The Imperial Mind

American rage at Pakistan over the punishment of a CIA-cooperating Pakistani doctor is quite revealing

Topics:

Americans of all types — Democrats and Republicans, even some Good Progressives — are just livid that a Pakistani tribal court (reportedly in consultation with Pakistani officials) has imposed a 33-year prison sentence on Shakil Afridi, the Pakistani physician who secretly worked with the CIA to find Osama bin Laden on Pakistani soil. Their fury tracks the standard American media narrative: by punishing Dr. Afridi for the “crime” of helping the U.S. find bin Laden, Pakistan has revealed that it sympathizes with Al Qaeda and is hostile to the U.S. (NPR headline: “33 Years In Prison For Pakistani Doctor Who Aided Hunt For Bin Laden”; NYT headline: “Prison Term for Helping C.I.A. Find Bin Laden”). Except that’s a woefully incomplete narrative: incomplete to the point of being quite misleading.

What Dr. Afridi actually did was concoct a pretextual vaccination program, whereby Pakistani children would be injected with a single Hepatitis B vaccine, with the hope of gaining access to the Abbottabad house where the CIA believed bin Laden was located. The plan was that, under the ruse of vaccinating the children in that province, he would obtain DNA samples that could confirm the presence in the suspected house of the bin Laden family. But the vaccine program he was administering was fake: as Wired‘s public health reporter Maryn McKenna detailed, “since only one of three doses was delivered, the vaccination was effectively useless.” An on-the-ground Guardian investigation documented that ”while the vaccine doses themselves were genuine, the medical professionals involved were not following procedures. In an area called Nawa Sher, they did not return a month after the first dose to provide the required second batch. Instead, according to local officials and residents, the team moved on.”



That means that numerous Pakistani children who thought they were being vaccinated against Hepatitis B were in fact left exposed to the virus. Worse, international health workers have long faced serious problems in many parts of the world — including remote Muslim areas — in convincing people that the vaccines they want to give to their children are genuine rather than Western plots to harm them. These suspicions have prevented the eradication of polio and the containment of other preventable diseases in many areas, including in parts of Pakistan. This faux CIA vaccination program will, for obvious and entirely foreseeable reasons, significantly exacerbate that problem.

As McKenna wrote this week, this fake CIA vaccination program was “a cynical attempt to hijack the credibility that public health workers have built up over decades with local populations” and thus “endangered the status of the fraught polio-eradication campaign, which over the past decade has been challenged in majority-Muslim areas in Africa and South Asia over beliefs that polio vaccination is actually a covert campaign to harm Muslim children.” She further notes that while this suspicion “seems fantastic” to oh-so-sophisticated Western ears — what kind of primitive people would harbor suspicions about Western vaccine programs? – there are actually “perfectly good reasons to distrust vaccination campaigns” from the West (in 1996, for instance, 11 children died in Nigeria when Pfizer, ostensibly to combat a meningitis outbreak, conducted drug trials — experiments — on Nigerian children that did not comport with binding safety standards in the U.S.).

When this fake CIA vaccination program was revealed last year, Doctors Without Borders harshly denounced the CIA and Dr. Afridi for their “grave manipulation of the medical act” that will cause “vulnerable communities – anywhere – needing access to essential health services [to] understandably question the true motivation of medical workers and humanitarian aid.” The group’s President pointed out the obvious: “The potential consequence is that even basic healthcare, including vaccination, does not reach those who need it most.” That is now clearly happening, as the CIA program “is casting its shadow over campaigns to vaccinate Pakistanis against polio.” Gulrez Khan, a Peshawar-based anti-polio worker, recently said that tribesman in the area now consider public health workers to be CIA agents and are more reluctant than ever to accept vaccines and other treatments for their children.

For the moment, leave to the side the question of whether knowingly administering ineffective vaccines to Pakistani children is a justified ruse to find bin Laden (just by the way, it didn’t work, as none of the health workers actually were able to access the bin Laden house, though CIA officials claim the program did help obtain other useful information). In light of all the righteous American outrage over this prison sentence, let’s consider what the U.S. Government would do if the situation were reversed: namely, if an American citizen secretly cooperated with a foreign intelligence service to conduct clandestine operations on U.S. soil, all without the knowledge or consent of the U.S. Government, and let’s further consider what would happen if the American citizen’s role in those operations involved administering a fake vaccine program to unwitting American children. Might any serious punishment ensue? Does anyone view that as anything more than an obvious rhetorical question?

