Literary daybook, Nov. 1

Real and imaginary events of interest to readers.


the Salon Books Editors
November 1, 2002 11:00PM (UTC)

Today in fiction

On Nov. 1, 1968, Claire returns to Craigh na Dun.
-- "Voyager" (1994)
by Diana Gabaldon

From "The Book of Fictional Days"
Know when something that did not really happen
occurred? Send it to fictiondays@yahoo.com.

- - - - - - - - - - -

Advertisement:

Today in literary history
On this day in 1895, Thomas Hardy's "Jude the Obscure" was published. Having been decried as immoral by some reviewers of "Tess of the D'Urbervilles" four years earlier, Hardy opted to preface Jude with the following head-'em-off-at-the-pass:

"For a novel addressed by a man to men and women of full age; which attempts to deal unaffectedly with the fret and fever, derision and disaster, that may press in the wake of the strongest passion known to humanity, and to point, without a mincing of words, the tragedy of unfulfilled aims, I am not aware that there is anything in the handling to which exception can be taken."

This forestalling was spectacularly unsuccessful. "Jude the Obscene" was "a shameful nightmare" that left the reader "stunned with a sense of the hollowness of existence." "Hardy the Degenerate" was an author with "a curious mania for exploiting sewers," the agnostic, free-loving leader of an "Anti-Marriage League." What "Swinburne planteth, Hardy watereth and Satan giveth the increase," said one; "What has Providence done to Mr Hardy that he should rise up in the arable land of Wessex and shake his fist at the Creator?" asked another. The Bishop of Wakefield advertised that he burnt his copy; a copycat American reader mailed Hardy the ashes of his. Even Hardy's wife railed at the book, and at all "Jude-ites." Hardy's farming neighbors pointed out that the earthy Arabella was hardly one of theirs, that they would no sooner wed her than they would the uppity Sue Bridehead, and that Wessex folk did not generally court each other with the slap of a pig's pizzle.

After his experience with "Tess," Hardy wrote in his diary, "Well, if this sort of thing continues no more novel-writing for me. A man must be a fool to deliberately stand up to be shot at." After "Jude," he made good on this, turning exclusively to poetry and drama for his last 30 years:

"Perhaps I can express more fully in verse ideas and emotions which run counter to the inert crystallized opinion -- hard as a rock -- which the vast body of men have vested interests in supporting ... If Galileo had said in verse that the world moved, the Inquisition might have let him alone."

Many of those later poems are written by "One who, past doubtings all, / Waits in unhope ...," and far from sunny or chummy. But by being poetry, and therefore not much read, or by definition silly, Hardy thought them likely to provoke "merely a shake of the head" from the madding crowd, rather than "make them sneer, or foam, and set all the literary contortionists upon me."

Advertisement:

-- Steve King

To find out more about "Today in Literary History," contact Steve King.


the Salon Books Editors

MORE FROM the Salon Books Editors

Related Topics ------------------------------------------

Books Richard Blumenthal




BROWSE SALON.COM
COMPLETELY AD FREE,
FOR THE NEXT HOUR

Read Now, Pay Later - no upfront
registration for 1-Hour Access

Click Here
7-Day Access and Monthly
Subscriptions also available
No tracking or personal data collection
beyond name and email address

•••


Fearless journalism
in your inbox every day

Sign up for our free newsletter

• • •