A DVD review of 1970s jiggle-cop show "Police Woman" turns into a discourse on televised feminism.

There is a new Julia, and she's less sexy than lean, tight and anxious.

The author of "Blood Will Out" on life in the Mormon Church, Brett Easton Ellis and good sex literature

Pick of the week: No, I'm not kidding. Paul Schrader's "The Canyons" is flawed and cold, but Lohan's amazing

The remake is a marketing-driven bore. I'd rather be at Chasen's with Frank, Dino and the gang.

Arliss Howard makes his directing debut -- and Debra Winger returns to the big screen -- with a ragged, affectionate tale of Southern life.

Soderbergh's crisp, funny heist flick makes out like a bandit. George Clooney and Elliott Gould steal the show.

Salon's TV picks for Tuesday, Oct. 26, 1999

The star of "Strangers With Candy" likes "small woodland creatures" and wants to play Angie Dickinson as "Police Woman."

The hotline helped detained immigrants, who do not automatically have a right to a lawyer, find legal counsel

Films used to erotically seduce us; now they tend to sedate instead. First of two parts.

Film critic David Thomson talks about his masterly survey of movie people -- who's in, who's out and just what makes a star different from the rest of us.

"They memorized a color-coded threat-ID system... Code brown: Draw your weapons. Code black: Come out guns blazing"

Tina Fey and Amy Poehler make a dynamite duo, but this spoof of our child-centric culture doesn't go as far as it could.

The industry is shifting in interesting ways