, Bostwick proclaims linguistics “a disaster.” “Linguistics doesn’t get you anywhere,” he says. “It provides you with what I call a ‘map of ignorance.’”

In search of a new theoretical synthesis, the Chrysler crew happened on Dr. Rapaille. “He takes traditional Jungian archetypes and applies them to a business situation,” Bostwick explains. “He helps us figure out a thought process.” But Rapaille’s real value, it seems, is in reassuring Chrysler executives that their products actually mean something; that they serve real human needs; that they form part of a greater whole. “The more we learn about American culture, the more we see how these vehicles fit into our psyche — the more we see how it is that we fit into the overall scheme of living,” Bostwick says happily.

Under Rapaille’s tutelage, Bostwick says, the Chrysler team has come to understand why their old consumer research was bound to fail. “We told people to make collages, but we didn’t understand the deep structure of what they were thinking,” he says. “We were using the logic of logic, not the logic of emotion.” Thanks to Rapaille, Bostwick and his colleagues now employ a kind of Freudianism Lite in all their market research. “Our theory now is that people express things according to patterns,” he says. “And so, in focus groups, we listen differently. We listen for slips of the tongue. We listen for changes in inflection. We listen for long pauses. We ask, Why did they pause? Our assumption now is that nothing happens by random chance or accident.”

Rapaille’s greatest triumph came last February, when the consultant was asked to preside over the design of the PT Cruiser — a Mad Max-type vehicle described by the Wall Street Journal as “part 1920s gangster car, part 1950s hot rod, and part London taxicab.” The vehicle, which hits dealerships in January 2000, is a focus group on wheels — an actual, chrome-and-sheet-metal incarnation of the popular will. “We didn’t set out to create a market,” Bostwick says earnestly. “We just tapped into what people had in their heads in the first place.”

To ensure maximum lovability, prototypes were spot-checked against the collective unconscious at every stage in the design. Rather than convening traditional focus groups, Rapaille used a proprietary method known as “archetype research,” in which participants lie on soft mats and free-associate in the dark. The idea, says Bostwick, was to recreate the same brain activity you have when you first wake up from a dream. “It’s a very special brain activity,” he says. “It allows us to actually access some of those unconscious thoughts.”

Asked to respond to an early prototype of the vehicle, the somnolent participants expressed a desire for a more pronounced retro look. “They said they wanted to go back to a simpler time,” Dr. Rapaille told me. Apparently unfazed by the possibility that the respondents might have fallen asleep watching reruns of “The Untouchables,” the designers changed the prototype to incorporate protruding fenders and big, bulbous headlights.

Traditional Jungian archetypes came into play as well. “Freedom, in America, means something different here than it does anywhere else,” Rapaille told me. “It is tied in to this notion of wilderness. We like to describe where we live as the wilderness, whether it’s suburbia or downtown. We have to have wilderness, so that we can point to it, and say, ‘It is a jungle out there. But I am in the wilderness.’ If there is no wilderness, there is no America. Do you understand what I am saying?” No, actually; but never mind. “What that said to us is that people are looking for something that offers protection on the outside, and comfort on the inside,” Bostwick clarified. “We communicated that to our design team.”

As the Chrysler engineers scrambled to respond to these atavistic stirrings, tempers were quick to flare. “You have to understand, this was such a learning experience for those of us who participated in the analysis,” Bostwick says. “We all came back with a great deal of enthusiasm, because we personally found this such an effective tool. We felt like we had to solve the mystery of the universe, and we only had 10 days.” The problem, Bostwick reflects, is that some of the findings “were very hard to explain to the rest of the crew. I mean, we were talking about deep structure, and the logic of emotion. We were saying, ‘Hey, the stuff we’re doing here is related to Jung. It’s layers.’ And they were saying, ‘Well, should the windshield be on a 15-percent grade or a 12-percent grade?”

Nearly 50 years ago, sociologist Vance Packard shocked the nation with “The Hidden Persuaders,” a stinging indictment of advertisers’ attempts to massage and mold our inner thoughts, fears and dreams for profit. The slim volume, with its unsettling portraits of slimy “depth men” rooting about in the consumer subconscious, provoked widespread outrage. “We have reached the sad age when minds and not just houses can be broken and entered,” concluded the New Yorker. Thundered the Saturday Evening Post: “The subconscious mind is the most delicate part of the most delicate apparatus in the entire universe … It is not to be smudged, sullied or twisted in order to boost the sales of popcorn or anything else.”

