Lara Logan finally speaks out on her rape

The CBS reporter reveals details about her brutal attack in Egypt -- and shows the complexity of assault

Topics: Lara Logan, Television,

Lara Logan finally speaks out on her rape

“For an extended period of time, they raped me with their hands.” That’s how journalist Lara Logan now describes what happened to her in Egypt on Feb. 11, an attack that horrified the world – and became an instant textbook example of the persistence of victim blaming.  In an interview with the New York Times Thursday, Logan reveals for the first time the details of her nightmarish experience, an event she and CBS News described circumspectly at the time as “a brutal and sustained sexual assault and beating.” She talks about being assaulted by a crowd of 200 to 300 men, for nearly a half hour, and her decision to speak out for the “millions of voiceless women who are subjected to attacks like this and worse.”

Logan, who has returned to work and is also interviewed on “60 Minutes” this Sunday, has been the subject of much speculation – and sickening second-guessing – since the news of her attack broke on Feb. 15. Despite the lack of clear-cut information, the LA Weekly blogger Simone Wilson promptly announced that the “Warzone ‘It Girl’” had been “raped repeatedly” – an editorial assumption Wilson took a full month to correct.  The initial report from Egypt, in fact, quoted a person familiar with the case stating to the Wall Street Journal that Logan’s attack was decidedly “not a rape.”

Does the fact that Logan herself has said she was raped make Wilson’s report any less shoddy? Nope, because you shouldn’t just guess what happened based on the most sensational language you can conjure. And if you do make an error in haste, you at least strive to correct it promptly. But this change in the terminology of the event now raises issues about our perceptions about sexual assault.



Back in February, Village Voice blogger Ward Harkavy wrote, “It’s also possible that she was sexually assaulted in every which way but rape. Yes, almost as bad, but still not as bad as rape.” Actually, what’s “as bad as rape” depends a whole lot on a variety of circumstances. Is it “not as bad” to be raped with a penis as it is to be raped with a hand? Is it “not as bad” to be raped in one orifice over another? Is it automatically, for that matter, “not as bad” to be beaten and have your clothes “torn to pieces,” as Logan says hers were, as rape itself?

It’s incredibly brave of Logan to choose to speak out about her attack, to decide not “to carry the burden alone, like my dirty little secret, something that I had to be ashamed of.” And though the media have for months tap-danced around how to define what happened in Tahrir Square back in February, Logan has a survivor’s clarity that “I don’t want this to define me.” In being open about what happened to her, she offers other survivors – and those who care about them – a deeper understanding of the complexity of sexual assault.

The Bureau of Justice Statistics defines rape as “forced vaginal, anal or oral penetration,” including “incidents where the penetration is from a foreign object.” Yet our understanding of rape – and sympathy for its victims – far too often hinges on whether or not someone ejaculated into a vagina. And we all too often pointlessly express the knee-jerk reaction to just castrate sexual offenders, as if doing away with the sexual organ were the same as doing away with violent crime.

Rape, in all its forms, is not so much an act of passion as a tool of oppression. “What really struck me was how merciless they were,” Logan says. “They really enjoyed my pain and suffering. It incited them to more violence.” But while the specifics of rape are always unique, Logan’s story shows that the effects are often heartbreakingly similar, both for the individual and for humanity as a whole. “When women are harassed and subjected to this in society,” Logan says, “they’re denied an equal place in that society.” It happens all over the world every day, in a shocking array of ways and with many different weapons. And there’s no other definition for that but tragic.

Mary Elizabeth Williams

Mary Elizabeth Williams is a staff writer for Salon and the author of "Gimme Shelter: My Three Years Searching for the American Dream." Follow her on Twitter: @embeedub.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott and the friends with whom he recorded in middle school in Texas (photo courtesy of Dan Pickering)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Heatmiser publicity shot (L-R: Tony Lash, Brandt Peterson, Neil Gust, Elliott Smith) (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott and JJ Gonson (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    "Stray" 7-inch, Cavity Search Records (photo courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott's Hampshire College ID photo, 1987

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott with "Le Domino," the guitar he used on "Roman Candle" (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Full "Roman Candle" record cover (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Elliott goofing off in Portland (courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    Heatmiser (L-R: Elliott Smith, Neil Gust, Tony Lash, Brandt Peterson)(courtesy of JJ Gonson photography)

    "Roman Candle" turns 20: Secrets of Elliott Smith's accidental masterpiece (slideshow)

    The Greenhouse Sleeve -- Cassette sleeve from Murder of Crows release, 1988, with first appearance of Condor Avenue (photo courtesy of Glynnis Fawkes)

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>