There are numerous examples that make the point. As’ad AbuKhalil poses this one: “Imagine if China were to hire an American physician who would innocently inject unsuspecting Americans with a chemical to obtain information for China.  I am sure that his prison term would be even longer.” Or what if an American doctor of Iranian descent had done this on behalf of the Quds Force, in order to find a member of the designated Iranian Terror group MeK who was living in the United States (one who, say, has been working with Israel to help assassinate Iranian nuclear scientists and wound their wives, or one who was trained by the U.S.), after which Iranian agents invaded his American home, pumped bullets in his skull and shot a few others (his wife and a child) and then dumped his corpse into the Atlantic Ocean? Or take the case of Orlando Bosch, the CIA-backed anti-Cuban Terrorist long harbored by the U.S.; suppose a Cuban-American doctor sympathetic to Castro had injected American children as part of a fake vaccination program in order to help Cuba find and kill Bosch on U.S. soil; he’d be lucky to get 33 years in prison.

In fact, the U.S. Government tries to impose the harshest possible sentences on Americans who do far less than Dr. Afridi did in Pakistan. The Obama administration charged former NSA official Thomas Drake with espionage and tried to imprison him for decades merely because he exposed serious waste, corruption and illegality in surveillance programs — without the slightest indication of any harm to national security. Right now, they’re charging Bradley Manning with “aiding the enemy” — Al Qaeda — and attempting to impose life imprisonment on the 23-year-old Army Private, merely because he leaked information to the world showing serious war crimes and other government deceit (something The New York Times does frequently) which nobody suggests was done in collaboration with or even with any intent to help Al Qaeda or any other foreign entity. Given all that, just imagine how harshly they’d try to punish an American who secretly collaborated with a foreign intelligence service — who created a fake vaccine program for American kids — to enable secret military action on U.S. soil without their knowledge.

But of course none of these comparisons is equivalent. It’s all different when it’s done to America rather than by America. That’s the great prize for being the world’s imperial power: the rules you impose on others don’t bind you at all. I’m quite certain that none of the people voicing such intense rage over Pakistan’s punishment of Dr. Afridi would voice anything similar if the situation were reversed in any of the ways I’ve just outlined. Can you even imagine any of them saying something like: yes, this American doctor injected American kids with ruse vaccines in order to help the intelligence service of Iran/Pakistan/China/Cuba conduct clandestine operations on U.S. soil without the knowledge of the U.S. Government, but I think that’s justified and he shouldn’t be punished.

If you read or watch any accounts of life in the Roman empire, what you will frequently witness is someone being severely punished for an act against a Roman citizen. That was the most severe crime and the one most harshly punished: one could do any manner of bad things to non-citizens, but not so much as raise a hand to a Roman citizen.

Watch how often that formulation is used in our political discourse: he tried to kill Americans, people will emphasize when justifying all sorts of U.S. government actions. In other words, there are ordinary, pedestrian crimes (like this one, from today: “An American drone fired two missiles at a bakery in northwest Pakistan Saturday and killed four suspected militants, officials said, as the U.S. pushed on with its drone campaign despite Pakistani demands to stop. This was the third such strike in the country in less than a week”). But then there is the supreme crime: he tried to kill Americans! It’d be one thing if this outrage were honestly expressed as self-interest (we give massive aid to Pakistan so they should do our bidding), but instead, it is, as usual, couched in moral terms.

That is the imperial mind at work. Its premises are often embraced implicitly rather than knowingly: American lives are inherently more valuable; foreign lives are expendable in pursuit of American interests; the U.S. has the inalienable right to take action in other countries that nobody is allowed to take in the U.S. (just imagine: “An Iranian drone fired two missiles at a bakery in the northwest U.S. Saturday and killed four suspected militants, Iranian officials said, as Iran pushed on with its drone campaign despite American demands to stop. This was the third such strike in the country in less than a week” or “Thirty five women and children were killed by a Yemeni cruise missile armed with cluster bombs which struck an alleged Marine training camp in Texas”).

These self-venerating imperial prerogatives are the premises driving the vast bulk of American foreign policy and military discourse. It is certainly what’s driving the spectacle of so many people pretending that the punishment of Dr. Afridi is some sort of aberrational act which the U.S. and other Decent, Civilized Countries would never do.