Hearings were held, legislation was introduced — though never passed — and “motivation researchers” Louis Cheskin and Ernest Dichter, both former academics who had used the tools of psychiatry and the social sciences to support the admen in their trickery, were publicly admonished as traitors to their profession. By 1959, Packard himself had cause for confidence that the mind-molders and psycho-probers whose tactics he had exposed would soon be consigned to the dustbin of marketing history. “Eventually — say, by A.D. 2000 — all this depth manipulation of the psychological variety will seem amusingly old-fashioned,” chuckled the sociologist in a preface to the paperback edition.

Of course, it hasn’t quite worked out that way. In fashionable marketing circles, it has become acceptable again to speak openly about harnessing consumers’ brain waves for commercial ends. These days, the marketing history of the 1950s is being relived as farce, as corporations fall over themselves to spelunk the minds of shoppers, and a new generation of depth men seizes on the subconscious as prime territory for subliminal appeals.

A charmingly retro school of brand psychoanalysis, which holds that all advertising is simply a variation on the themes of the Oedipus complex, the death instinct, or toilet training, and that the goal of effective communications should be to compensate the consumer for the fact that he was insufficiently nursed as an infant, has taken corporate America by storm. “It’s a very competitive environment out there,” says Dr. Sam Cohen, president of PsychoLogics, a New York-based brand consultancy. “I don’t think the market has ever been so flooded with brands. Companies realize that if they can’t own a piece of the consumer’s mind, they won’t make it today.” Cohen has deployed his proprietary technique, which he cheerfully refers to as the “Psychological Probe,” for a range of clients, including Toyota, Northwest Airlines and General Foods. “I’m an ego psychologist, a post-Freudian analyst,” Cohen says, adding with pardonable pride, “I go where Freud would have gone if he had lived. I’ve developed my own model, my own way of tapping into the subconscious processes.” As an specialist in object-relations theory, Cohen says, he considers himself especially well-positioned to probe the purchasing decisions of consumers. “Object relations theory is all about learning about the self in relation to the object world,” he explains. “The original object, of course, would be the mommy.” Brands, he says, “fit beautifully into the theory of object relations. Brands carry with them symbolic meanings or unconscious meanings, which the consumer can then use for his own well-being.”

Cohen’s clients love it. “It gives them such an advantage over their competitors,” Cohen tells me. “When they own the consumer mind — when they create such a perfect fit with her underlying identity needs — they become that much more powerful … It’s fascinating to see how far companies have come in recognizing that.”

Hal Goldberg, the California-based hypnotist who conducted the focus groups for Shell, agrees that today’s far-seeing executive will route all appeals through the consumer subconscious. “The issues that people have with brands are so deep-seated,” he says. “If I can get people to go back in time, go back to when they first experienced the brand and the category, I might find something that a client can make use of … Perhaps there’s something about the first experience with the category that affects adult behavior. If my client knows that, and their competitors don’t, they might be able to penetrate that intense imprinted memory and make a sale.”

The old tools of the subliminal hard sell — skin probes, galvanometers, high-speed tachistoscopes urging movie patrons to “Eat Popcorn” and “Drink Coca-Cola” — had about them the distinct whiff of hucksterism. In contrast, the new-style methods boast a faddish academic gloss. The literature of the new, highbrow brand consultancies bristles with references to “emergent codes,” “meaning systems” and “syncretic nonlinearity.” In marketing departments across America, cheerful maxims about teamwork have given way to po-mo apergus. “Put Your Own Subjectivity On the Line!” exhorts a wall poster at DDB-Needham Worldwide, a New York-based advertising agency. “It’s the only way into the Other’s subjectivity!” Another consultancy informs prospective clients that “Consumers are Made, not Born … Any brand that doesn’t exploit the ‘Normalizing Ideology’ is lost in ‘cultural space.’”

