Scenes from St. Paul — Democracy Now’s Amy Goodman arrested

Scores of people are tear-gassed. At least 250 people are arrested. And St. Paul is as militarized a scene as one will see in an American city.

Topics: Washington, D.C.,

(Updated belowUpdate IIUpdate IIIUpdate IVUpdate VUpdate VIUpdate VIIUpdate VIIIUpdate IX)

Following up on this weekend’s extreme raids on various homes, at least 250 people were arrested here today in St. Paul, Minnesota. Beginning last night, St. Paul was the most militarized I have ever seen an American city be, even more so than Manhattan in the week of 9/11 — with troops of federal, state and local law enforcement agents marching around with riot gear, machine guns, and tear gas cannisters, shouting military chants and marching in military formations. Humvees and law enforcement officers with rifles were posted on various buildings and balconies. Numerous protesters and observers were tear gassed and injured. I’ll have video of the day’s events posted shortly.

Perhaps most extraordinarily, Amy Goodman of Democracy Now — the radio and TV broadcaster who has been a working journalist for close to 20 years — was arrested on the street and charged with “conspiracy to riot.” Audio of her arrest, which truly shocked and angered the crowd of observers, is here. I just attended a Press Conference with St. Paul Mayor Chris Coleman and Police Chief John M. Harrington and — after they boasted of how “restrained” their police actions were — asked about the journalists and lawyers who had been detained and/or arrested both today and over the weekend. They said they wouldn’t give any information about journalists who had been arrested today, though they said they believed that “one journalist” had been, and that she “was seemingly a participant in the riots, not simply a non-participant.” I’ll have video of the Press Conference posted shortly.



UPDATE: Video of my exchange at the Press Conference about the arrested journalists is here. Matt Stoller asked a very good question as the last question. Interestingly, all of the standard journalists asked very police-sympathetic questions (“how much property damage was done? were all the criminals part of this same RNC Welcoming Group? How many police officers were injured (answer: none)), while all of the independent journalists — such as those from the superb, intrepid site, The Uptake — asked challenging and skeptical (i.e., real) questions.

UPDATE II: Video of Amy Goodman being arrested:

UPDATE III: Here are several photographs taken from around St. Paul from this morning — before the march or any of the protests started — showing how militarized the city was. For whatever reasons, the brigades of police officers would periodically chant military terms and march around in formation (“Double Time!”), while helicopters hovered overhead and Humvees drove by frequently:

Clearly, and particularly in the wake of this weekend’s thuggish raids, the intent was to create a highly intimidating, militarized and high-tension climate.

On a few other notes, Matt Stoller has a few additional photographs of some of the scenes around the city today. A 22-year-old intern from Utne Reader was caught in the middle of a tear-gas assault and was forced to lie on the ground with her hands behind her head for 15 minutes. She took video of the scene here. I’ll have an interview posted with her shortly. And Democracy Now is now reporting that Amy Goodman has been released, though there is no word on the two Democracy Now producers who were also arrested — Sharif Abdel Kouddous and Nicole Salazar (the former of whom typically books my appearances on that show and the latter of whom had a nose bloodied while being arrested).

Finally (for now), here’s a woman being pepper-sprayed at close range by a marching legion of police while standing on the side of the road holding a flower.

UPDATE IV: The Washington Post has a few more details on the arrest of Goodman and the two Democracy Now producers. In addition to them, a photographer for Associated Press was also arrested today while covering the protests (h/t Edward Champion). An AP spokesman said of the arrest: “covering news is constitutionally protected, and photographers should not be detained for covering breaking news.” Democratic strategist and CNN commentator Donna Brazile was hit by pepper spray on her way into the Xcel Center.

Just as was true for the despicable home raids this weekend, there will be no shortage of people defending all of this (browse through the comment section here to see many such people). The fact that there were some criminals engaged in some destructive acts (who, needless to say, should have been arrested), apparently means that whatever the Police do both before and afterwards is justifiable (just as the existence of some Terrorists justifies whatever the Government does in many people’s minds).

UPDATE V: Here is the video as I walked around St. Paul today — including at the protest march. It also includes war opponent and Iraq veteran Jon Stolz arguing with various pro-war counter-protesters. Almost all of this footage was taken before the protests began and before any arrests were made:

UPDATE VI: From The Nation‘s John Nichols:

I was with Goodman earlier this afternoon, as she was reporting on the major anti-war demonstration. She and her crew were, as always, interviewing everyone they could in the calm, assured manner that has made the daily Democracy Now! program a widely-watched and well-regarded news programs on radio and cable television stations across the country.

Not only Goodman, but the entire Democracy Now team are professional journalists in the best sense of that term. Those who are simply assuming that they probably got what they deserved — and who are, more generally, defending the Police here simply because some actual criminals engaged in destructive behavior — are no different than those who justify anything and everything the Government does because there are some Terrorists out there and they’re really violent.

UPDATE VII: The San Francisco Chronicle‘s Joe Garofoli interviews Amy Goodman right as she was released from jail about what took place (h/t kimocrossman):

UPDATE VIII: One of the most interesting (and encouraging) stories at either of these conventions is how hordes of mostly young independent journalists, videographers and bloggers have been using new technologies to report intrepidly and insightfully on what has been taking place here in Minnesota. Jane Hamsher has some trenchant observations about those developments and their implications — here.

UPDATE IX: The two arrested Democracy Now producers told their story this morning with Amy Goodman. The video, audio and transcripts — including the video taken by Nichole Salazar as she was arrested — is here.

Glenn Greenwald

Follow Glenn Greenwald on Twitter: @ggreenwald.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>