Thomas Bartlett

Sybarite: “Nonument”

Former Silver Apples member Xian Hawkins' first album under the moniker Sybarite is a collection of intriguing cinematic mood pieces.

  • more
    • All Share Services

Sybarite:

Former Silver Apples member Xian Hawkins’ first full-length album under the moniker Sybarite opens with “Secropia,” a combination of the cool-headed, ingeniously constructed minimalism of composer Steve Reich and the more emotionally lugubrious sound of Thomas Newman, best known for his film score of “American Beauty.”

Tracks like “Renzo Piano” suggest an avant-garde band that wants to write music for European car commercials. The tension works nicely, and results in an album of complex and intriguing cinematic mood pieces. Three tracks feature guest vocalists, something Hawkins used to great effect on his “The Scene of the Crime” EP with the alluring Jennifer Charles of noir-rock band Elysian Fields.

Not one track on “Nonument” is quite as good as that EP, although “Water,” with the the breathy vocals of Gregory Kenney barely fighting through jagged electronic beats, is excellent. Still better is “Three Sided,” where the beats are dropped as a patchwork of electronic noise beneath continues. Like a cricket-filled summer night in the country, the busy sounds coalesce into serene beauty.

Links:
“Nonument” is out now on 4AD/Beggars Group.

Audio:

“Tempo de Amor”

Miho Hatori (of Cibo Matto) and guitarist Smokey Hormel pay tribute to Brazilian Afro-samba songwriter Baden Powell on their new EP.

  • more
    • All Share Services

“Tempo de Amor” is a tribute to the great songwriting team of Baden Powell and Vinicius de Moraes, Brazil’s answer to Burt Bacharach and Hal David. Smokey & Miho are Smokey Hormel, best known as Beck’s guitarist, and Miho Hatori, one half of the quirky art-pop duo Cibo Matto. Given the determined experimentalism of those acts, it comes as something of a surprise that Smokey & Miho actually play it straight together, leaving intact Powell’s Afro-samba sound, a blend of bossa nova and Afro-Cuban rhythms.

On these five cuts, Hatori sings nearly without inflection, an affect that nicely highlights the almost surreal melodies of the songs. Likewise, Hormel plays it restrained. Shimmering touches of percussion come from Mauro Refosco, who plays with Talking Head turned professional Brazilophile David Byrne.

Songs are the real focus here. Powell’s melodies are not as catchy as Antonio Carlo Jobim’s, nor as tender as Joao Gilberto’s, but they have a strange power all their own, filled with elliptical phrases that tend to double back on themselves in unexpected ways. The disc’s highlight is the hypnotic “Consolacao,” with Hatori’s voice intertwining nicely with a repetitive, slinky guitar part.

“Tempo de Amor” is out now on Afro Sambas and available through Smokey & Miho’s official Web site.

Continue Reading Close

Page 11 of 11 in Thomas Bartlett