The most successful outfits promise an irresistible fusion of Jung, Freud, and TQM-style system-worship. “Phase Three: Following the last imprinting session in this phase, the third meeting with the Archetype Team is held,” reads a typical passage from a brochure put out by Archetype Discoveries, the Palm Beach consultancy presided over by Dr. Clothaire Rapaille. “The results of the second-phase imprinting sessions are analyzed, and a new orientation is established … The Archetype Team Leader meets with the Core Team. We begin to understand the archetype, and to ‘break the code.’” Clients include Coca-Cola, Kellogg’s and Kraft Barbeque Sauce.

There is another important difference between today’s captains of consciousness and the psycho-probers of yesteryear. According to Packard’s account, the sociologists, anthropologists and clinical psychiatrists who toiled for the agencies were conflicted, even tortured about their place in his rogues’ gallery of persuaders. They brooded constantly about the implications of their endeavors, and claimed to be wracked with guilt over the morality of using social-scientific methods to manipulate mass audiences. Today’s consciousness wranglers, in contrast, are a far more upbeat lot. Weaned on the latest cultural-studies theory, which holds that Disneyland is a text, and which refuses to privilege Graham Greene over the Jolly Green Giant, they hardly feel they are slumming when they make the jump to the dark side. After all, if you’re going to write a dissertation on the semiotics of Playtex, you might as well get paid for it — by Playtex.

“Once clients look at things in a semiotic way, they never go back,” says Virginia Valentine, president of Semiotic Solutions, whose clients include Coca-Cola, Mazda, Safeway, and SmithKline Beecham. “My own degree is in critical theory and literature. The theory base we use comes from the French, from Saussure and Levi-Strauss, with a healthy dose of Levinson, British cultural studies, and Russian formalists, who were of course the great theorists of carnival …” Her voice drifts off knowingly. “We’re very proud of what we’ve been able to do here. We have, I believe, taken the whole body of semiotic theory and adapted it to consumer brands. We’ve fit the semiotic project within the commercial process without losing the rigor, without losing the systematic approach, and still staying true to the theoretical principles.”

Valentine explains how this works in practice. “It’s all about how brands make meaning,” she says. “And how meaning is literally deconstructed and reconstructed. It’s quite fascinating, actually. We’ve worked on a number of retail projects. And what we’ve found is that everything signifies. Everything. Whether it’s sanitary protection or the interior design of a supermarket or the viscosity of a product, it will all signify. And advertising is only going to work if it taps into a ready-made coding system in the consumer’s head.”

I ask Valentine if she is troubled by the fact that many of her favorite theorists developed their theories as a weapon against capitalism; that the interpretive tools on which she relies were originally intended to expose the structure of advertising as a system of power and oppression. “It’s an interesting point,” she says. “It’s certainly true that my understanding of brands is essentially a Marxist understanding. It has angered some academics that this theory, which was originally presented as revealing the strategies behind advertising and marketing, is now being used in the service of advertising and marketing.”

Like so many of her theory-drenched contemporaries, Valentine gets around this difficulty by reasoning that, unlike the old-style manipulators, her mind-meddling will have socially constructive results. “My belief is that, as our personalities get more fragmented, products and brands can work with us,” she says earnestly. “We are not at all about creating needs that people don’t have. We are about meeting wants that people do have. If we can understand the way people want to live their lives — the way they want to see themselves — and then put brands to work in the service of that, I think that’s a beautiful thing, actually.”

Valentine is hardly the only lapsed academic to fall back on this therapeutic view of market research. The view goes as follows: Unlike the old depth men, who were megalomaniacal, full of aggressive contempt for the consumer, the new depth men — and depth women — are crusading idealists, bent on spreading love, happiness and goodness. They make no distinction between brand potential and human potential. By selling us on our own wishes — by helping us decide to do what we already wanted to do — they not only grow the economy; they “enhance the functioning of the individual,” in the words of Sam Cohen.

“I might be kidding myself,” says Dr. Robert Deutsch, a neuropsychiatrist and cognitive anthropologist now employed full-time at DDB Worldwide. “But I really do believe that advertising can do a better job at providing communications that offer an anchor point and an uplifting to the Volk, as I would call them respectfully.” Dr. Deutsch, a genial, bearded man, is sitting in an outdoor cafe, munching on Wellfleet oysters as he expounds on his revolutionary approach to merchandising. “See, you can’t give consumers a new message that they have to take in,” he tells me. “Then, at best you have a fad. But if you communicate to people — and do it in such a way as to make the familiar novel to them — what you do is you open up the self, in an insightful and authentic and mysterious way.” Dr. Deutsch orders another glass of champagne. “To me, this is what advertising is all about,” he says. “It’s all symbolic. It’s all in the service of propping up the self.” At the end of the meal, Dr. Deutsch presents me with a copy of a speech he has just delivered. “Strip-Searching the Mind of the Consumer — Lovingly,” reads the title page.

