“Stranger Things 2”: A nostalgic return to Hawkins, Indiana
Melanie McFarland
Season of the witch: “Broad City” pays tribute to women of every age
Melanie McFarland
“Putin’s Revenge”: It’s the little things that cause our undoing
Melanie McFarland
How “American Vandal” becomes more than a dumb punchline
Melanie McFarland
TV Triage: A guide to series that are ready to give up the ghost
Melanie McFarland
The uphill battle facing “The Mayor,” ABC’s aspirational comedy
Melanie McFarland
L.A. Stories: Weinstein’s demise will not change Hollywood’s culture
Melanie McFarland
“White Famous”: If it weren’t so funny, we’d weep
Melanie McFarland
Fears Themselves: With “Lore,” a hit podcast comes to TV
Melanie McFarland
“Dynasty” returns shiny and new, but could use some old tricks
Melanie McFarland
“American Horror Story: Cult” censored itself after Las Vegas, and won
Melanie McFarland
“Mr. Robot” in the age of resistance
Melanie McFarland
Outlander Recap: “Freedom & Whisky,” and a long farewell
Melanie McFarland
Thoughts, prayers, and the five stages of media tragedy distillation
Melanie McFarland
“The Good Doctor,” “Young Sheldon” speak to our need for feel-good TV
Melanie McFarland
“Outlander” recap: “Of Lost Things” shows what a lady will do #ForTheD
Melanie McFarland
“The Jimmy Kimmel Test,” Megyn Kelly and the value of empathy
Melanie McFarland
“Inhumans” and “The Gifted”: Marvel’s diminishing returns
Melanie McFarland
“Will & Grace”: Not must-see, but not dead on revival either
Melanie McFarland
Fall TV: If you’re picking your battles, watch “SEAL Team”
Melanie McFarland
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