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Coleman Spilde

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Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

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Elle Fanning at the 83rd Annual Golden Globes on January 11, 2026 in Beverly Hills, California. (Christopher Polk/2026GG/Penske Media via Getty Images)

Elle Fanning’s Oscar nomination still undersells her year

Coleman Spilde
Wunmi Mosaku as Annie in "Sinners" (Warner Bros. Pictures)

How the viewers changed the Oscar race

Coleman Spilde
Jodie Foster as Lilian Steiner in "A Private Life" (George Lechaptois)

“A Private Life” is Jodie Foster’s moving French masterpiece

Coleman Spilde
"Good Hang with Amy Poehler" (Paper Kite Productions/The Ringer)

The vital joy of Amy Poehler’s “Good Hang”

Coleman Spilde
Michael B. Jordan and Julia Roberts at the 83rd Annual Golden Globes held at The Beverly Hilton on January 11, 2026 in Beverly Hills, California. (Michael Buckner/2026GG/Penske Media via Getty Images)

The Golden Globes don’t care about film

Coleman Spilde
A woman speaks into a small microphone on the red carpet before the German Film Awards ceremony. The Lola is one of the most important awards in the industry. (Sebastian Christoph Gollnow/picture alliance via Getty Images)

Teeny tiny mics are ruining the red carpet

Coleman Spilde
Robyn (Marili Andre/Courtesy of Young Recordings)

Robyn reframes motherhood and desire

Coleman Spilde
Matt Damon as Odysseus in "The Odyssey" (Universal Pictures)

Will 2026 bring back the blockbuster?

Coleman Spilde
Meryl Streep and Anne Hathaway in "The Devil Wears Prada 2" (20th Century Studios)

Three sequels worth watching in 2026—and three to avoid at all costs

Coleman Spilde
Hudson Williams and Connor Storrie in "Heated Rivalry" (Sabrina Lantos/HBO Max)

Do women love “Heated Rivalry” too much?

Coleman Spilde
Kristen Stewart directs Imogen Poots in "The Chronology of Water" (Andrejs Strokins)

Movie stars want to direct. It’s not always a great idea

Coleman Spilde
Amanda Seyfried in "The Testament of Ann Lee" (Searchlight Pictures)

“The Testament of Ann Lee” shows us that utopia is possible

Coleman Spilde
Timothée Chalamet as Marty Mauser in "Marty Supreme" (A24)

What “Marty Supreme” loses in its quest to be the best

Coleman Spilde
Reginald Owen stars as Ebenezer Scrooge in the 1938 motion picture "A Christmas Carol" (John Springer Collection/CORBIS/Corbis via Getty Images)

The timeless gift of Scrooge

Coleman Spilde
Gwyneth Paltrow in "Marty Supreme" (A24)

The patron saint of 2025 is . . . Gwyneth Paltrow?

Coleman Spilde
"Get me out of here" (Obbchao/Getty Images)

The real reason 2025 had us ready for the rapture

Coleman Spilde
(Photo illustration by Salon / Adult Swim / Netflix / ©Hyuganatsu, Imagica Infos / “The Apothecary Diaries” Project)

The most vital animation of 2025 that made life bearable

Hanh Nguyen, Melanie McFarland, Coleman Spilde
(Photo illustration by Salon / Getty Images / Coleman Spilde / Lebazele / )

Not the last picture show: A small-town theater brings hope to the heartland

Coleman Spilde
Billy Crystal as Harry Burns and Meg Ryan as Sally Albright in "When Harry Met Sally" (Columbia Pictures)

“When Harry Met Sally” is Rob Reiner’s everlasting message of love

Coleman Spilde
Amanda Seyfried as Ann Lee in "The Testament of Ann Lee" (Searchlight Pictures)

9 films that helped decode 2025’s absurd reality

Coleman Spilde
Michelle Pfeiffer as Claire Clauster in "Oh. What. Fun." (Alisha Wetherill/Prime)

“Oh. What. Fun.” finally gives moms their Christmas due

Coleman Spilde
Lisa Vanderpump and Venus Binkley in "Vanderpump Rules" (Casey Durkin/Bravo)

The new “Vanderpump Rules” is Bravo’s losing bet

Coleman Spilde
Paul Mescal as William Shakespeare in "Hamnet" (Focus Features)

“Hamnet” tests tear ducts and patience

Coleman Spilde
Elizabeth Olsen, Miles Teller and Callum Turner in "Eternity" (Leah Gallo/A24)

“Eternity” challenges cinema’s obsession with the afterlife

Coleman Spilde
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