David Lazarus
“Apollo 13″
The movie is a suspenseful account of a real-life near-disaster; plus a legendary astronaut tells what it's like to be (almost) lost in space.
“Apollo 13″ (Collector’s Edition)
Directed by Ron Howard
Starring Tom Hanks, Bill Paxton, Kevin Bacon
Universal Home Video; widescreen (2.35:1 aspect ratio)
Extras: “Lost Moon” documentary, director and consultant commentary, program notes, trailer, more
“Apollo 13″ is one of those movies that gets better each time you see it. Bristling with techno-speak and microscopic attention to detail, this true tale of the spacecraft that almost got away is like a graduate course in rocket science and the people who put their pressure-suited behinds on the line to get us to the moon. The fact that viewers know in advance how the story ends (the guys make it back) does nothing to take away from the film’s genuine chills and suspense. The respect and admiration with which director Ron Howard and star Tom Hanks approach the material shine through in every frame, and especially after countless go-nowhere space-shuttle missions over the years, “Apollo 13″ reminds us of the singular commitment and courage that once propelled mankind into the proverbial final frontier.
By April 1970, though, the moon missions themselves were becoming old hat, and some TV stations even refused to cut away from reruns of “I Love Lucy” to broadcast live footage from Apollo 13′s crew. It wasn’t until the mother of all glitches caused one of the spacecraft’s oxygen tanks to explode that most people took notice of the fact that astronauts Jim Lovell (Hanks), Jack Swigert (Kevin Bacon) and Fred Haise (Bill Paxton) were overhead and suddenly in very deep trouble. Forget about getting to the moon; whether the astronauts were even getting home was the question. “Apollo 13″ tracks almost every detail of what the trio went through up there, as well as the remarkable efforts of NASA to overcome a seemingly endless series of snafus.
The collector’s edition of the DVD contains plenty of goodies, and they’re all top-notch. The accompanying documentary, “Lost Moon: The Triumph of Apollo 13,” chronicles not only the making of the film but also the mission itself and features interviews with both the actors and the real-life people they portray. The disc also boasts two separate audio commentaries: one by the director describing his work on a shot-by-shot basis and the other by Lovell and his wife, Marilyn, providing a more down-to-earth perspective. Each track brings fresh insights to the film. But for viewers lacking the patience for repeated viewings, stick with Howard’s commentary up to the explosion and then switch over to Lovell for the rest of the film.
“Die Hard”
John McTiernan's thrill ride started an avalanche of knockoffs, but there's still no beating the original.
“Die Hard”
Directed by John McTiernan
Starring Bruce Willis, Alan Rickman
20th Century Fox Home Entertainment; widescreen (1.35:1 aspect ratio)
Extras: Trailers for all three “Die Hard” movies, making-of featurette, slide show
Every so often an otherwise routine genre film nails the target so squarely it creates a subgenre all its own. “Die Hard” is one such film. This cops-and-robbers, cat-and-mouse thrill ride not only made a multimillion-dollar action star of Bruce Willis but also gave birth to a dizzying variety of knockoffs that run the gamut from “Die Hard” on a bus (“Speed”) to “Die Hard” with the president (“Air Force One”). Two sequels followed, and a third is said to be in the works. But there’s still no beating the original.
Continue Reading Close“The Matrix”
Curious to know about the genesis of this surprise superhit? If only a Wachowski or two were there to tell us.
“The Matrix”
Directed by Andy and Larry Wachowski
Starring Keanu Reeves, Laurence Fishburne
Warner Studios; widescreen (2.35:1 aspect ratio)
Extras: Cast and crew commentary, soundtrack, making-of featurette, behind-the-scenes footage
There’s a good reason “The Matrix” kicked butt over “The Phantom Menace” at the last Academy Awards. The special effects and visual texture of the former are light-years ahead of anything that had come before, and for sheer coolness there’s simply no comparison. “The Matrix” tells the story of a computer hacker named Neo (Keanu Reeves) who, like Alice, gets sucked down a cyber-rabbit hole into a world where nothing is as it seems. That world — if you don’t know by now, where the hell have you been? — is a computer-generated illusion intended to keep the remnants of human society passive as their very life force is sucked away to power a conquering army of machines. Joining a band of renegades led by proto-hacker Morpheus (Laurence Fishburne), Neo must battle his way through some of the hottest action sequences ever conceived to discover whether he is The One: the Christ figure who will deliver humankind to the promised land.
Continue Reading CloseClueless in Tokyo
Avatar chat, porn and microwave cooking -- if the Net in Japan isn't good for much else, no wonder it's not a hit.
The reporter from the Yomiuri Shimbun leans closer. “So,” he asks in halting English, bypassing the interpreter he’s brought along, “what do you think about the Internet in Japan?” The question has come up so many times over the past few weeks that I’ve developed some pat answers. Trying hard to sound casually authoritative, or authoritatively casual (I’m still not used to being on the receiving end of an interview), I reply: “Internet use in Japan has been hampered by ridiculously high access fees.” The Yomiuri guy nods vigorously and writes that not-very-insightful observation in his notebook.
Continue Reading CloseUnder the volcano
The Japanese, never known for their frivolity, have grown downright depressed as their decade-long economic troubles proliferate.
A few weeks ago, 51-year-old Kazunori Fukuda, Osaka branch manager of
the failed Long-Term Credit Bank of Japan, checked into a hotel in the port
city of Kobe, produced a rope from his bag, and hanged himself. He left a note
behind saying he was tired of living.
Only two weeks earlier, a senior executive at the same bank — now under state
control — killed himself in a Tokyo hotel room. Before that, an employee of
Japanese tire maker Bridgestone committed hara-kiri in his company’s head
office.
Page 4 of 4 in David Lazarus