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Topic: Movies
(page 325)
"Crazy in Alabama": Melanie Griffith is a so-so actress in a cheap black wig
Mary Elizabeth Williams
"Show Me Love": Two Swedish teenage lesbians liven up a bad movie -- not
that
kind of bad
Charles Taylor
"The Story of Us": Willis and Pfeiffer in a warped hybrid of "Who's Afraid of Virginia Woolf" and "Mrs. Doubtfire"
Stephanie Zacharek
"Fight Club": Brad Pitt preaching about the emptiness of materialism? Co
Andrew O'Hehir
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"The Straight Story": Forget the G rating -- this is as weird as David Lynch gets
Charles Taylor
"Julien Donkey-Boy": Harmony Korine's preciously confrontational picture shocks for shock value
Ana Marie Cox
So much ass to kick, so little time: "Fight Club" author Chuck Palahniuk offers expert advice on how you can fit chaos into your
Sarah Tomlinson
"Boys Don't Cry": Sensationalistic storytelling with a heart
Stephanie Zacharek
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"Random Hearts": Harrison Ford in a new romantic thriller that cheats you out of both
Stephanie Zacharek
"Superstar": Dear God, Why do lame "Saturday Night Live" movies keep making it to the big screen?
Mary Elizabeth Williams
"The Limey": Steven Soderbergh's modernist art noir courts pretention without succumbing to it
Charles Taylor
"Happy, Texas" Steve Zahn puts this escaped-con farce on the map
Mary Elizabeth Williams
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"Mystery, Alaska": The little hockey picture falls through its own thin ice
Chris Colin
"Three Kings": George Clooney and Mark Wahlberg sparkle in a driving Gulf War movie with irresistible brio
Andrew O'Hehir
"Guinevere": A gutless examination of the attraction between older men and younger women
Charles Taylor
"Mumford": The movies' first sane therapist talks a big game in Law
Laura Miller
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"Double Jeopardy": You can't be tried for the same crime twice -- but you can make the same bad movie over and over again
Andrew O'Hehir
"Black Cat, White Cat": A manic, carnivalesque romp recaptures the possibilities of cinema
Andrew O'Hehir
"On the Ropes": The "Hoop Dreams" of boxing -- and just as heartbreaking
Charles Taylor
Hollywood by way of Broadway: British actress Janet McTeer on her graceful leap from stage to screen
Christine Schomer
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"For Love of the Game": Kevin Costner's syrupy, sentimental return to baseball smells like Coors Light and Viagra
Andrew O'Hehir
"Sugar Town": Ally Sheedy, Patricia Arquette and John Taylor play music-biz burnouts worthy of VH-1's "Behind the Music"
Daniel Mangin
"Romance": One of the most potent films about sex of the last few decades
Ray Sawhill
"Love is the road of hell": An interview with French director Catherine Breillat
Cynthia Joyce
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