John Candy lived to make us feel better
Coleman SpildeRose Byrne stares down the breaking point of motherhood
Coleman Spilde“No Other Choice”: What not to do when you lose your job
Coleman Spilde“The Smashing Machine” is a futile fight for perfection
Coleman SpildeIn “Jay Kelly,” George Clooney is a movie star in crisis
Coleman Spilde“One Battle After Another” dredges up hope from the wreckage
Coleman SpildeRobert Redford’s lasting mark on indie film
Coleman Spilde“HIM” decries our false football Gods
Coleman SpildePaula Deen’s quest for redemption
Coleman SpildeThe cartoonist who made presidents tremble
Coleman SpildeDarren Aronofsky finally has some fun
Coleman SpildeTo be a fan is to be a parasite
Coleman SpildeMargaret Qualley is in total control
Coleman Spilde11 fall movies you won’t want to miss
Coleman SpildeTaylor Swift played us again
Coleman Spilde“Weapons” succumbs to its worst instinct
Coleman SpildeGen Z finally has a great reality show
Coleman Spilde“The Naked Gun” punches up the franchise’s funniest joke
Coleman SpildeThe horror of being “Together” forever
Coleman Spilde“Sorry, Baby” is why we go to the movies
Coleman SpildeWith “Happy Gilmore 2,” Adam Sandler’s comedy shows its age
Coleman Spilde
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