Showing results for: culture (page 33)

The new “Vanderpump Rules” is Bravo’s losing bet

Coleman Spilde
The network opted for a total overhaul of the reality franchise at its peak. The result is a boozy head-scratcher

“In over his head”: Report claims FBI is a “rudderless ship” under Patel

Garrett Owen
A report from sources inside the FBI claims that the bureau is floundering under the Trump Cabinet pick

TikTok made Angel Trees a trend. Now it’s making them a scapegoat

Andi Zeisler
In a span of two years, Angel Trees have gone from spreading online joy to fomenting offline suspicion

MAGA’s war on empathy was started by a woman

Amanda Marcotte
Allie Beth Stuckey weaponizes her gender to sell the idea of a cold-hearted Jesus

“Hamnet” tests tear ducts and patience

Coleman Spilde
Chloé Zhao’s mournful Shakespeare riff leans so hard on tragedy that it leaves little room for nuance

The fruity martini’s colorful comeback

Francesca Giangiulio
From Instagram feeds to the cocktail glass, fruity martinis are back — brighter, sweeter and craftier than ever

Kim Kardashian told she has “low brain activity”

CK Smith
Kim says the scan "explains a lot," though doctors say such findings are often inconclusive without proper context

Trump’s “Animal House” is floundering

Brian Karem
The president and his cast of characters are wreaking havoc on American democracy

“Eternity” challenges cinema’s obsession with the afterlife

Coleman Spilde
This potpourri of different afterlife movies quickly gets to the heart of why we fear death

10 ways to step up self-care over the holidays

Susan Shapiro
Mental-health experts offer practical strategies to help make the season calmer and more manageable

“Pluribus” is a fascinating Rorschach test

Melanie McFarland
Vince Gilligan's new Apple TV show lets us project meaning onto a story about happiness at the end of the world

“Edward Scissorhands” exposes the cost of being the “exceptional” disabled person

Kristen Lopez
"Popcorn Disabilities" reexamines "Edward Scissorhands" as a deeply coded disability narrative

At last, a Yoko Ono retrospective free of The Beatles blame game

Caryn Rose
"Yoko Ono: Music of the Mind" highlights decades of peace-focused art that stands on its own

We outgrew “Stranger Things” years ago

Melanie McFarland
With the cast no longer fitting their child-sized roles, it's past time we all moved on from Hawkins, Indiana

Social media’s reckoning may have arrived — thanks to Elon Musk

Sophia Tesfaye
Foreign bots have long plagued X. Musk has introduced a potential fix

“Sentimental Value” is the Thanksgiving film for the fractured family

Coleman Spilde
Joachim Trier's tender film explores the shame in being unable to communicate with those we're supposed to love

Why we call the good stuff “gravy”

Ashlie D. Stevens
How a simple sauce became a linguistic stand-in for luck, ease — and the moments that make us say, “It’s all gravy"

The truth about Trump is sinking in for his MAGA followers

Heather Digby Parton
Once viewed by MAGA voters as a regular guy, Trump is now seen as part of the elite they despise

“Jeffrey Epstein is not unique”: What his case reveals about the realities of child sex trafficking

Kate Price
Child sex trafficking perpetrators are primarily white men, with wealth and power

Work is “optional” and irrelevant money: Musk’s creepy utopian dream

CK Smith
Utopians say technology will end scarcity, questions remain on accessing things machines can't create from thin air

Many more are ready to leave MAGA — and I know how hard that is

Rich Logis
MAGA is a community united by fear and despair. If your loved one is ready to change, understand that

Inside The Beatles’ rise: “Anthology” shines again with a revelatory new restoration

Kenneth Womack
The Beatles’ "Anthology" series offers uncovered outtakes and orchestral gems showcasing legends in the making

Coast Guard reverses course, reclassifies swastikas and nooses as hate symbols

Garrett Owen
The Coast Guard said the symbols will remain prohibited as "extremist imagery"

“Wicked: For Good” sinks under its greed

Coleman Spilde
The continuation of last year's inevitable smash aims for nothing but cash. It's franchise filmmaking's rock bottom
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