“Primal” is a life-affirming zombie tale
Melanie McFarland
Mary Tyler Moore stands for Minneapolis
Melanie McFarland
“Schitt’s Creek” star Catherine O’Hara, dead at 71
Melanie McFarland
The lost joy of the Food Network chef as teacher
Melanie McFarland
Everyone wants to be a Traitor until it’s time to betray themselves
Melanie McFarland
David Bowie’s Goblin King still casts the longest spell
Melanie McFarland
“The Bone Temple” argues that in a rage apocalypse, art may be the cure
Melanie McFarland
Don’t blame media literacy for our naivete
Melanie McFarland
How “A Knight of Seven Kingdoms” paves the way to “Game of Thrones”
Melanie McFarland
Michael Rapaport was the best at being the worst on “The Traitors”
Melanie McFarland
Nikki Glaser proved to be the Golden Globes’ safest bet
Melanie McFarland
The prescriptive comforts of “The Pitt”
Melanie McFarland
From “Sinners” to “Pluribus,” 2025 was the year of the hive mind
Melanie McFarland
On “Heated Rivalry,” the smut is the point
Melanie McFarland
The lovable Rob Reiner, as seen on TV
Melanie McFarland
Why the Roman Empire still captivates us
Melanie McFarland
The most vital animation of 2025 that made life bearable
Hanh Nguyen, Melanie McFarland, Coleman Spilde
How the TV Yule log stole Christmas
Melanie McFarland
10 shows we loved watching in 2025
Melanie McFarland
6 soundtracks that hit a high note in 2025
Melanie McFarland
“The Dick Van Dyke Show” changed TV forever
Melanie McFarland
The Netflix-ification of Hollywood — What’s the worst that could happen?
Melanie McFarland
“Welcome to Derry” sets racist evil ablaze without incendiary insults
Melanie McFarland
“Spartacus: House of Ashur” shows why America isn’t Rome
Melanie McFarland
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