Dr. Sam Cohen, president of PsychoLogics, also represents this holistic, humanistic breed of hidden persuader. “I’m asked that question all the time: ‘Here you are, on the one hand, dealing with therapy and truth. Aren’t you, on the other hand, dealing with insight and manipulation?’” he says. “Where I’ve come to terms with that, in my own mind, is understanding what I call the ‘prop’ quality of brands.” To hear Dr. Cohen tell it, brands actually act as teeny-weeny-therapists — enhancing our self-esteem, curing us of infantile hang-ups, helping us manage conflicts between pleasure and guilt. “Brands assist people in their day-to-day functioning,” he says. “That’s not something I invented. Brands are already used by the consumer in that way. The question is, which brand gets to own it, and make better use of it?” To illustrate what he is talking about, Cohen mentions one of his current clients, Poland Spring Water. “I can use my Poland Spring water to quench my thirst,” he says. “But I may unconsciously use it as a cleansing ritual, to rid my body of bad thoughts. If I can take my spring water, and actually think of it as a cleaning ritual — and as a result, feel cleaner, purer inside — doesn’t that help me in my day-day-living? It’s almost like good therapy.”

Dr. Cohen is growing animated. “If Poland Spring is the best prop to help me get rid of bad feelings — which maybe I don’t know how to do so well — aren’t we doing a service, both to the brand and to the consumer? What we’re doing here is we’re making brands more meaningful. Which is helpful, because we don’t all have time for therapy anymore. HMOs make it nearly impossible. And so, from a clinical perspective, brands can be used as a sister, an assistant, in promoting people’s better functioning.”

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Ruth Shalit is an account planner at Mad Dogs & Englishmen, a New York advertising agency. For more columns by Shalit, visit her column archive.

America’s road sign legends

Burma-Shave's rhyming ads turned highway billboards into poetry, and changed advertising -- and America

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America's road sign legends
This article originally appeared on Imprint.

ImprintIn a simpler time, when automobiles went slower and the pre-Eisenhower highway system in the United States was less developed, there was a popular advertising campaign that ran from 1927 until 1963. It consisted of rhymed messages sequentially staked on the right side of the road, all ending with the advertiser’s name, “Burma-Shave.”

Examples of vintage Burma-Shave road signs, including a blue South Dakota version. (Ray Crockett photo)

These red ads (one state, South Dakota, insisted that they be dark blue to keep them from conflicting with the red reserved for warning notices) usually consisted of five signs. For example: “DON’T PASS CARS/ON CURVE OR HILL/IF THE COPS DON’T GET YOU/ MORTICIANS WILL/BURMA-SHAVE.”

Some slogans touted Burma-Shave as a pre-aerosol “brushless” shaving cream—a cream you could scoop out of a jar and lather onto your face without relying on an old-fashioned brush and moistened soap in a mug.

 

("Thoroly"? I guess if the word doesn't fit the composition, change the spelling. . .)

In 1925, Clinton Odell, a Minneapolis lawyer, took the liniment his father created and transformed it into a brushless shaving cream. He named his company Burma-Vita—Burma, because most of the essential oils in the liniment were from the Burmese portion of the Malay Peninsula, and Vita from the Latin for “life”: “Life from Burma.”

Some of Burma-Shave’s primary “brushless shaving cream” competitors were Barbasol and Noxema.

The company was sold to Philip Morris in 1963, and all the signs were removed soon thereafter. As a testament to the campaign’s cultural significance, a set of signs was donated to the Smithsonian, where it still resides. But the brand eventually petered out. After being sold yet again (this time to the American Safety Razor Company) and then reintroduced in 1997, it never regained a hold in the market.

A history of the Burma-Vita Company, written by Frank Rowsome Jr. and illustrated by Carl Rose, was published by the Stephen Greene Press in 1963.

