The weekend's two big films come to a surprising tie at the box office

A New York magazine story proposes a vast left-wing conspiracy at the movies. It's as fanciful as celluloid itself

Faced with cultural appropriation accusations, the director doubles down on his colonizer mentality

"I felt I was less a human being for having seen it," says the author who created the Rambo character

We've pored over trailers and interviews with a fine-tooth comb and read all the reviews—terrified to learn details

He denies he told columnist “I did offer them acting jobs in exchange for sex, but so did and still does everyone”

After more than 20 years, the New York Times film reviewer is calling it quits. Others across the country feel her pain -- and some would like to feel her paycheck.

But in a candid university lecture, the filmmaker explained the philosophy that has allowed him to move past the ba

As finale season gets under way, it's time to take a stand against the scolds ruining things for the rest of us

Born in the shadow of Hitler's death camps, the filmmaker known for snarky skepticism thumbed his nose at authority

The first reviews of the Marvel film are streaming in, and they're even better than expected

Listing the Potter films -- from best to worst -- based on the words of critics who've reviewed all of them

Argentine director Lucrecia Martel talks about her intriguing class-war drama "The Headless Woman" and its hostile reception at Cannes.

"The Last Airbender's" crummy visuals show the downside to Hollywood's favorite new gimmick

Is criticism dying? Maybe, sort of. OK, yes. Nobody cares! Write about movies, instead of your wounded pride