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Coleman Spilde (page 4)

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Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

Illustration of Catherine Coulson as The Log Lady, seen in "I Know Catherine" (Alex Shurun)

A beloved “Twin Peaks” resident gets her due

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Anna Kendrick and Blake Lively in "Another Simple Favor" (Lorenzo Sisti)

Blake Lively’s latest crime against humanity? Having the most fun of her career

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Chloë Sevigny as Anne and Lily McInerny as Cécile in "Bonjour Tristesse" (Courtesy of Greenwich Entertainment)

In “Bonjour Tristesse,” Chloë Sevigny and Lily McInerny try to capture beauty before it slips away

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"Sinners" (Courtesy Warner Bros. Pictures)

“Sinners” is a smash. So why is Hollywood putting an asterisk on its success?

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Lisa Vanderpump in "Vanderpump Villa" (Disney/Andrea Miconi)

“The Real Housewives” is officially reality TV’s least exciting franchise

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J.K. Rowling (Mike Marsland/Mike Marsland/WireImage/Getty)

The success of J.K. Rowling’s transphobic fight depends on the future of “Harry Potter”

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Vincent Cassel and Diane Kruger in "The Shrouds" (Courtesy of Janus Films )

With “The Shrouds,” cinema’s great body horror auteur goes for something a little lighter: grief

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Kelly Marie Tran, Lily Gladstone, Han Gi-Chan and Bowen Yang in "The Wedding Banquet" (Luka Cyprian/Bleecker Street)

“The Wedding Banquet” updates a queer cult classic for a new generation, without losing its heart

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Lady Gaga performs during the 2025 Coachella Valley Music and Arts Festival on April 11, 2025, in Indio, California. (Kevin Mazur/Getty Images for Coachella)

Lady Gaga’s Coachella spectacle makes a case for beauty in an ugly world

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Taylor John Smith, Charles Melton and Alex Brockdorff in "Warfare" (Murray Close/A24)

Making a war film apolitical is impossible

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Meghann Fahy as Violet in "Drop" (Bernard Walsh/Universal Pictures)

In “Drop,” Meghann Fahy gives new meaning to keeping your wits about you on a first date

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Michael Cera and Michael Angarano in "Sacramento" (Courtesy of Vertical)

“Sacramento” makes a hilarious, heartfelt case for California’s capital

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(L-R) Paul Rudd and Jenna Ortega in "Death of a Unicorn" (Balazs Goldi)

Eat the rich films have run their course

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Félix Kysyl in "Misericordia" (Courtesy of CG Films/Losange Production)

In the queer thriller “Misericordia,” coming home is anything but melodramatic

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Val Kilmer poses for publicity photos taken in 1994 at his residence in Santa Fe, New Mexico. (Michael Tighe/Donaldson Collection/Getty Images)

Val Kilmer, Hollywood’s oddball bad boy, was the real deal until the end

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Naomi Watts and Bing in "The Friend" (Courtesy of Bleecker Street)

“The Friend” gives a voice to those of us hounded by self-obsessed dog parents

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Nicole Kidman and Matthew Macfadyen in "Holland" (Courtesy of Prime Video )

“Holland” could’ve been the Nicole Kidman freak show, but her weirdness is merely a sideshow

Coleman Spilde
A singed message written by director Bong Joon-ho is displayed (L) as pizza restaurant owner Eom Hang-ki, 65, works in her restaurant Sky Pizza in Seoul, the inspiration for "Pizza Generation" in the film "Parasite." (ED JONES/AFP via Getty Images)

In Bong Joon-ho’s delicious satires, culinary provocation is the secret ingredient

Coleman Spilde
Owen Cooper as Jamie Miller in "Adolescence" (Courtesy of Netflix)

“Adolescence” explores the dark consequences of teenage boys being radicalized online

Coleman Spilde
(l-r) Angie Katsanevas, Andy Cohen, Lisa Barlow and Heather Gay during "The Real Housewives of Salt Lake City" reunion episode (Clifton Prescod/Bravo)

Watching “Real Housewives” can help us predict Trump’s next moves

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Cate Blanchett and Michael Fassbender in "Black Bag" (Courtesy of Focus Features and Universal Pictures)

“Black Bag” makes monogamy sexy again

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Amanda Seyfried in "Seven Veils" (Courtesy of XYZ Films and Variance)

“Seven Veils” is the latest film to reconsider how much value we put into an artist’s pain

Coleman Spilde
Lady Gaga in New York City, February 14, 2025. (NDZ/Star Max/GC Images/getty images)

On the groove-heavy “Mayhem,” Lady Gaga balances two selves to become the perfect celebrity

Coleman Spilde
Robert Pattinson as Mickey 18 and Robert Pattinson as Mickey 17 in “MICKEY 17” (Courtesy of Warner Bros. Pictures)

In “Mickey 17,” Bong Joon-ho rips into Trump with a rousing, space-set satire

Coleman Spilde
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