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SEC vs Celebrity Crypto Promoters
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Kevin Smokler
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“American Psycho” at 25: How Mary Harron turned a misunderstood novel into a masterpiece
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“We are an invisible people”: Creator Tanya Saracho on the end of her queer Latinx series “Vida”
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Diversity didn’t die with the Oscars – here are the kickass creatives to celebrate and support
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Rick Springfield: From “Jessie’s Girl” to “God, the devil and sex”
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How “Planes, Trains and Automobiles” redefined Thanksgiving
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“Stranger Things” and the sinister innocence of Reagan’s America
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Doomed to relive high school? Science that says who we were at 16 still defines us
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Andrew McCarthy stretches his wings: “I do have a strong yearning to escape”
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“Some Kind of Wonderful” at 30: On the John Hughes film’s epic romances — on- and off-camera — that endure
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When you grow up, your heart doesn’t have to die: Kevin Smokler and Jason Diamond on the perfectly imperfect world of John Hughes
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The psychos down the street: Slaying the suburban slasher flicks of my youth
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Secrets of the “Ferris Bueller’s Day Off” soundtrack: “Oh my God, this song is about Cameron”
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Ferris Bueller’s missing soundtrack: Why we shouldn’t mourn what we never had
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The trouble with Duckie: How “Pretty in Pink’s” most lovable character gave a generation of teenage boys the wrong idea
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I went “Back to the Future” but nothing was there: How I lost Hill Valley and where I found it
Kevin Smokler
We’re all “Goonies” in Astoria: Following the lucid dream of the Goondocks, 30 years later
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There’s nothing to do when you’re locked in a vacancy: “The Breakfast Club” and the luxurious intimacy of uninterrupted time
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“A puppet needs to project a personality”: The original Muppeteer on how the business has changed
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William Zabka: 30 years later, the “Karate Kid” cast is like a frat
Kevin Smokler
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