“Bugonia” finds radical power in listening
Coleman Spilde“If I Had Legs I’d Kick You” sees therapy how it is
Coleman SpildeHorror doesn’t need the Academy’s permission to matter
Coleman Spilde“The Perfect Neighbor” crosses a line
Coleman SpildeInside “After the Hunt,” the most provocative film of 2025
Coleman Spilde“The Family Stone” is Diane Keaton’s tender onscreen goodbye
Coleman SpildeJohn Candy lived to make us feel better
Coleman SpildeRose Byrne stares down the breaking point of motherhood
Coleman Spilde“No Other Choice”: What not to do when you lose your job
Coleman Spilde“The Smashing Machine” is a futile fight for perfection
Coleman SpildeIn “Jay Kelly,” George Clooney is a movie star in crisis
Coleman Spilde“One Battle After Another” dredges up hope from the wreckage
Coleman SpildeRobert Redford’s lasting mark on indie film
Coleman Spilde“HIM” decries our false football Gods
Coleman SpildePaula Deen’s quest for redemption
Coleman SpildeThe cartoonist who made presidents tremble
Coleman SpildeDarren Aronofsky finally has some fun
Coleman SpildeTo be a fan is to be a parasite
Coleman SpildeMargaret Qualley is in total control
Coleman Spilde
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