Coleman Spilde

Email: coleman.spilde@salon.com

Twitter: @colemanjspilde

Coleman Spilde is a senior staff culture writer and critic at Salon, specializing in film, television and music. He was previously a staff critic at The Daily Beast, and in addition to Salon, his work has appeared in Vulture, Slate, and his newsletter Top Shelf, Low Brow. He can be found at the movies.

"Sinners" is a smash. So why is Hollywood putting an asterisk on its success? Coleman Spilde

"The Real Housewives" is officially reality TV's least exciting franchise Coleman Spilde

The success of J.K. Rowling's transphobic fight depends on the future of "Harry Potter" Coleman Spilde

With "The Shrouds," cinema's great body horror auteur goes for something a little lighter: grief Coleman Spilde

"The Wedding Banquet" updates a queer cult classic for a new generation, without losing its heart Coleman Spilde

Lady Gaga's Coachella spectacle makes a case for beauty in an ugly world Coleman Spilde

Making a war film apolitical is impossible Coleman Spilde

In "Drop," Meghann Fahy gives new meaning to keeping your wits about you on a first date Coleman Spilde

"Sacramento" makes a hilarious, heartfelt case for California's capital Coleman Spilde

Eat the rich films have run their course Coleman Spilde

In the queer thriller "Misericordia," coming home is anything but melodramatic Coleman Spilde

Val Kilmer, Hollywood's oddball bad boy, was the real deal until the end Coleman Spilde

"The Friend" gives a voice to those of us hounded by self-obsessed dog parents Coleman Spilde

"Holland" could've been the Nicole Kidman freak show, but her weirdness is merely a sideshow Coleman Spilde

In Bong Joon-ho's delicious satires, culinary provocation is the secret ingredient Coleman Spilde

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