Culture (page 3633)

Salon covers TV, movies, books, entertainment and culture news through insightful reporting, criticism, commentary and analysis.

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The hardest-writing man in show-biz: The networks can't get enough of David E. Kelley -- but we can

Joyce Millman
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Silicon Follies: Kiki and Barry reunited by Iridium -- silence at $40 a minute

Thomas Scoville

Scared pantless: Horror movies make hot dates

Jennifer Kornreich
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Have vibrator, will travel: Susie Sexpert hits the road

Susie Bright
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Seen "Blair Witch"? I've lived it!

Caroline Sommers
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My Jewish roots in Germany: An American uncovers his family's poignant past

Robert L. Strauss
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Duck and cover: NYC hit by encephalitis scare

Christina Valhouli
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Technology log:

Mark Gimein
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Blue Glow: "Chris Rock," "60 Minutes" season openers; William H. Macy slays 'em on TNT

Joyce Millman
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"Digital Babylon": Can Hollywood learn from its online mistakes?

Janelle Brown
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Nothing Personal: Ebert gives Russ Meyer retrospective at least two thumbs up

Amy Reiter
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Music: Leftfield could have been the Chemical Brothers or Fatboy Slim. What happened?

Michelle Goldberg
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Interview with first novelist Rahna Reiko Rizzuto, author of "Why She Left Us"

Kate Moses
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"Sugar Town": Ally Sheedy, Patricia Arquette and John Taylor play music-biz burnouts worthy of VH-1's "Behind the Music"

Daniel Mangin
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She got Gilgamesh: I got a humbling lesson in giving credit to the student

David Alford
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Craig Offman
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"For Love of the Game": Kevin Costner's syrupy, sentimental return to baseball smells like Coors Light and Viagra

Andrew O'Hehir
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Sean Elder
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"A Book of Reasons": A brother's death inspires an anti-memoir

Dustin Beilke
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Fashion victim: The rise and demise of Halston

Carina Chocano
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Entertainment log: When Britney Spears put on an apron she betrayed a long line of great waitresses in rock

Alex Pappademas
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"Why She Left Us": An excerpt from Rahna Reiko Rizzuto's new novel

Rahna Reiko Rizzuto
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"Love is the road of hell": An interview with French director Catherine Breillat

Cynthia Joyce
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"Romance": One of the most potent films about sex of the last few decades

Ray Sawhill
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