INTERVIEW

Andrew Bird narrates the "Inside Problems" that plague our atomized age

Salon talks to the indie pop storyteller about his creative process and being inspired by Joan Didion

Published June 3, 2022 3:30PM (EDT)

Andrew Bird (Photo courtesy of David Black/Shore Fire Media)
Andrew Bird (Photo courtesy of David Black/Shore Fire Media)

Andrew Bird's "Inside Problems" marks another gem in the artist's masterful collection of LPs. With lead singles such as "Atomized" and "Underlands," the album offers an inspiring, even whimsical take on contemporary life, which is no easy feat.

As with every other entry in vast his catalog, "Inside Problems" finds Bird never resting on his laurels. In a recent interview with me, he explained that this is entirely by design. Not surprisingly, his creative process is infinitely complex and highly contingent upon his experience in the here and now.

"What happens," Bird told me, "is you think after you finish your last project, 'Where is it going to come from now'?" As he awaits inspiration's arrival, he feels "gutted" and "empty." But then, "it always starts happening. Just from being alive. One day, you're doing the dishes and something pops into your head."

RELATED: Andrew Bird gets confessional, at last: "I really wanted to make a less whimsical, more visceral, grab-you-in-the-gut kind of record"

For "Inside Problems," the process seemed to ignite itself during his nocturnal hours. "I wrote most of it in a horizontal position — basically in the middle of the night, as a kind of insomnia. You can't sleep," he explained, and "your brain is channel switching and you're starting to spiral. There are no distractions to keep you from spiraling. You're a captive audience."

Fortunately, Bird told me, "I have always had a really strong playback system in my head." At this point, "I begin throwing words at the melody that's been kicking around inside my head." The litmus test for Bird is that "if it gets under my skin, it's likely going to get under the listener's skin, too."

"Atomized," one of the album's standout tracks — and one that can't help getting under your skin — was born in this fashion. The inspiration arrived courtesy of Joan Didion's collection of essays, "Slouching Towards Bethlehem." Didion famously drew her own inspiration from William Butler Yeats's "Second Coming," which brings the calamity of history's tipping points brutally to life.

Watch "Atomized":

With "Atomized," Bird takes this concept a step forward and attempts to understand our society's contemporary malaise, an unprecedented world beset by technology in which our lives feel "atomized and scattered," leaving our senses of self-worth in states of instability. As "Atomized" demonstrates, our identities are becoming fragmented and, much to our peril as a species and a culture, we are feel increasingly disconnected and unmoored.

For Bird, it is the "randomness" of the creative act that, time and time again, draws him back into the artistic process. As a multi-instrumentalist with classical sensibilities, pop music would seem to be a foreign genre for a songwriter of Bird's skill and mastery. But as he points out, the "three-and-a-half, four-minute pop song is perfect for me. I'm not a novelist," he notes, which is "a very different discipline entirely and asks for people to listen to a different part of their brain than when someone's telling them a story."

With the pop songs on "Inside Problems," Bird succeeds admirably in narrating his latest batch of song-stories. Pop tunes are "these very short little moments where everything kind of coalesces into a playground of possibilities," he explained, and with his latest LP, Bird's storytelling is in top form, indeed.


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By Kenneth Womack

Kenneth Womack is the author of a two-volume biography of the life and work of Beatles producer George Martin and the host of "Everything Fab Four," a podcast about the Beatles distributed by Salon. He is also the author of "Solid State: The Story of Abbey Road and the End of the Beatles," published in 2019 in celebration of the album’s 50th anniversary, and "John Lennon, 1980: The Last Days in the Life." His newest project is the authorized biography and archive of Beatles road manager Mal Evans, due out in 2023.

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