Jay-Z makes the strongest point yet about why artist-controlled content is a good thing

Multiple credits aren't a sign of weakness—ask the Beastie Boys—and there's no doubt whose vision drives "Lemonade"

To deny Celine Dion is to deny the culture that made her a star.

His voice belongs not solely to the chart-making pop star but also to another, secret singer, who sang in the margins when practically no one was listening.

The Byrds harbor deep resentments over the Texas governor's treatment of their family and failure to support a hate crimes bill.

The Scottish indie rockers' multiplatinum album turned 20 last year, and now they're headed out on tour

Rhino's new "Songwriting by Elvis Costello" is the cream of the compilation CD crop.

At turns bombastic and vulnerable, Lamar tackles race, depression and economics in his blistering new album

Artists are gaming the system. But is that bad for music?

With producer Jack Antonoff, St. Vincent makes “Masseduction” and her steady evolution finally takes shape

The 1986 hit endures thanks to the genius of its era-defying sounds and timeless themes

With her latest album, Martina McBride breathes new life into contemporary country music by summoning ghosts from the past.

The controversial pop sensation is somehow more interesting for her spectacular flameouts than her music