By the early 1960's, the rising costs of road-sign maintenance (as well as new and more effective ways of advertising) sounded the death knell for the Burma-Shave signs.

The following pages from Frank Rowsome Jr.’s book list all the road-sign Burma-Shave phrases produced from 1927 to 1963.

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7Up’s branding revolution

How "Bib-Label Lithiated Lemon-Lime Soda" became one of America's most popular soft drinks

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7Up's branding revolution
This article originally appeared on Imprint.

ImprintI became interested in pop bottles (I grew up in the Chicago area where we all said “pop”) and related stuff when I was about 12 years old. I had gone inside an old garage that was attached to a neighborhood house that was being torn down and inside was a cache of un-returned pop bottles that must have dated from the 1940-’50s period. I took one of each type home (about 20 of ‘em) and yes, still have them to this day. I really got off on all the different labels and colors of glass and because I used to like to read old magazines I actually recognized most of the brands that were no longer around or had changed their design. I’ll go into this more in a future post, but wanted to lay some sort of a foundation for this piece, which is exclusively on 7Up, with a special focus on their branding efforts of the 1950s.

The soft drink that would be known as 7Up was created in 1929 by Charles Leiper Grigg in St.Louis as part of his “Howdy” line of sodas and was originally called “Bib-Label Lithiated (it contained the mood stabilizer lithium citrate until 1950) Lemon-Lime Soda.” It was almost immediately re-labeled “7 (7 natural flavors) Up Lithiated Lemon-Lime,” and then finally just “7Up”.

The first 7Up logo from 1929.

In terms of logos, an original winged trademark soon gave way to the red squared logo that lasted until the late 1960s that coincided with that period’s brilliant “Uncola” re-branding campaign. I always felt they had GOLD in that Uncola moniker. . .

A 1935 7Up label before the Howdy Company's name was changed to 7Up in 1936, followed by two Howdy beverage labels.

By the late 1940s 7Up was the third most popular soft drink in the United States. By the time the 1950s rolled around, the company had employed extensive branding techniques to keep the momentum going. The following three binders contain examples of what was offered to the bottlers and distributors to reinforce the product’s presence.

A catalog of 7Up sales/marketing items circa 1954.

This page includes tipped-in glossy paint chips.

These next three pages would NEVER fly with the HR Dept in 2012. . .

Before everyone had TV's in their home, it was common to go out to watch television.

7Up Sales & Promotion Merchandise Catalog circa 1954 - 59.

(would love to have those binders. . .)

Actual cloth swatches included.

More swatches.

1959 "Salesmakers" Catalogue

2 actual decals using the older logo with the woman reaching for bubbles- love the way the color is broken down into separate shapes and levels.

Actual booklet attached.

"Fresh Up Freddie" was the 7Up mascot created in 1957 by ad agency Leo Burnett and Walt Disney to help sponsor the Disney "Zorro" TV series.

Here’s a link to more info on “Freddie”: http://www.cartoonbrew.com/disney/fresh-up-freddy.html

Remember, it's from 1959. . .

Ditto. . .

2 mid-1930's 7Up bottles.

Left: 1940's bottle with 8 bubbles on label. Right: 1950's bottle 7 bubbles.

"Like" was introduced in 1963 as a diet version of 7Up. It contained Calcium Cyclamate which was determined to be a carcinogen in 1969. "Like" was discontinued in that same year and Diet 7Up was introduced in 1970 sans the Cyclamates. This bottle is dated 1964.

Late 1960's/early 1970's can.

"The Uncola".

As a final footnote, I was lucky enough to work on spots for 7Up International using the Susan Rose/Joanna Ferrone character “Fido Dido”! Here’s one of my favorites done while I was at the Ink Tank Studio in N.Y.: http://www.youtube.com/watch?v=8JpHjeGXyw8

Copyright F+W Media Inc. 2012.

Salon is proud to feature content from Imprint, the fastest-growing design community on the web. Brought to you by Print magazine, America’s oldest and most trusted design voice, Imprint features some of the biggest names in the industry covering visual culture from every angle. Imprint advances and expands the design conversation, providing fresh daily content to the community (and now to salon.com!), sparking conversation, competition, criticism, and passion among its members.

