Karen Croft
The Fix
Howard Dean likes dirty jokes, Robert Redford doesn't care about fashion, and Salman Rushdie likes 'em young. Plus: J.Lo goon grabs wrong camera!
Afternoon Briefing:
Judy Dean laughed, and the rest is history: Presidential candidate Howard Dean told People magazine that on his and his future wife’s first spaghetti-dinner group date someone told a “ribald” joke and he told himself that if Judy laughed he could see her again but if she didn’t it might be their last date. She laughed. (People)
Robert Redford says Sundance is still all about independent film: It’s festival time again, and the same criticisms of commercialism and too much fabulousness are hitting founder Redford, who says, “They say … there are too many cellphones on the street. Well, that’s not our invention. And [they say] they’re all wearing black. Well, we’re not in the fashion business.” (CNN)
Go Salman:“Satanic Verses” author Salman Rushdie is set to write the screenplay for his short story “Firebird’s Nest” and the film will star his gal pal Padma Lakshmi (a former Food Network and Bollywood babe who is 25 years his junior). What’s the movie about? A romance between an older man and a younger woman, of course! (BBC)
Don’t go near J.Lo if you value your snapshots: A woman celebrating her birthday in Miami near where Jennifer was hanging got her digital camera snatched when it went off within reach of the full-figured fellas protecting Jen and her date for the evening, Mr. P.Diddy. The woman and her date weren’t interested in anything but taking photos of each other, but they lost all of their vacation shots so they filed a police complaint. (NY Post)
Money (Honey) Quote: Halle Berry on why she’s in therapy to help her get over her tendency to fall for the wrong men: “So far, my relationships have all been the kind that make you throw up.” (Ananova)
–Karen Croft
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Ending sitcoms, like breaking up, is apparently hard to do. In fact, the producers of both “Frasier” and “Friends” say they’re still not sure how they’re going to wrap things up on their last episodes.
“We don’t have a clue how we’re going to end, to be honest with you,” “Frasier” producer Christopher Lloyd told reporters at the Television Critics Association press tour this week. “I think we’d like to … do something sort of classy, something that isn’t dragging in a lot of celebrities or too much hoopla, just sort of a nice simple ending.”
“Friends” executive producer and co-creator Marta Kauffman has similar aspirations. “One of the things that was important to us was that it still felt like an episode of ‘Friends’. That it wasn’t some gimmick superimposed on the show,” she said.
“We didn’t want to do something high-concept,” added David Crane, the show’s other creator and executive producer, “or take the show out of the world of the show.”
Good thinkin’, Mr. Crane. While all last tableaux can’t be as apt and poignant as “The Mary Tyler Moore Show’s” group hug, it can certainly be less boring and bizarre than the final episode of “Seinfeld,” which left legions of confused and disappointed fans in its wake.
And heaven help us, it has to be better than the final episode of “St. Elsewhere,” where the camera zoomed out to reveal that the doctors we’d all been watching scurrying around, stanching wounds and saving lives had existed only in the imagination of a little autistic boy staring into a snow globe.
Hell, even Tom Fontana, the veteran TV writer who co-penned that unforgettably awful ending to “St. Elsewhere,” now agrees that the bubble-boy image was probably a sucky, self-indulgent way to go.
“The problem is that the viewers have been living with one set of rules for eight, nine, 10 seasons, and the final episodes that break those rules are very disturbing to people,” Fontana told the Chattanooga Times Free Press last year. “It may be fun for the producer but it’s not so much fun for the people watching.”
He can say that again.
Morning Briefing:
Runaway bride … found: Britney Spears — who, her handlers insist, is not in rehab — breaks silence about wedding. Says, “I do believe in the sanctity of marriage, I totally do. [But] I was in Vegas, and it took over me, and, you know, things got out of hand.” (MTV’s “Total Request Live” via People magazine)
The baby boom rattles on: Jennifer Aniston says she and Brad Pitt want two kids — “at least.” Adds that having babies will “be probably the most important job I’ll ever do.” (“Primetime Thursday” via Fox News)
Brush up on your Aramaic: Mel Gibson announces that his controversial film “The Passion of Christ” will be released independently next month, heading onto about 2,000 screens in the U.S. — a huge release for an independent film. (Reuters)
–Amy Reiter
With additional reporting by Christopher Farah.
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The Fix
Sean Penn reports from Baghdad, Jennifer Aniston won't talk to her mom, and Moby calls Bush a liar. Plus: Howard Dean was once a hunk!
Afternoon Briefing:
Sean Penn reports from Baghdad: The San Francisco Chronicle gave actor Sean Penn a press credential and he went to Iraq after Thanksgiving. His first report is a well-written account of what he saw — including signs saying “Killer for Hire.” (SFGate)
Jennifer still not talking to Mom: Jennifer Aniston still hasn’t introduced her hubbie, Brad Pitt, to Mom. Seems the cute-haired starlet is still upset that Mommy wrote an unauthorized book about her famous offspring. She probably used wire hangers, too. (ABC News)
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No Super Bowl for Bono, and does Renee think she's really British? Plus: Bertolucci film to be released as an NC-17.
Afternoon Briefing:
NFL says no to Bono: The Super Bowl this year is going to be all about fun, not AIDS, so the planned halftime entertainment from U2 and Jennifer Lopez, which was going to try to focus the huge audience’s attention on the disease, was axed by the football leaguers. Still scheduled are Janet Jackson and Beyoncé Knowles (the latter to sing the national anthem). (Rolling Stone)
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George Clooney needs a date, Pamela Anderson doesn't eat at buffets and Barbara Walters is fascinated by Gen. Franks. Plus: Will Janet Jackson sing at the Super Bowl?
The suave one is single again. Seems George Clooney broke up with his latest squeeze, Krista Allen (who had a small part in Clooney’s directorial debut “Confessions of a Dangerous Mind.”) A friend of Allen’s was quoted as saying “Krista is really unhappy. It looks like George broke her heart.” It would be worth a heartbreaking interlude with Giorgio for a trip to his villa in Italy … (IMDB)
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Nicole Kidman tells Diane Sawyer what to do, Madeleine Albright jokes about Osama and Orlando says he does it for the women. Plus: Scarlett Johansson is all over the Golden Globes.
The Golden Globe nominations were announced today and they are such a mishmash of television and film and drama and comedy that it’s usually best to just wait for the inevitable stories that come out of the awards show (Jan. 25) when people get drunk and say and do great things they’d never show at the Oscars. This morning the only surprises were when Alicia Silverstone announced a nomination for Uma Thurman and said the film’s name backwards (“Bill Kill”) and when Scarlett Johansson got two nominations (for “Lost in Translation” and “Girl with a Pearl Earring”). The fact that this morning’s host Dick Clark looked exactly the same as when I watched him on “American Bandstand” in the 1960s was no surprise at all. (Reuters)
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Smoking Gun celebrates the year in scandals, the pope gives thumbs up to Mel Gibson, and Madonna gives thumbs up to Wesley Clark. Plus: Why did Julia Roberts stop smiling?
Mo Rocca and one of the founders of the Smoking Gun Web site were on the “Today Show” this morning to promo a TV special about the highlights of the year. The number one celebrity story was, of course, Liza Minnelli and her macho husband David Gest, because what could be better than a diva being accused of hitting her gay husband? But there was also Courtney Love who, as Mo pointed out, was getting “white trash heroin” (Oxycontin) from her docs. When asked why that was a story, Rocca said, “Because she has a personality!”
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