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SEC vs Celebrity Crypto Promoters
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Kelly Pau
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Goodbye, brat summer. Hello, demure fall
Kelly Pau
From “Shogun” to “Dune,” Hollywood is now discrediting the white savior
Kelly Pau
“Avatar: The Last Airbender’s” conflicted history of racial evolution doesn’t end here
Kelly Pau
The cruel joke of cashing in on Lunar New Year
Kelly Pau
Why white girls love Stanley cups
Kelly Pau
Why cynical superhero stories, not “The Marvels,” have power
Kelly Pau
The real story of grooming that “Priscilla” leaves out
Kelly Pau
Men wield the media against women. Why do we keep letting them?
Kelly Pau
Women are ferally horny, according to TV and movies. Then why are they not having sex?
Kelly Pau
From “Parasite” to “Squid Game,” America of course exploited South Korea’s anti-capitalist content
Kelly Pau
From “Barbie Girl” to Girl Dinner and beyond: What’s behind our obsession with the girl-ish label
Kelly Pau
Barbie has become an asexual icon, and we should all learn from her
Kelly Pau
After a dystopian “mandemic,” the wacky “Creamerie” pokes at the remaining “inequities among women”
Kelly Pau
Tom Cruise, our messy messiah of movies
Kelly Pau
“Nudity representation matters”: From horny elders to BTS Army, “Joy Ride” rewrites who gets seen
Kelly Pau
“Joy Ride” delivers a full-frontal subversion of sexuality for Asian women
Kelly Pau
On “The Bear,” Sydney’s Chicago-wide smorgasbord liberates women from food guilt and girlbosses
Kelly Pau
“Spider-Man: Across the Spider-Verse” is beyond subtitles — and the white gaze
Kelly Pau
Taylor Swift and the ways white women exploit allyship
Kelly Pau
“Yellowjackets”: Eat or be eaten? It’s called being a team player
Kelly Pau
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