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Topic: Movies (page 325)

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"Crazy in Alabama": Melanie Griffith is a so-so actress in a cheap black wig

Mary Elizabeth Williams

"Show Me Love": Two Swedish teenage lesbians liven up a bad movie -- not that kind of bad

Charles Taylor

"The Story of Us": Willis and Pfeiffer in a warped hybrid of "Who's Afraid of Virginia Woolf" and "Mrs. Doubtfire"

Stephanie Zacharek

"Fight Club": Brad Pitt preaching about the emptiness of materialism? Co

Andrew O'Hehir
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"The Straight Story": Forget the G rating -- this is as weird as David Lynch gets

Charles Taylor
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"Julien Donkey-Boy": Harmony Korine's preciously confrontational picture shocks for shock value

Ana Marie Cox
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So much ass to kick, so little time: "Fight Club" author Chuck Palahniuk offers expert advice on how you can fit chaos into your

Sarah Tomlinson
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"Boys Don't Cry": Sensationalistic storytelling with a heart

Stephanie Zacharek
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"Random Hearts": Harrison Ford in a new romantic thriller that cheats you out of both

Stephanie Zacharek

"Superstar": Dear God, Why do lame "Saturday Night Live" movies keep making it to the big screen?

Mary Elizabeth Williams

"The Limey": Steven Soderbergh's modernist art noir courts pretention without succumbing to it

Charles Taylor

"Happy, Texas" Steve Zahn puts this escaped-con farce on the map

Mary Elizabeth Williams
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"Mystery, Alaska": The little hockey picture falls through its own thin ice

Chris Colin

"Three Kings": George Clooney and Mark Wahlberg sparkle in a driving Gulf War movie with irresistible brio

Andrew O'Hehir

"Guinevere": A gutless examination of the attraction between older men and younger women

Charles Taylor

"Mumford": The movies' first sane therapist talks a big game in Law

Laura Miller
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"Double Jeopardy": You can't be tried for the same crime twice -- but you can make the same bad movie over and over again

Andrew O'Hehir
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"Black Cat, White Cat": A manic, carnivalesque romp recaptures the possibilities of cinema

Andrew O'Hehir
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"On the Ropes": The "Hoop Dreams" of boxing -- and just as heartbreaking

Charles Taylor

Hollywood by way of Broadway: British actress Janet McTeer on her graceful leap from stage to screen

Christine Schomer
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"For Love of the Game": Kevin Costner's syrupy, sentimental return to baseball smells like Coors Light and Viagra

Andrew O'Hehir
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"Sugar Town": Ally Sheedy, Patricia Arquette and John Taylor play music-biz burnouts worthy of VH-1's "Behind the Music"

Daniel Mangin
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"Romance": One of the most potent films about sex of the last few decades

Ray Sawhill
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"Love is the road of hell": An interview with French director Catherine Breillat

Cynthia Joyce
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