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Banksy put up a $600,000 stop sign. Two men with bolt cutters took it down

The sign, which featured illustrations of three military drones, was up for just an hour before being removed

Senior Food Editor

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Sotheby's employees view "Love is in the Bin" by British artist Banksy at Sotheby's auction house on October 12, 2018 in London, United Kingdom (Jack Taylor/Getty Images)
Sotheby's employees view "Love is in the Bin" by British artist Banksy at Sotheby's auction house on October 12, 2018 in London, United Kingdom (Jack Taylor/Getty Images)

On Friday, a piece of street art — a red stop sign featuring illustrations of three military drones — was erected on a south London street corner, which elusive artist Banksy confirmed via social media was an original artwork. However, an hour after it was hung, it was removed by two men with bolt cutters, according to the BBC

One gallery owner told the outlet that the Banksy-made sign, which his Instagram followers largely interpreted as calling for a ceasefire in the Gaza Strip, could be worth up to £500,000 (or over $600,000). Jasmine Ali, a member of the Southwark London Borough Council, said the theft is about more than a street sign. “It is a work of art which was put there for the community,” Ali said. "It is street art and it is for the people.” 

Witnesses on the scene took clear photos and videos of the men involved and while police are treating the incident as a theft, officers are yet to make any arrests. Some members of the art community, including gallery owner John Brandler, have questioned whether the incident is a publicity stunt. A similar argument was sparked when, in 2018, the artist's "Love is in the Bin" painting half-shredded itself while being auctioned at Sotheby's London


 

By Ashlie D. Stevens

Ashlie D. Stevens is Salon's senior food editor. She is also an award-winning radio producer, editor and features writer — with a special emphasis on food, culture and subculture.

Her writing has appeared in and on The Atlantic, National Geographic’s “The Plate,” Eater, VICE, Slate, Salon, The Bitter Southerner and Chicago Magazine, while her audio work has appeared on NPR’s All Things Considered and Here & Now, as well as APM’s Marketplace. She is based in Chicago.


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