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Topic: Movies (page 326)

"End of Days": It's a blast

"Toy Story 2": They're back, and better than ever: Buzz and Woody avoid the Death by Sequel Syndrome

Breaking character: Why Philip Seymour Hoffman ("Boogie Nights," "Happiness") is the right freak for right now

"Felicia's Journey": Atom Egoyan's followup to "The Sweet Hereafter" is a dank and claustrophobic thriller

"Sleepy Hollow": Johnny Depp and Christina Ricci are a goth's wetdream

Stephanie Zacharek

"All About My Mother": Almodsvar melodrama studded with tragic accidents, charismatic villains and impossible love

Stephanie Zacharek

"The World Is Not Enough": What's the point of casting Denise Richards in a Bond movie if not to make her into a sex fantas

"The Messenger: The Story of Joan of Arc": So this is what Luc Besson calls a French epic? No wonder Milla left him

"Anywhere But Here": Hugs! Fighting! Tears! Wouldn't you know, it's a chick flick

Mary Elizabeth Williams

"Dogma": Kevin Smith's comic-religious fantasy turns out to be the sweetest hot-potato movie imaginable

"House on Haunted Hill": I wouldn't see it again for $1 million

Joan of ... Hollywood?: Director Luc Besson fans the flames swirling around his own martyr's pyre.

Richard Covington

"American Movie": I'm a loser, baby, so why don't you film me

"The Bachelor": Chris O'Donnell bewares the bridal wave

Mary Elizabeth Williams

"Portraits Chinois": A sunny Helena Bonham Carter lifts French relationship comedy

"The Bone Collector": There's only one good reason to see this thriller, and her name is Angelina Jolie.

Stephanie Zacharek

Mike Wallace is nuts, and I'm an asshole: "60 Minutes" producer Lowell Bergman sets the record straight on the real story i

"The Insider": Michael Mann finds humanity in corporate swine and spineless journalists

Living the real "Living in Oblivion": An interview with horror filmmaker and "American Movie" star Mark Borchardt

"American Movie" maker shoots and scores: Chris Smith talks about winning the indie-film lottery

"Legend of 1900": Tim Roth drowns in director Tornatore's sappy sentimentality

"Dreaming of Joseph Lees": Samantha Morton, the best actress to emerge in a decade, finds a film worthy of her talents

"Music of my Heart": Blood-curdling strings? Wes Craven goes soft on us -- too soft.

Mary Elizabeth Williams

"Being John Malkovich": Only Spike Jonze would think to cast Cameron Diaz as a mousy dork -- and make it work

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