Oprah Winfrey

Turned off

Talk-show producers love to chat me up, but they always leave me high and dry.

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For the next month, I’m on the road promoting my new book, “Full Exposure,” which is about creating your own sexual philosophy and erotic perspective. As I travel across the nation with a trunk full of erotic books and my Hitachi Magic Wand, people who come to my readings ask me a lot of questions. Some queries keep popping up over and over again, so I’ve been answering them in my recent columns. (Those of you with burning questions who can’t make it to one of my appearances — but please do try, I’d love to meet you — can drop me an e-mail.)

Here’s another one.

Your book, “Full Exposure” is so [relevant/wonderful/nauseating], I can’t understand why you aren’t more famous. Why aren’t you on Oprah? Why aren’t you on Charlie Rose? MTV? Is Rosie O’Donnell afraid of you? Are you being censored by the media conglomerates because of your radical sexual views?

I take all these questions as sincere compliments from people who believe my words should find a broader bandwidth. But I also realize that these questions arise from a bit of wishful conspiracy theorizing.

The top reason I am not on the most sought-after TV shows is that there are too many books being published to even begin to showcase all the worthy candidates. This simple fact is then perverted by the ratings game, which rewards shows that dwell on celebrity and scandal. So it’s not conspiracy — it’s mere banality. I like seeing my favorite Hollywood actors “up close and personal” as much as the next person, but I have to admit, it’s vexing to see them get treated as intellectuals, sex experts or role models, when frankly they may be clueless on all counts. Stars don’t get strokes or encouragement for reading, exploring their sexuality or being political activists. They get paid to look good and to shine as bright as they can.

There are some broadcasting stars, like Oprah Winfrey, who have brought enormous attention to books in general and have catapulted unknown authors onto the New York Times bestseller list. I’ve thought a lot about Oprah’s book club, since like every author, I daydream about being “discovered” by a similarly charismatic figure who would recommend my work to thousands, even millions, of readers.

One reason Oprah’s book club has been such a success is that she knows how to seduce people who haven’t read in a long while into picking up a book again. Winfrey can connect with people who have relied on movies for the storytelling in their lives and yet are disappointed that today’s films are not giving them enough of what they want.

Women, in particular, are starved for great romances with memorable characters, female-focused high drama and a strong story with a righteous finish. That moral can be feminist or Christian, but whatever it is, Hollywood is not making this kind of product very often or very well in the ’90s.

Books, on the other hand, offer thousands of excellent choices in this vein. Conceivably, one reader can have a vicarious, dramatic, emotionally intense and satisfying experience every day, if she can read fast enough. Oprah’s book choices (which often mirror the trends in popular young adult fiction) feature strong heroines who struggle with dysfunctional families and who search for love and integrity. She picks solid narratives with no glaring genre clichis.

Winfrey is also attracted to feminist morality tales — if they’re tempered by a foundation in Christian values. I’ve always thought that she might be attracted to the feminist aspect of my sex work, but that I would flunk the What-Would-Jesus-Do? criteria.

Now, of course, Oprah is a sophisticated lady — I’m sure she appreciates the diversity of the world’s religions, and would respect anyone she admired regardless of their faith. However, her main inspirations are New Age and feminist concepts, filtered through the influence of her African-American childhood. I don’t think she would resonate, as a reader, with an agnostic like me, or even with an author whose point of view doesn’t come from Christ’s teachings and redemptive philosophy. I don’t think my work is a good match for her sensibility. In fact, when I watch the broadcasts in which Oprah and a group of readers meet with the reading-club author of the month, I actually start blushing, I feel like such a heathen and a pervert. What’s a kinky lapsed Catholic to do?

Still, I sometimes suspect that incompatibility with the host is not the real reason I don’t get asked to be on more TV shows. I’d give my eyeteeth to overhear the conversations among producers (who book the guests) when they hang up the phone after a chat with my publisher and say, “No way are we having Susie Bright on our show!”

Some of them seem to be afraid that if I did appear on their program with my “sex stuff,” somehow their personal sex secrets will be unmasked for all to see. It’s guilt by proximity. My mere presence, no matter how innocent, is going to insinuate something about them. (God forbid that anyone should find out that they — unlike the rest of the human race — are keenly interested in sex!)

In my very first column for Salon, I described the time a producer from Tom Snyder’s show called me up to discuss my potential as a guest and soon confessed his repulsion from/attraction to lesbians. He worked himself into such a lather that by the time he’d finished grilling me on the subject, he wanted to wash his hands and never even think of me again. “But I didn’t want to talk to Tom about dykes,” I moaned; “I wanted to talk about Clinton!”

