Asia
“The Day He Arrives”: Slacker cinema, Asian style
America didn't invent slacker cinema -- but Korean director Hong Sang-soo may be its ultimate fulfillment
Yu Junsang (Seongjun) and Kim Bokyung (Yejeon) in "The Day He Arrives." Courtesy of Cinema Guild. You can find various lists of the greatest “slacker movies” with a little searching, ranging from undisputed classics of the genre — like Kevin Smith’s “Clerks,” or, well, “Slacker” — to learned discussions about whether Cheech & Chong’s “Up in Smoke” or “Harold & Kumar Go to White Castle” actually count. (No and yes, I think.) But if you start asking about international slacker cinema, things get ridiculous really fast. For one thing, isn’t the slacker archetype just an Americanized version of the 19th-century European bohemian, and even more specifically the Parisian flâneur? Wikipedia claims that French word has no English equivalent, to which I say nuh-uh. Some years ago in the New York Times, Angeline Goreau explained it this way: “The flâneur, according to Le Robert [a leading French dictionary], is an artist of impressions, circumnavigating the city as whim dictates, giving himself (or herself) over to the ‘spectacle of the moment.’” I.e., a slacker.
Why start with film, then? Isn’t Dostoevsky’s Raskolnikov a slacker gone sour? Richard Carstone, the doomed heir of Dickens’ “Bleak House,” is a slacker of the first order. Sherlock Holmes, viewed through the right prism, is both a slacker and a classic case of a high-functioning autism disorder. (I’m not entirely kidding.) If we confine our search to foreign-language cinema, the main question becomes where to set our limits: Jean-Paul Belmondo’s nihilistic thug in “Breathless”? The roles in “Going Places” and “Get Out Your Handkerchiefs” that made Gérard Depardieu famous in the ’70s? All the disaffected young people found in Godard’s “2 or 3 Things I Know About Her,” Rivette’s “Céline and Julie Go Boating,” Bertolucci’s “The Dreamers,” Philippe Garrel’s “Regular Lovers” (a film I mention any chance I get) and any of dozens of other movies?
You see the problem: Europe came up with slackers long before they got to Austin, Texas, and the whole damn place is still crawling with them. Cross the sea to Asia, though, and things get interesting. Plenty of Asian cinema sticks to the archetypal themes of that continent’s life: Work, family, poverty, war, duty, spiritual contemplation and so on. But with the globalization of Western values and rising prosperity has come a uniquely East Asian form of the slacker, perhaps combining the Euro-American bohemian tradition with long-established tendencies toward contemplation and mysticism. (On the other hand, one could argue that Asian culture has included a version of this archetype for centuries, as in the “floating world” of Edo-period Japan, depicted by Utamaro and other great woodblock artists.)
You can certainly find versions of the slacker in Chinese-language filmmakers like Wong Kar-wai, Hou Hsiao-hsien and (especially) Tsai Ming-liang, but our subject today is the Korean director Hong Sang-soo, who has raised the art of the self-regarding movie about some half-defeated buddies sitting around drinking and behaving weirdly toward women to a new level, irrespective of continent, language or nationality. If you’ve never heard of Hong, well, nobody really has outside of the international film-festival circuit. I doubt most ordinary people in Korea have ever heard of him. Furthermore, if my initial description just makes you think his movies would piss you off, you’re probably right. They piss me off sometimes too, and there are a couple of Hong pictures I’ve really had to labor through. But at his best — and his new movie, “The Day He Arrives,” is among his very best — Hong offers a strange mixture of magic, mystery, rueful melodrama and dry comedy that’s like absolutely nothing else.
As usual with Hong, the main character in “The Day He Arrives” is a filmmaker of marginal renown who seems right on the edge of being thoroughly washed-up. He’s drifting around Seoul, the Korean capital, on a snowy day even though he doesn’t live there anymore, having taken a low-paid teaching job in the boonies. He gets drunk with some film students and then insults them, shows up at his ex-girlfriend’s apartment and blubbers on her shoulder, and goes on an increasingly surreal reiterative date with a couple of friends, who keep going to the same restaurant and then the same bar over and over again, where the same things keep happening. The waitress keeps disappearing for extended periods and then coming back apologetically, and she looks so much like the cried-upon ex that our hero hits on her with passionate and perhaps idiotic abandon. (In fact, the beautiful waitress is played by the same actress as the ex, so the filmmaker, like the rest of us, is right to feel that reality has somehow slipped gears.)
Simply composed and beautifully shot in black-and-white, “The Day He Arrives” is almost a perfect summation of Hong’s artistic approach and ideas. Like his strongest works (I would suggest “Woman Is the Future of Man” and “Woman on the Beach”), and for that matter like Richard Linklater’s “Slacker,” its repetitive and seemingly insignificant story conceals a profound, agnostic meditation on the nature of coincidence and randomness in human life. Events happen and people cross our path, often over and over again. We sense a pattern, grasp at one, become convinced that we are connected by powerful threads of meaning, and then it slips away from us and we despair.