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Pepsi’s creepy Jackson revival

A ghoulish new campaign brings him back from the dead. Maybe it's time to stop looking backwards

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Pepsi's creepy Jackson revivalMichael Jackson (Credit: Reuters/Kimimasa Mayama)

As if Michael Jackson wasn’t creepy enough when he was alive. The self-proclaimed King of Pop, who died nearly three years ago, is making a return via a new Pepsi campaign. The fabulously un-self-aware tagline? “Live for Now.”

The corporation is set to festoon one billion cans of Pepsi around the world – that’s one billion cans – with the singer’s unmistakable silhouette. It’s a bold move for a company whose most famous association with Jackson is that back in 1984, his hair caught fire filming a commercial for them. Jackson’s estate orchestrated his sponsorship resurrection, and a family spokesperson confirmed to the Wall Street Journal Thursday that “more such marketing agreements are planned.” Did anyone else just feel that collective shudder of revulsion?

Even dead, Jackson is a massive draw. He’s currently the subject of a global Cirque du Soleil tour with the horror movie title “Immortal.”  And Pepsi knows that overseas – especially in markets like Asia — his brand is as ubiquitous and American as well, cola.

Bringing back the dead is a peculiar – if increasingly common – gambit. Now that the earth has run out of living celebrities, they’ve had to revive Tupac to perform at Coachella  and Grace Kelly to make kissy face with Charlize Theron to sell perfume.  They even had to dig up Martin Luther King Jr., to pitch for Mercedes-Benz.

There comes a time when a celebrity passes into our iconography. Today, seeing the images of Elvis and Marilyn and James Dean in different pop culture contexts barely seems any stranger than fake Abraham Lincolns selling cars in February. And why wouldn’t Jackson’s people wring a few more opportunities out of his incredibly lucrative image? Somebody’s got to pay for all those $10 million mansions.

Senior PepsiCo marketing executive Frank Cooper told the WSJ that the new campaign will be both “respectful” and “forward looking.” It may be respectful. But there’s nothing “forward” about the dead. Jackson’s image survives as an easy symbol of pop music, but the man whose life ended from propofol intoxication three years ago, whose doctor is currently serving time for involuntary manslaughter, couldn’t seem less like the right spokesman for the notion of “living for now.”

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

Ashton Kutcher’s brownface fail

The actor's racist ad is pulled -- but what's left isn't much better

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Ashton Kutcher's brownface failAshton Kutcher

Somewhere, Charlie Sheen is laughing and saying, “At least I never did that.” This week, we learned what’s even less funny than Ashton Kutcher: Ashton Kutcher in brownface.

In an ill-advised Popchips ad spoofing online dating that launched Wednesday, the “Two and a Half Men” star appeared as a variety of love-hungry “World Wide Lovers” vying for your affection. In a spectacular display of racial tone-deafness, one of them included “Raj.” Raj, all darkened skin and heavy accent, is “a Bollywood producer looking for the most delicious thing on the planet.” He’s looking for something “Kardashian hot … I would give that dog a bone.” He brags that he once won a milking contest, and he does a little dance that will haunt your nightmares.

Shockaroonie, some people found this offensive. The ad went the wrong kind of viral, with a social media explosion of negative feedback. It’s not that comedy with a racial element is always wrong wrong wrong. The Jewish Hank Azaria is currently in his third decade of playing the Indian Apu Nahasapeemapetilon on “The Simpsons,” and nobody seems to be outraged about this. Kutcher’s incredibly unnuanced performance isn’t that, though. On his blog, writer Anil Dash explains it perfectly –  “a fake-Indian outfit and voice” constitute “the entire punchline” of the clip. And, as he eloquently put it, “I can’t imagine I have to explain this to anyone in 2012, but if you find yourself putting brown makeup on a white person in 2012 so they can do a bad ‘funny’ accent in order to sell potato chips, you are on the wrong course. Make some different decisions.”

And so that’s what Popchips is trying to do. On Wednesday, in a “message from Keith” on the company’s website, its founder, CEO and foe of proper capitalization Keith Belling wrote, “we received a lot feedback about the dating campaign parody we launched today and appreciate everyone who took the time to share their point of view. our team worked hard to create a light-hearted parody featuring a variety of characters that was meant to provide a few laughs. we did not intend to offend anyone. i take full responsibility and apologize to anyone we offended.” That’s a constructive, self-aware response to a potential public relations disaster. (Kutcher, who in recent months has been tainted by his hasty Twitter support for Penn State coach Joe Paterno and a divorce that featured rumors of unprotected extramarital sex, has so far had no comment on the problematic ad campaign.)

