Harry Potter and the half-baked debate
Melanie McFarlandHollywood finds religion again
Melanie McFarland“The Forsyte Saga” is about hot men and the money they love
Melanie McFarlandOn “The Comeback,” AI gets the last laugh
Melanie McFarlandLadies, “The Madison” proposes that our place is in an isolated cabin
Melanie McFarlandTaylor Frankie Paul’s dirty laundry is our reality check
Melanie McFarlandThe useful rage of Godzilla
Melanie McFarland“The Murdochs” is a messier “Succession”
Melanie McFarland“Sinners” should win, but always bet on the Oscars to disappoint
Melanie McFarlandWhy the “Love Is Blind” experiment was doomed from the start
Melanie McFarland“Saturday Night Live” has a middle ground problem
Melanie McFarlandWatching “Bridgerton” in a “Heated Rivalry” world
Melanie McFarlandThe BAFTAs have us arguing over the wrong words
Melanie McFarlandEveryone should live like Miss Piggy
Melanie McFarlandThe uplifting medicine of “Scrubs”
Melanie McFarland“A Knight of the Seven Kingdoms” is the “Undercover Boss” of our era
Melanie McFarlandOn “SNL,” Jesse Jackson proved he knew punchlines have power
Melanie McFarlandAnd America’s worst top role model is . . . Tyra Banks
Melanie McFarlandWe still swoon for Prince’s “Kiss”
Melanie McFarlandThe shrunken ambition of Ryan Murphy’s “Love Story”
Melanie McFarlandBad Bunny gave us a Super Bowl halftime show for all Americans
Melanie McFarland“Shrinking” is a therapeutic retreat from an ugly world
Melanie McFarlandCatherine O’Hara knew that motherhood can be a slapstick comedy
Melanie McFarland
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