* * * * *

Two related points:

(1) NPR emphasizes what appear to be the genuine due process deficiencies in the punishment imposed on Dr. Afridi, though he certainly is receiving more due process than those informally and secretly accused of Treason by the U.S. Government and given the Anwar Awlaki treatment, or accused of Terrorism and targeted with a U.S. drone or locked for a decade or so in a cage without charges of any kind.

(2) Zaid Jilani, formerly of Think Progress, asks a really good question about the Hollywood Election Year film depicting the bin Laden raid being produced by Sony Pictures with the help of the Obama administration: “Will the movie feature Pakistani kids tricked into getting fake vaccines? Probably not.” If the film does mention this, I’d bet it will be to marvel at and celebrate the James-Bond-like ingenuity of the CIA.

Glenn Greenwald

Follow Glenn Greenwald on Twitter: @ggreenwald.

More Related Stories

Featured Slide Shows

  • Share on Twitter
  • Share on Facebook
  • 1 of 11
  • Close
  • Fullscreen
  • Thumbnails

    Ten spectacular graphic novels from 2014

    Beautiful Darkness by Fabien Vehlmann & Kerascoët
    Kerascoët's lovely, delicate pen-and-watercolor art -- all intricate botanicals, big eyes and flowing hair -- gives this fairy story a deceptively pretty finish. You find out quickly, however, that these are the heartless and heedless fairies of folk legend, not the sentimental sprites beloved by the Victorians and Disney fans. A host of tiny hominid creatures must learn to survive in the forest after fleeing their former home -- a little girl who lies dead in the woods. The main character, Aurora, tries to organize the group into a community, but most of her cohort is too capricious, lazy and selfish to participate for long. There's no real moral to this story, which is refreshing in itself, beyond the perpetual lessons that life is hard and you have to be careful whom you trust. Never has ugly truth been given a prettier face.

    Ten spectacular graphic novels from 2014

    Climate Changed: A Personal Journey Through the Science by Philippe Squarzoni
    Squarzoni is a French cartoonist who makes nonfiction graphic novels about contemporary issues and politics. While finishing up a book about France under Jacques Chirac, he realized that when it came to environmental policy, he didn't know what he was talking about. "Climate Changed" is the result of his efforts to understand what has been happening to the planet, a striking combination of memoir and data that ruminates on a notoriously elusive, difficult and even imponderable subject. Panels of talking heads dispensing information (or Squarzoni discussing the issues with his partner) are juxtaposed with detailed and meticulous yet lyrical scenes from the author's childhood, the countryside where he takes a holiday and a visit to New York. He uses his own unreachable past as a way to grasp the imminent transformation of the Earth. The result is both enlightening and unexpectedly moving.

    Ten spectacular graphic novels from 2014

    Here by Richard McGuire
    A six-page version of this innovative work by a regular contributor to the New Yorker first appeared in RAW magazine 25 years ago. Each two-page spread depicts a single place, sometimes occupied by a corner of a room, over the course of 4 billion years. The oldest image is a blur of pink and purple gases; others depict hazmat-suited explorers from 300 years in the future. Inset images show the changing decor and inhabitants of the house throughout its existence: family photos, quarrels, kids in Halloween costumes, a woman reading a book, a cat walking across the floor. The cumulative effect is serene and ravishing, an intimation of the immensity of time and the wonder embodied in the humblest things.

    Ten spectacular graphic novels from 2014

    Kill My Mother by Jules Feiffer
    The legendary Pulitzer Prize-winning cartoonist delivers his debut graphic novel at 85, a deliriously over-the-top blend of classic movie noir and melodrama that roams from chiaroscuro Bay City to Hollywood to a USO gig in the Pacific theater of World War II. There's a burnt-out drunk of a private eye, but the story is soon commandeered by a multigenerational collection of ferocious women, including a mysterious chanteuse who never speaks, a radio comedy writer who makes a childhood friend the butt of a hit series and a ruthless dame intent on making her whiny coward of a husband into a star. There are disguises, musical numbers and plenty of gunfights, but the drawing is the main attraction. Nobody convey's bodies in motion more thrillingly than Feiffer, whether they're dancing, running or duking it out. The kid has promise.