It’s a positive thing that Popchips understood its mistake and made an immediate effort to rectify it by pulling the ad. That step forward is mitigated somewhat, though, by the a large number of “get over yourself” responses on Anil Dash’s blog. We’ve still got much work we need to do in this country around issues of stereotypes and sensitivity, folks.

You don’t have to look any further than the entire Popchips campaign to see what I mean. Its remaining “World Wide Lovers” include the stoner Brit “Nigel,” who’s “seeking higher planes of consciousness” (GET IT????), the effeminate German “Darl” — a swishy riff on openly gay designer Karl Lagerfeld — and the dumb redneck “Swordfish.” In the end, there’s also regular old, newly single Kutcher, who describes the other guys in the club as a “freak show.” Hey, geniuses at Popchips – you’re still perpetuating gross generalizations. Also: They’re not funny. It’s a great big snack-loving country. Being cool about brown people – and gay people, and people others would call “white trash” – shouldn’t be such a crunch.

 

 

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Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

FCC takes on super PACs

The commission voted to require stations to post political ad data online -- but it won't be searchable

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FCC takes on super PACs (Credit: Screenshot from American Crossroads anti-Obama ad)
This originally appeared on ProPublica.

The Federal Communications Commission voted 2 to 1 this morning to require broadcasters to post political ad data on the Web, making it easier for the public to see how as much as $3.2 billion will be spent on TV advertising this election.

The files — which, among other information, detail the times ads aired, how much they cost, and whether stations rejected ad buy requests from campaigns — are currently available only on paper at stations.

The FCC rejected a push by the industry to water down the measure. But the rule as passed also has serious limits. For example, the data will not be searchable or uploaded in a common format.

The rule will first apply to affiliates of the four major networks (ABC, CBS, NBC and Fox) in the top 50 TV markets. All other stations will have until July 2014 to come into compliance.

“[L]arge areas of some swing states, like Virginia, Missouri, Wisconsin and Michigan, could see an influx of advertising in markets outside of the top 50,” the Sunlight Foundation noted in an analysis today. It was also not immediately clear exactly when the rule will go into effect for the top 50 markets.

Then there’s the crucial question of the format in which the files will be available. FCC spokeswoman Janice Wise told ProPublica that the commission is not creating a searchable database of the political ad files.

“We’ll accept whatever [file] format they provide,” she said in an email.

That will make it much more difficult to analyze the information.

Wise said there are no specific plans to make the database searchable.

By opting to allow stations to submit political data in any format, the commission departed from a recommendation made last year by in an FCC working group report.  The report called for the political file to be put online and that “as much data as possible [be] in a standardized, machine-readable format” that “could also enhance the usefulness and accessibility of the data.”

Also not clear is how the broadcast industry, which vigorously lobbied against the rule, will react.

“[W]e will be seeking guidance from our Board of Directors regarding our options,” the National Association of Broadcasters said in a statement decrying the vote.

In March, the industry group submitted a filing with the commission raising “serious questions about the FCC’s authority” to require stations to put political ad data online.

“That was written as a legal memorandum, which is code for, ‘We’ve lawyered up and we’re ready to sue over this,’” says Andrew Schwartzman, a longtime FCC watcher at the Media Access Project.

The broadcasters’ group declined to comment beyond its statement.

On a Thursday earnings call for Belo Corp., one of the companies that has been fighting the disclosure measure, CEO Dunia Shive suggested that broadcasters would continue to fight the new disclosure rule.

“I don’t think the conversation is over with respect to being able to continue talking about if we will ultimately have to include ad rates online,” she said, Broadcasting & Cable reported.

Belo spokesman R. Paul Fry told ProPublica that the company merely “want[s] to continue the dialogue on this subject.”

The FCC also said today it would review the new rule after a year to see if any changes need to be made before all stations will be required to come into compliance in July 2014.

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Justin Elliott

Justin Elliott is a reporter for ProPublica. You can follow him on Twitter @ElliottJustin

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