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Topic: Movies
A novel for the terminally online
Coleman Spilde
The documentary revolution is here
Coleman Spilde
"Wicker" is much more than its weird sex
Coleman Spilde
The "You Can See Everything" wild card
Coleman Spilde
Maria Bamford comes full-circle
Coleman Spilde
"The Devils" reignites NC-17 passion
Coleman Spilde
A warm, sumptuous tale of two Coppolas
Coleman Spilde
In "The Debut," midlife is a new start
Coleman Spilde
The journalism thriller isn't dead (yet)
Coleman Spilde
The Daily Wire is too mad to make movies
Alex Galbraith
You can't solve a problem like "Digger"
Coleman Spilde
The fake hit song we could all agree on
Alex Galbraith
The film Cornell has people rewatching
Coleman Spilde
Why Gen Z sees itself in "Primetime"
Coleman Spilde
Brad Pitt's comeback act has faltered
Coleman Spilde
Werner Herzog’s lonely hearts club film
Coleman Spilde
"Primetime" isn't Chris Hansen's story
Coleman Spilde
The "Resident Evil" films rule, actually
Coleman Spilde
"NAZA" could be the Gaza tipping point
Coleman Spilde
"Fjord" and the myth of objectivity
Coleman Spilde
The curious case of “The Black Dahlia"
Melanie McFarland
Tom Cruise wants the last word
Coleman Spilde
Sydney Sweeney has no endgame
Coleman Spilde
Some sequels are destined to disappoint
Coleman Spilde
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