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SEC vs Celebrity Crypto Promoters
‘Dark’ Personalities Drawn to BTC
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Gary M. Kramer
(page 8)
Gary M. Kramer is a writer and film critic based in Philadelphia. Follow him on
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Javier Bardem on “The Good Boss” humor: Humans love “seeing people suffer when we see they are safe”
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The intriguing, well-acted “Immaculate Room” isolates a couple for 50 days as a test of resolve
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Swinger film “Bloom Up” explores polyamory with a couple whose love is “really, really pure”
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Brad Pitt hops aboard the ridiculous, rollicking “Bullet Train” packed with gleefully violent stars
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Conversion camp horror flick “They/Them” is a crafty, killer good time
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In crime comedy “Vengeance,” B.J. Novak dares to mess with Texas while also skewering all the rest
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Netflix’s “The Gray Man”: Ryan Gosling and Chris Evans go loud in Russos’ propulsive action flick
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John Cho on road trips, his go-to karaoke songs and approach to life: “I’m very open to risk”
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“Where the Crawdads Sing” is a stupefyingly bad adaptation of spoon-fed melodrama
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Lesley Manville is endearing in “Mrs. Harris Goes to Paris,” a feel-good couture fairy tale
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“She Will” star Alice Krige is haunted and haunting: “There must be something a bit odd about me”
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Juliette Binoche is torn between two lovers in Claire Denis’ potent “Both Sides of the Blade”
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“Murina” filmmaker: “You need to be a ‘dangerous’ woman in Croatia to survive”
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Jenny Slate on voicing the melancholy “Marcel the Shell” and creating a laugh “that’s not creepy”
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“Flux Gourmet” is an absurdist adventure in pretentious performance art made from food sounds
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Penélope Cruz dominates in “Official Competition,” a delightful satire about ego and filmmaking
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Thomas Haden Church on his offbeat new “Acidman” role: “There is clearly something wrong with Lloyd”
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Behind the scenes of “Fire Island,” from filming sexy rain encounters to endearing dance-offs
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“Body Parts” examines the labor of movie nudity – the good, the bad and the merkins
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“Nudity is not indecent”: “Naked Gardens” directors on baring all, even themselves, for documentary
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“Lost Illusions” is a sumptuous period piece on the allure of fame, followers and fake news
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“An Act of Worship” is one Muslim American’s “counternarrative of our last 30 years”
Gary M. Kramer
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