Coleman Spilde

Email: coleman.spilde@salon.com

Twitter: @colemanjspilde

Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

The last great "Housewives" trip: "Scary Island" and the end of RHONY’s Golden Age Coleman Spilde

"Hurry Up Tomorrow" is The Weeknd's egomaniacal cinematic disaster Coleman Spilde

In "Overcompensating," millennial memory is made meaningful Coleman Spilde

Trump’s latest tariff agenda: Make movies crap again Coleman Spilde

"Friendship" shouldn't be this stressful Coleman Spilde

What "Barbarian" gets right about terrifying moms and twisted love Coleman Spilde

The cultural significance of the Met Gala can't be dismissed Coleman Spilde

In "Bravo's Love Hotel," Real Housewives own up to everything in the name of romance Coleman Spilde

A beloved "Twin Peaks" resident gets her due Coleman Spilde

Blake Lively’s latest crime against humanity? Having the most fun of her career Coleman Spilde

In "Bonjour Tristesse," Chloë Sevigny and Lily McInerny try to capture beauty before it slips away Coleman Spilde

"Sinners" is a smash. So why is Hollywood putting an asterisk on its success? Coleman Spilde

"The Real Housewives" is officially reality TV's least exciting franchise Coleman Spilde

The success of J.K. Rowling's transphobic fight depends on the future of "Harry Potter" Coleman Spilde

With "The Shrouds," cinema's great body horror auteur goes for something a little lighter: grief Coleman Spilde

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