Insider gossip tends to swirl around every rejection an author receives, and I’ve decided not to dwell on it. Some sex writers speculate that certain TV hosts are holed up in the closet for the sake of their career, or that others are simply terrified of sex. It’s hard to know whether these rumors are grounded in reality or just more paranoia spun by the dozens of authors who’ve been passed over.

If I become well-known enough on my own steam, then I can escape the desperate “please discover me!” audition phase and instead be courted by the mainstream and curious. This is the path I am determined to pursue, because honestly, it’s a lot more fun to make my own Web page, broadcast my own public radio show or cable TV program and do whatever I want, relatively free of commercial backlash, ratings anxieties and the neuroses of the people who staff the major media. The very best media appearances I’ve done with others have been with broadcasters who forged their own voices and points of view, independent of celebrity hysteria and formulaic pabulum: Michael Krasny (KQED), Larry Mantle (KPCC), Michael Cooper (KPFK), Dennis Cook (KALX), Kris Welch (KPFK) — all in California — and former MTV VJ Kennedy, who is now hosting a Seattle morning talk show. It was with Kennedy that I finally got to share my forbidden erotic obsession with Dan Quayle. How wonderful to meet a fellow traveler!

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My new book and audiotape are out — “Full Exposure: Opening Up to Your Sexual Creativity and Erotic Expression” — and I’ll be touring all over the United States through November. I hope I get to meet some of you in person, and connect with old friends. “Full Exposure” includes my stories about what I think it takes to make, admit and live out your own sexual philosophy. Interested? You can read the first chapter here. And when you do read my new book, write and tell me what you think of it.

Susie Bright is the author of the new book "Full Exposure" and many other books, and the editor of the "Best American Erotica" series. For more columns by Bright, visit her website.

NBC comedy stars keep themselves relevant after finales

Alec Baldwin and John Krasinski shill baseball hats in viral ads, "Community" character gives Emmy picks, and more

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NBC comedy stars keep themselves relevant after finalesYankees vs. Red Sox, Baldwin vs. Krasinski, or "30 Rock" vs. "The Office": who is your favorite?

What do the stars of NBC’s Thursday night comedy lineup do during their summer vacation? Keep themselves fresh, of course. Sometimes it’s a little hard to tell if these guys can separate themselves from their characters, but who’s complaining if there’s a real Ron Swanson or Jack Donaghy walking around?

“30 Rock’s” Alec Baldwin and “The Office’s” John Krasinski have figured out what they’re doing with their off-season, and that’s punching each other in the face about baseball. No, seriously. In this series for New Era Caps, Baldwin goes head to head with Jim Halpert over their Red Sox/Yankees rivalry. So far there have been three spots, and if you play them in succession it’s kind of like watching a crossover episode between the two shows.

Meanwhile, Amy Poehler isn’t the only cast member of “Parks and Recreation” keeping herself in the spotlight. While the comedian is off giving speeches at Harvard, her costar Nick Offerman (who plays her boss and meat-lover Ron Swanson) has been wooing Oprah to come play his first ex-wife next season.  As he told the Huffington Post:

“I think Oprah would be the only, she’s the only person we can think of that might be intimidating to Megan Mullally. It would be so good.”

He then added, “I can assure you if it’s not Oprah, I will quit.”

And while that’s doubtful, Oprah should actually consider it. She did cameo on “30 Rock,” so it’s only fair.

Rounding out the news cycle is Danny Pudi, who plays Abed on “Community.” Anyone who still thinks that show isn’t being taken seriously should check out Variety right now, where “Abed” has been given a column in-character for Emmy season. He’s predicting who will win the awards based solely on his extensive knowledge of television and film (despite never having seen the shows in question), as well as his more savant-like tendencies:

I sort the last four into two groups: a) shows that have won an Emmy, so it seems like they’ll win again, and b) shows that haven’t won yet, so it seems like their turn. Sorting every winner since “I Love Lucy” in 1953:

 B A B B A B A B B AA B B AB B A A B B AA A B A A B B A B B A B AB                              A A B B A A A A B B B B B B A B B A A B

The “ABBA” pattern emerges soon and repeats often, as people’s urge to shake up a system always results in systemic shaking. I totally get it: I once missed a week of school by trying not to touch my chin 7,000 times. The stretches of non-ABBA you see are “cable scares,” like when we just kept giving Emmys to “Frasier” until “Larry Sanders” went away. Think of TV as Rain Man getting through HBO’s smoke alarm by chanting “I like the guy from Cheers.”

The whole article is amazing, and by far my favorite post-finale offering from an NBC comedy actor. Then again, I’m a little biased.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Pop Torn: 10 pieces of culture we’re feeling iffy about

From "True Blood" to Mark Zuckerberg killing a goat to a purse made out of jerky, this week is all about meat

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Pop Torn: 10 pieces of culture we're feeling iffy about

Memorial Day weekend, you guys! I know that I will be happy to wear all my white clothing again, because nothing says “I’ve been to a summer barbeque” like visible condiment sauce all over my clothing.

