Sex and intrigue on a Hearst yacht as Peter Bogdanovich probes the rot and glamour of old Hollywood.

Living next door to the stars has the average Angeleno anything but dazzled.

Wim Wenders unsuccessfully reinvents himself as a mainstream American filmmaker with "The End of Violence."

The British bad boy knocks Shakespeare and Boy George; John Updike turns feminist with praise for Dorothy Parker and E. Annie Proulx.

The whole idea of "good" movie roles for women is crap -- I'll take a lace-and-leather sexpot over Nicole Kidman's prosthetic-honker performance in "The Hours" any day of the week.

From "Godzilla" to "X-Men" to "Total Recall," why does every blockbuster need a single Asian guy to kill off?

Both Javier Bardem and Arnaz have been overshadowed by their redheaded costars, but don't deserve to be

30 years after their blisteringly political album and tour, U2 opts for subtle anti-Trump imagery over big speeches

Following France\'s big Oscar triumph, a more commercial new wave aims at American theaters

With a stellar career spanning the '80s to today, Graham is opening up to different characters and directing

This intimate, actor-centric movie's bare-boned simplicity is its greatest strength.

The Pulitzer prize-winning writer leveraged his outsider appeal into what became a surprising Hollywood career

The daddy issues and "angsty cop drama" compound in this plot-thick yet curiously flat episode

Comedy Central wins this round—even "SNL"'s otherwise-solid sketch showed minority cast members stretched thin

Salon talks to Alexis Bloom about her documentary "Divide and Conquer: The Story of Roger Ailes"