“Welcome to Derry” sets racist evil ablaze without incendiary insults
Melanie McFarland“Spartacus: House of Ashur” shows why America isn’t Rome
Melanie McFarland“Pluribus” is a fascinating Rorschach test
Melanie McFarlandWe outgrew “Stranger Things” years ago
Melanie McFarland“The Beast in Me” is the perfect story for a predator’s era
Melanie McFarlandWatching “The American Revolution” in our fourth crisis
Melanie McFarlandIn “Predator: Badlands,” diversity is the secret weapon
Melanie McFarlandWhen it comes to body horror, “Welcome to Derry”‘s got female trouble
Melanie McFarland“All’s Fair” and the problem with Kim Kardashian
Melanie McFarlandWhy “Dancing with the Stars” fans love voting for Andy Richter
Melanie McFarlandRachel Sennott really does love LA
Melanie McFarlandWhat’s on the table at Downton Abbey?
Melanie McFarlandOur serial killer obsession might be making us less human
Melanie McFarlandPennywise isn’t Derry’s biggest terror
Melanie McFarlandA nostalgic comfort meal, inspired by “The Bear”
Melanie McFarland“Breaking the Deadlock” shows us what civil discourse could look like
Melanie McFarlandD’Angelo took us to bed…and to church
Melanie McFarlandWe’re all living in Murdaugh Country now
Melanie McFarland“The Chair Company” is peak Tim Robinson
Melanie McFarland“Boots” shows us what training warriors looks like
Melanie McFarland“Task,” a crime drama that dares to embrace forgiveness
Melanie McFarlandSaudi Arabia’s latest luxury buy? Comedians selling out free speech
Melanie McFarland
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