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Monday, Apr 12, 2010 12:01 PM UTC2010-04-12T12:01:00Zl, M j, Y g:i A T

Having a Japanese knife makes you a serious chef

Descended from samurai swords, artisanal blades inspire sharper cooks

Eddy Leroux (left) and other chefs "unrolling" their daikons

Eddy Leroux (left) and other chefs "unrolling" their daikons

In the interest of cultural and culinary exchange, the Gohan Society offers professional chefs — including ones from Daniel and wd-50 — the opportunity to learn the art of Japanese fish mastery, taught by chef Toshio Suzuki of Sushi Zen restaurant. This is a series of reports and reflections from that course.

Eddy Leroux is a French chef of the first order, commander of the kitchen at the four-star Daniel, but right now, he’s struggling with a radish. As I look over the room of Western chefs practicing a cutting technique just taught to them by the sushi master Toshio Suzuki, it’s Leroux I notice first — his slicked-back hair trembling at the ends, his face flushing with color and beads of sweat gathering on his forehead.

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Francis Lam is Features Editor at Gilt Taste, provides color commentary for the Cooking Channel show Food(ography), and tweets at @francis_lamMore Francis Lam

Wednesday, Oct 19, 2011 12:00 AM UTC2011-10-19T00:00:00Zl, M j, Y g:i A T

When my sibling rivalry got professional

My brother was furious I decided to become a chef -- and our competition nearly destroyed our relationship

The author cooking

The author cooking  (Credit: Courtesy of the author)

This piece originally appeared on Gilt Taste

My brother and I grew up in a household rich with meals: our mother’s hands reeked of garlic in an inside-the-veins way. Our lunches weren’t like our friends’. Every day we watched quizzically while they bit into soft bread filled with floppy disks of pink meat, garish mustard, waxy squares of cheese, then unpacked our own heavily seeded sesame semolina rolls dripping with oily roasted eggplant and smoked mozzarella. We sheepishly offered around crunchy fried chickpeas and hard olives, whose pits we’d suck on through class.

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Tamar Adler was an editor at Harper's Magazine before cooking at Prune, Farm 255, and Chez Panisse. Tamar's first book, "An Everlasting Meal: Cooking with Economy and Grace," was recently published by Scribner.  More Tamar Adler

Thursday, May 26, 2011 8:45 PM UTC2011-05-26T20:45:00Zl, M j, Y g:i A T

Is the signature dish outdated?

A Seattle chef's duck specialty is divine but that doesn't mean it is -- or should be -- on the menu

Is the signature dish outdated?

On the subject of duck, I confess that I am a chauvinist. There is the one, true way to prepare it — roasted, Chinatown style — and there is everything else. But the young chef Jason Franey’s version at the Seattle landmark Canlis is making me reconsider my prejudices. Brown as bourbon, the skin is like a crust, bowing over the breast, hugging it jealously. It crackles somewhere between crisp and crunch, a little like puffed rice, before dissolving into honey sweetness and black pepper heat. The meat has that deep, bass-note richness you want from duck, but is thick with flavors I can’t place: complex, swirling, delirious-making.

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Francis Lam is Features Editor at Gilt Taste, provides color commentary for the Cooking Channel show Food(ography), and tweets at @francis_lamMore Francis Lam

Tuesday, Mar 8, 2011 4:30 PM UTC2011-03-08T16:30:00Zl, M j, Y g:i A T

Grant Achatz, the superstar chef who couldn’t taste

The tongue cancer survivor talks about cooking during treatment, his drive, and burning and rebuilding bridges

Grant Achatz

Grant Achatz

At some point during my first meal at Grant Achatz’s restaurant Alinea, I started giggling. There had been no joke — I just started giggling. Soon, I was bouncing up and down in my seat, laughing almost uncontrollably, and then suddenly teetered on the edge where I didn’t know if I might start crying. I was, as they say, emotional, and I couldn’t exactly say why. Three years later, I returned with my special ladyfriend, and, at some point during our dinner, she took a bite, skipped the giggling, and just started crying. And looking around the room, we were not the only ones to feel this way. I don’t use this word lightly, but it takes a genius to create meals like that.

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Francis Lam is Features Editor at Gilt Taste, provides color commentary for the Cooking Channel show Food(ography), and tweets at @francis_lamMore Francis Lam

Tuesday, Dec 7, 2010 1:20 AM UTC2010-12-07T01:20:00Zl, M j, Y g:i A T

Baking like a chef: Coffee-hazelnut biscotti

Who needs the espresso? These travel-friendly biscotti already come spiked

Baking like a chef: Coffee-hazelnut biscotti

Claude was my first and only — and I’m glad it was him.

He was a raffish blond who resembled a perpetually hung-over cross between Daniel Craig and Julian Assange. He spoke with a nearly incomprehensible French accent, which only added to his mystique. Women flung themselves at him, and he flung himself back at them with equal enthusiasm.

And he was the chef who hired me for my first and only full-time cooking job, in the pastry kitchen of an impossibly snooty beach resort in California. There, he showed me a strategy for making biscotti — twice-baked Italian cookies — that I’ll never forget.

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  More Felicia Lee

Wednesday, May 19, 2010 5:01 PM UTC2010-05-19T17:01:00Zl, M j, Y g:i A T

Stoner food goes upscale

How star chefs' marijuana habits are inspiring menus to satisfy your munchies -- and a new restaurant trend

Stoner food goes upscale

If you’ve met a lot of professional chefs, you probably know the following: A lot of them are often really, really stoned. It makes sense: Chefs work long hours, in a frenetic environment — and pot is a great way for them to let off some steam, and, for several chefs I know, make some easy extra money on the side. But according to today’s New York Times, this restaurant stoner culture is increasingly having an influence on not just the chefs’ off-duty moods, but on the food they serve in their restaurants. And this, obviously, calls for a food trend: Hello, upscale stoner food!

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Thomas Rogers is Salon's deputy arts editor.   More Thomas Rogers

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