And with this warm weather comes tons of pop culture news stories that are just to the right of funky. We’ve rounded up some of the stranger stuff that we missed this week, and leave it up to you to decide if maybe being raptured wasn’t such a bad idea.

1. People who think the Onion’s headlines are real: Oh, it happens. And now it’s a Tumblr. (Expect a book deal in the near future.)

2. Abed from “Community” shows up on “Cougar Town”:

Easter egg for the super fans and the people who love Subway.

3. OWN picks up new series, “Don’t Tell the Bride“: Groom and future wife are separated for a month before the wedding; he has to make all the decisions about planning the event. Hope she likes nachos and a boob-shaped cake.

4. Student makes Chanel bag out of beef jerky:

(Photo by Nancy Wu)

Oh what? It’s all cowhide, no matter which way you look at it. Calm down and take a bite.

5. Museum-going men are happier than their counterparts: That 2 percent of the male population must be having a blast.

6. This mommy kitten is hugging her baby kitten:

Yes, dear, it’s very, very cute. Please let me go back to bed now, I have work in the morning. Well, if it’s so great, take a video of it! I’ll watch it later.

7. “Pop-Up Video” is coming back to VH1: Though now it’s just called “tweeting during music videos.”

8. “Jersey Shore’s” Ronnie and the Situation get into a fistfight in Florence: Really, guys? Really? Italy was ready to boot you out before you even showed up, and this is how you show your good behavior?

9. Mark Zuckerberg, woodsman: The Facebook CEO will only eat food he kills himself. His private message to friends on FB just read: “I just killed a pig and a goat.” And not on FarmVille.

10. “True Blood’s” fourth season trailer:Oh great, now I have to deal with witches?

Our thoughts exactly.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

Conan’s Oprah fan taxonomy

O'Brien's guide to Oprah's audience rounds up familiar types, from "The Weeper" to "The Man Who Rocks and Claps"

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Conan's Oprah fan taxonomy

Last night, Conan O’Brien celebrated Oprah Winfrey’s final show by honoring “the people who made the The Oprah Show truly special” over the years: her audience members. His team compiled a jokey Oprah-fan classification, encompassing all sorts — from “The Jumping Clapper” and “The Face Fanner” to “The Extremely Alarmed Grandma” and “The Man Who Rocks and Claps.”

 

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Emma Mustich is a Salon contributor. Follow her on Twitter: @emustich.

Oprah’s warm, funny, self-aggrandizing goodbye

Winfrey ends her show with a 42-minute monologue that encapsulates her many baffling contradictions

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Oprah's warm, funny, self-aggrandizing goodbye

Oprah Winfrey’s final show summed up everything she’s been about for a quarter century. It was funny, warm, sweet and informative, and felt easygoing even though it was clearly written and rehearsed within a millimeter of its life. The episode had sharing and oversharing, confessions and anecdotes, photographs of Oprah in unfortunate clothes and hairstyles, and callbacks to shows and guests that made a big impression on the host during her journey toward self-knowledge — which, she assured us, was what her boundary-breaking, influential, astoundingly popular stint on daytime was truly about, anyway.

No, wait, scratch that. Her show wasn’t truly about Oprah at all. It was about you. All of you. But especially you, the individual sitting there watching her “every day,” as she said.

She had a message for you, the individual. Several messages, actually — and they were all intertwined: Take responsibility for your life. Be honest with yourself and others. Be responsible for the energy you put out in the world, because that energy comes back around eventually. Also: There is a God, or a life force, and you should get to know him/her/it, because he/she/it can improve your judgment and guide your life.

There was a clip reel of people admitting things on TV that they had never told close friends and family members. They said they were alcoholics or drug addicts, that they had HIV, that they had endured or inflicted spousal abuse. The confessions had a snowball effect and became collectively cathartic, Oprah said: “Little by little, we started to release the shame.”

One of the clips was of Oprah herself circa 1986, revealing that she herself had been sexually abused as a child. Another clip referenced the recent broadcast in which actor-director Tyler Perry said he’d been sexually abused as a child, then led an audience of 200 fellow sexual abuse survivors, all men, while they stood together holding pictures of themselves as kids.

Long sections of Oprah’s final syndicated broadcast, which amounted to a 42-minute monologue interspersed with video clips, suggested a church service, though precisely what kind varied from moment to moment.

Sometimes it felt like Sunday school for kids. Other times it felt like a sermon, or the opening remarks of a self-help group leader opening a meeting in a church basement.  “Don’t wait for anybody else to fix you, to save you or complete you,” she said. “‘Jerry Maguire’ was just a movie. [But] no one completes you. We have seen that with guest after guest. When you accept that you are responsible for your life, you…get….free.”

