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The people’s Cuba

Thierry Le Gou

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New from fashion photographer Thierry Le Gouès is “Popular,” a lush look at Cuba’s dressed-down (way down) social scene. The book includes shots of boisterous revelers, Cohiba-smoking oldsters, voluptuous nudes and spirited wrestlers against a backdrop of crumbling urban beauty, decaying propaganda and Catholic iconography. The name of the book is taken from a favored brand of cheap domestic cigarettes, but also alludes to the fact that Cuba is a country where socioeconomic distinctions are almost nil.

“In many other countries, the contrast between the rich and the poor is really high,” Le Gouès says. “In Cuba … they’re almost all at the same level. There is no middle class, really.”

Le Gouès first traveled to Cuba on assignment for Italian Vogue in 1987, and after a second trip about a decade later, Le Gouès was struck by “the sensuality, the tenderness and the friendliness” of the people he got to know there. “It was the richest experience I ever had as photographer,” he says.

In the past four years, Le Gouès has traveled to Cuba 12 times, spending a total of nine months shooting pictures in Havana, Trinidad and Santiago de Cuba. He denies recent rumors that his book has been banned by the Cuban authorities.

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“I did this book with the help of the authorities. I always got permits for my shoots,” he says. But he admits that the collection of duotone and four-color photographs provides a sharp contrast to the kind of postcard images favored by the tourism-dependent government. “They don’t want to show the popular side of it; they want to show the beautiful beach, the beautiful hotel … Fidel Castro never saw the book.”


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