    Ten spectacular graphic novels from 2014

    The Motherless Oven by Rob Davis
    This is a weird one, but in the nervy surreal way that word-playful novels like "A Clockwork Orange" or "Ulysses" are weird. The main character, a teenage schoolboy named Scarper Lee, lives in a world where it rains knives and people make their own parents, contraptions that can be anything from a tiny figurine stashable in a pocket to biomorphic boiler-like entities that seem to have escaped from Dr. Seuss' nightmares. Their homes are crammed with gadgets they call gods and instead of TV they watch a hulu-hoop-size wheel of repeating images that changes with the day of the week. They also know their own "death day," and Scarper's is coming up fast. Maybe that's why he runs off with the new girl at school, a real troublemaker, and the obscurely dysfunctional Castro, whose mother is a cageful of talking parakeets. A solid towline of teenage angst holds this manically inventive vision together, and proves that some graphic novels can rival the text-only kind at their own game.

    Ten spectacular graphic novels from 2014

    NOBROW 9: It's Oh So Quiet
    For each issue, the anthology magazine put out by this adventurous U.K.-based publisher of independent graphic design, illustration and comics gives 45 artists a four-color palette and a theme. In the ninth issue, the theme is silence, and the results are magnificent and full of surprises. The comics, each told in images only, range from atmospheric to trippy to jokey to melancholy to epic to creepy. But the two-page illustrations are even more powerful, even if it's not always easy to see how they pertain to the overall concept of silence. Well, except perhaps for the fact that so many of them left me utterly dumbstruck with visual delight.

    Ten spectacular graphic novels from 2014

    Over Easy by Mimi Pond
    When Pond was a broke art student in the 1970s, she took a job at a neighborhood breakfast spot in Oakland, a place with good food, splendid coffee and an endlessly entertaining crew of short-order cooks, waitresses, dishwashers and regular customers. This graphic memoir, influenced by the work of Pond's friend, Alison Bechdel, captures the funky ethos of the time, when hippies, punks and disco aficionados mingled in a Bay Area at the height of its eccentricity. The staff of the Imperial Cafe were forever swapping wisecracks and hopping in and out of each other's beds, which makes them more or less like every restaurant team in history. There's an intoxicating esprit de corps to a well-run everyday joint like the Imperial Cafe, and never has the delight in being part of it been more winningly portrayed.

    Ten spectacular graphic novels from 2014

    The Shadow Hero by Gene Luen Yang and Sonny Liew
    You don't have to be a superhero fan to be utterly charmed by Yang and Liew's revival of a little-known character created in the 1940s by the cartoonist Chu Hing. This version of the Green Turtle, however, is rich in characterization, comedy and luscious period detail from the Chinatown of "San Incendio" (a ringer for San Francisco). Hank, son of a mild-mannered grocer, would like to follow in his father's footsteps, but his restless mother (the book's best character and drawn with masterful nuance by Liew) has other ideas after her thrilling encounter with a superhero. Yang's story effortlessly folds pathos into humor without stooping to either slapstick or cheap "darkness." This is that rare tribute that far surpasses the thing it celebrates.

    Ten spectacular graphic novels from 2014

    Shoplifter by Michael Cho
    Corinna Park, former English major, works, unhappily, in a Toronto advertising agency. When the dissatisfaction of the past five years begins to oppress her, she lets off steam by pilfering magazines from a local convenience store. Cho's moody character study is as much about city life as it is about Corinna. He depicts her falling asleep in front of the TV in her condo, brooding on the subway, roaming the crowded streets after a budding romance goes awry. Like a great short story, this is a simple tale of a young woman figuring out how to get her life back, but if feels as if it contains so much of contemporary existence -- its comforts, its loneliness, its self-deceptions -- suspended in wintery amber.

    Ten spectacular graphic novels from 2014

    Through the Woods by Emily Carroll
    This collection of archetypal horror, fairy and ghost stories, all about young girls, comes lushly decked in Carroll's inky black, snowy white and blood-scarlet art. A young bride hears her predecessor's bones singing from under the floorboards, two friends make the mistake of pretending to summon the spirits of the dead, a family of orphaned siblings disappears one by one into the winter nights. Carroll's color-saturated images can be jagged, ornate and gruesome, but she also knows how to chill with absence, shadows and a single staring eye. Literary readers who cherish the work of Kelly Link or the late Angela Carter's collection, "The Bloody Chamber," will adore the violent beauty on these pages.

  • Recent Slide Shows

Comments

0 Comments

Comment Preview

Your name will appear as username ( settings | log out )

You may use these HTML tags and attributes: <a href=""> <b> <em> <strong> <i> <blockquote>