Still other times the broadcast evoked the famous sequence in “The Adventures of Tom Sawyer” where Tom Sawyer and Huck Finn, presumed dead, attend their own funeral service and hear themselves eulogized. But here was Oprah doing the eulogizing. In an especially unfortunate moment, she suggested that God was responsible for the meeting of her father’s sperm and her mother’s egg. That may very well be true, but if so, it’s true for every other human being as well — and when you put it in the words that Oprah chose, it can’t help but sound oddly messianic.

Oprah’s last words before exiting stage left were, “to God be the glory.”

She talked about how, deep down, she really wanted to be a teacher, and near the end of the broadcast, she introduced her very first mentor, her fourth grade teacher Mrs. Mary Alice Duncan, who was sitting there in the audience, tearing up and grinning.

She said that her guests taught her that there was “no need to feel superior to anybody” because “there is a common thread that runs through all of our pain and all of our suffering, and that is unworthiness, not feeling worthy enough to own the life that you were created for…Your being here, your being alive, makes worthiness your birthright. You alone are enough.”

She said that within each person, no matter what his or her race, creed, color or life experience, is a little voice that asks, “Do you see me? Do you hear me? Does what I say mean anything to you?” That voice, Oprah said, was what she hoped to answer, encourage and embrace over the course of 25 years and 4,561 shows.

It would have been nice if, at some point during the telecast, even a single audience member had been permitted to utter one syllable. There was no dialogue, only monologue interspersed by cheers, laughter and applause. The key to Oprah’s success, she assured us, is that she knows that deep down, everyone wants to be heard. But in this last broadcast, nobody else got a word in edgewise.

It was a final summation in a career which, judged in terms of social good and emotional healing, required no defense. Oprah is a force for good, period. She may inspire love, loathing, bafflement, amusement, irritation, you name it, but there is no possible way to evalute the sum total of her career on TV without concluding that the world is a somewhat better place because she was in it. And yet here she was making a case for herself, Oprah Winfrey for the defense, as if she wasn’t worthy of all this attention and acclaim. As if she didn’t get her own memo. It was poignant in ways she herself probably didn’t intend.

She left her stage, her classroom, her pulpit, unfinished. A work in progress.

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Celebrities flock to Oprah’s penultimate show

From Jamie Foxx to Maria Shriver, the stars turn out to celebrate and honor daytime's favorite talk show host

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Celebrities flock to Oprah's penultimate showOprah and Maria Shriver.

Oprah Winfrey’s final show airs tomorrow, and today’s second part of her “Farewell Spectacular” saw celebrities turn out in full force, a touching tribute to the woman who has been America’s best friend for 25 years.

Oddly enough, Oprah spent most of her show not trending on Twitter, though “surprise” guests like Tom Hanks, Michael Jordan, Maya Angelou, Jerry Seinfeld, Jamie Foxx, Stedman and Gayle all did. I use quotation marks because there are no surprise guests for Oprah … if Obama himself had taken the stage to wish her well, it would not have been that unexpected.

So perhaps the biggest surprise of today was a heartfelt speech by Oprah’s silent partner Stedman Graham. Looking nervous, Stedman said that he didn’t know of anyone else who could change so many people’s lives and also bring a bagged lunch to work.

Meanwhile, Dr. Maya Angelou’s contribution to the ceremony was a new poem, which she read accompanied by Alicia Keyes on the piano:

“Unplanned and unrehearsed, this big-eyed black girl from Mississippi, showed the world how to look at itself … She listened to the rich and the poor, the famous and the infamous … For 25 years she listened. … She said, ‘Be strong, be kind, and call me Oprah.’ I can. I will. And I shall. Be Oprah. I am. Oprah. Oprah. Oprah.”

Of course, not everyone took the same approach to honoring the living legend. Jerry Seinfeld used his five minutes to complain about his marriage, women in general, and how it’s Oprah’s fault that ladies mock their husbands. Then Jerry took his seat, directly next to Oprah, because they are best friends anyway.

Simon Cowell introduced a musical number where Rosie O’Donnell sang a reworked version of “Fever,” with special appearances by Dr. Phil, Nate Berkus and Dr. Oz (the last of which said Oprah’s gift to the world was teaching everyone about S-shaped poop). Usher, Kristin Chenoweth and Aretha Franklin filled out the non-ironic singing portion of the show.

The oddest moment of the episode was when Maria Shriver joined Oprah onstage with Gayle King to thank her friend for “giving me  … the most important gift of all … telling me the truth.” It was a loaded moment, though if Arnold was watching, the camera didn’t cut to him. This was Oprah’s day, after all.

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Drew Grant is a staff writer for Salon. Follow her on Twitter at @videodrew.

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