“Anger Management”: Charlie Sheen’s misogynistic, homophobic comeback
Charlie Sheen's back on TV in "Anger Management." It's as lame as you'd expect, because that's how TV works now
Topics: TV, Charlie Sheen, Breaking Bad, 30 Rock, The Sopranos, The Wire, Parks and Recreation, Television, Mad Men, Louie, Entertainment News
FX’s “Anger Management,” Charlie Sheen’s return to television, is a godawful, small-minded, crassly commercial exercise. It’s “Two and Half Men” on a cable channel, starring a more haggard-looking Sheen as a therapist with a temper problem. Insofar as giving the detestable, unreliable, post-“Winning!” Sheen a job and a platform is a risk, “Anger Management” is a bold step for FX. But everything else about the show, from its laugh track to the misogynistic, homophobic, lame and dirty jokes is utterly predictable. And that’s the point.
Television is in the midst of an extremely fertile period: This golden age of TV, from “The Sopranos” and “The Wire” on down through “30 Rock” and “Parks and Rec,” is a who’s who of shows that do something fresh and new, taking content, themes, language or characters in unprecedented directions. But smuggled into these shows, even the most revolutionary and cutting-edge, is something unoriginal. After the first episode, every installment of a TV show contains large quantities of sameness: The same characters, the same setting, the same premise. For all its innovation, each episode of “The Wire” featured established characters, Baltimore, that dialogue, and a worldview about the humanity-crushing nature of dysfunctional, dying bureaucracies. “Community’s” every episode may intend to blow minds and blow up genres, but audiences came to expect exactly that level of madcap energy every week. On shows like “Breaking Bad,” “Mad Men” and “Louie” (which will air in a block with “Anger Management,” and by its very excellence act as a permanent rebuke), audiences wait for the surprising moment, the one that will be so great and awesome and unlike anything we can specifically imagine.
This sameness is not usually a bad thing. Originality may be a quality we prize more, a characteristic of anything that’s aspiring to be art. But the sameness of TV, the way, over time, each show becomes a genre unto itself, is perhaps its more powerful pleasure. The most popular shows on TV — “NCIS,” “CSI,” “Two and Half Men” — are all series in which every episode hits the same predictable beats, in a supremely professional, competent and enjoyable manner. If those aren’t to your taste, then think of whatever procedural you’re addicted to, whatever show you’ll always watch in rerun or rewatch on DVD — I know those are the series I love most. We may have advanced from the little kid who wants to have the same book read to him over and over and over again, but religiously watching a TV show is a different behavior by fewer degrees than we might like to think.
Willa Paskin is Salon's staff TV writer. More Willa Paskin.





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