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Liberal Arts Cuts Are Dangerous
Is College Necessary?
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Crypto
Investing
SEC vs Celebrity Crypto Promoters
‘Dark’ Personalities Drawn to BTC
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Gary M. Kramer
(page 5)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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“I feel like politicians are born in fraternities”: “The Line” director on Greek life mindset
Gary M. Kramer
“We leave these places in ruins”: How the white lens on “Kandahar” reflects the human cost
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In “White Men Can’t Jump” remake, Sinqua Walls outshines Wesley Snipes’ original basketball hustler
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J.Lo takes charge in Netflix’s gruesome action-thriller “The Mother”
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“To help life flow”: Mark Dacascos reflects on his strong, flavorful and action-packed career
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“What’s Love Got to Do With It?” director on dating today, from apps to setups: “Love is a mystery”
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“Polite Society” filmmaker on combining Bollywood, martial arts and “angry women being rageful”
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“It is always the other who is guilty, never us”: Movie “R.M.N.” examines what drives xenophobia
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“Everyone needs to find the best way to live”: “Eight Mountains” stars talk friendship and choices
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“We have to do it in Spanish”: Melissa Barrera on dance-filled “Carmen” reimagining set in Mexico
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“Plan 75”: Dystopian film about euthanasia for elders fueled by “anger towards intolerant society”
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The power of Ben Affleck’s “Air” gotta be more than the shoes
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“That was an epic moment”: “John Wick 4” martial artist on that traffic battle, honoring Bruce Lee
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“I like to be right alongside with my characters”: Charlotte Rampling on her career, acting “flow”
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“It is an unapologetically joyful film”: Director urges viewers to visit Hulu’s charming “Rye Lane”
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“John Wick 4” is both stunning and exhausting in its aesthetic action excess
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With “Tori and Lokita,” the Dardennes deliver their bleak Belgian take on refugees in Europe
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“Like photographing sculpture”: Cinematographer reveals what makes “Creed III” look so good
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Dennis Quaid on his Hollywood long game: “I never cared about having a Tom Cruise-type of career”
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Colin Farrell’s best, most quietly smoldering roles, from “Banshees of Inisherin” to “Phone Booth”
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In “Operation Fortune,” Aubrey Plaza saves Guy Ritchie’s latest action-packed but lackluster caper
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“Take yourself to the ocean”: “Blueback” star Radha Mitchell on how to care about the environment
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In the affable “Call Me Chihiro,” a former sex worker provides friendly bento comforts to all
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Predictable “Cocaine Bear” never achieves the level of dumb fun to elicit laughs – not even a snort
Gary M. Kramer
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