Hong’s movies resemble conventional cinema so little that he’ll certainly never have much of an audience, in the United States or Korea or anyplace else. (When his pictures go on too long, like 2009′s “Like You Know It All,” they can try even a fan’s patience.) But if you simply let “The Day He Arrives” happen, it becomes a sweet-natured magical incantation confined to 90 black-and-white minutes in one snowbound city, and the sad, drunken, womanizing and apparently hapless filmmaker at its center doesn’t look like such a failure anymore.
“The Day He Arrives” is now playing at Lincoln Plaza Cinema in New York, with more cities and home-video release to follow.
The forgotten hunger strike
Hundreds along the India-Bangladesh border are fasting to death in protest -- and no one's paying attention
A boy collects scraps near a vehicle spare parts store in Dholaikhal, Dhaka February 29, 2012 (Credit: Reuters/Andrew Biraj) DHAKA, Bangladesh — By the eighth day of the hunger strike, Mijanur Rahaman had lost 15 pounds of bodyweight, and his blood pressure had plummeted.
“I’m feeling very weak,” he said, stating the obvious.
Rahaman and a hundred others like him — including women and children — are 10 days into what they say is a fast-unto-death, a desperate call for release from a permanent state of limbo for the residents of the India-Bangladesh enclaves.
Continue Reading CloseInside Bangladesh’s organ market
In what is supposed to be a microfinance mecca, many go to extreme measures to pay off debts
23-year-old Mehdi Hassan, from Bamongram village in northeastern Bangladesh, sold part of his liver to an black market organ broker and received nothing in return (Credit: Sebastian Strangio/GlobalPost) JOYPURHAT, Bangladesh — Mehdi Hasan’s scar runs in a wide arc from his waist to a point just beneath his rib-cage.
The jagged pink laceration still aches, the 23-year-old says, a daily reminder of the operation he underwent in the capital Dhaka five months ago, in the hopes of raising some quick cash.
In exchange for 60 percent of his liver, an illegal organ broker had promised him 300,000 taka ($3,960) — a royal sum in Bamongram, his small village of mud-brick homes and verdant rice paddies in Bangladesh’s northeast.
Continue Reading CloseThe collapse of neoliberal capitalism
For the moment, Asian economies are buoying the destructive model that's doomed the West. Will it last?
(Credit: dibrova via Shutterstock) More than 10 years ago, before 9/11, Goldman Sachs was predicting that the BRIC countries (Brazil, Russia, India, China) would make the world economy’s top ten — but not until 2040. Skip a decade and the Chinese economy already has the number two spot all to itself, Brazil is number seven, India 10, and even Russia is creeping closer. In purchasing power parity, or PPP, things look even better. There, China is in second place, India is now fourth, Russia sixth, and Brazil seventh.
Continue Reading ClosePepe Escobar is the roving correspondent for Asia Times. His latest book is "Obama Does Globalistan". More Pepe Escobar.
South Korea landslides lead to land mine fears
Dozens dead after massive rainfall in and around Seoul
A resident uses her mobile phone near wrecked vehicles after a landslide caused by heavy rains in in Seoul, South Korea, Wednesday, July 27, 2011. A quick blast of heavy rain sent landslides barreling through South Korea's capital and a northern town Wednesday. (AP Photo/ Lee Jin-man)(Credit: AP) Thousands of rescuers dug through thick mud for survivors of deadly landslides and flooding as South Korea’s military warned Thursday that buried land mines may have slid down mountains weakened by rain.
Massive rainfall in Seoul and surrounding areas since Tuesday has killed at least 47 people, and another four were missing. The rain stopped or decreased Thursday, but more was forecast until Friday morning.
At a mountain where a deadly slide hit Wednesday, digging for missing people was halted Thursday until the rain stopped because the Defense Ministry said mines placed there in the 1960s could have shifted. Soldiers with metal detectors were waiting to search for the mines, said Yoon Yong-sam, a spokesman for the air force, which planted the land mines around an air defense base on the mountain.
Continue Reading CloseBoth Koreas to work toward resuming nuclear talks
Envoys from the two countries emerge smiling from first meeting since 2008
In this photo released by China's Xinhua News Agency, North Korean leader Kim Jong Il, front left, looks at gifts presented to him by Chinese Vice Premier Zhang Dejiang, center, head of a Chinese delegation to celebrate the 50th anniversary of the Treaty of Friendship, Cooperation and Mutual Assistance Between China and Democratic People's Republic of Korea, in Pyongyang, North Korea, on Tuesday, July 12, 2011. Kim Jong Il's son Kim Jong Un stands behind his father. (AP Photo/Xinhua, Zhang Li) NO SALES(Credit: AP) Top nuclear envoys from North and South Korea emerged smiling from a face-to-face meeting Friday, saying they were ready to work together to resume stalled disarmament talks.
The meeting was the first between envoys from the two nations since 2008, when international efforts to end Pyongyang’s nuclear weapons program collapsed, and the announcement was certain to be welcomed in regional capitals and Washington.
But diplomats also have long experience with seeing the North engage in negotiations and seemingly making concessions before ultimately throwing up roadblocks that prevent real progress.
Continue Reading ClosePage 1 of 15 in Asia
