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Annie Zaleski
(page 2)
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Kate Bush’s bewitching “The Dreaming” turns 40
Annie Zaleski
R.E.M.’s “Chronic Town” EP at 40: An underground rock release full of mystery and magic
Annie Zaleski
ABC’s Martin Fry on writing ’80s love songs as “an act of rebellion”
Annie Zaleski
50 years ago, David Bowie and Roxy Music made history
Annie Zaleski
Why Tears for Fears deserves Rock & Roll Hall of Fame consideration
Annie Zaleski
Paul McCartney’s “Tug of War” at 40: A self-aware solace written in the wake of John Lennon’s death
Annie Zaleski
Elton John at 75 isn’t winding down, but buoyed by his musical curiosity and open-mindedness
Annie Zaleski
Revisiting The Byrds’ “So You Want to Be a Rock N Roll Star” 55 years later, from the Monkees to REM
Annie Zaleski
Celebrating “great songwriter” David Bowie’s 75th birthday & introducing him to a new generation
Annie Zaleski
The soulful revenge of “Last Christmas,” Wham!’s potent yuletide breakup song
Annie Zaleski
“Lyric writing is not easy”: Michael Stipe looks back on creating REM’s “New Adventures of Hi-Fi”
Annie Zaleski
Mike Mills on R.E.M’s “New Adventures in Hi-Fi” at 25: A record “infused by being on the road”
Annie Zaleski
Falling for Duran Duran’s “Future Past,” which reflects the band’s signature ingenuity and sentiment
Annie Zaleski
Gina Schock on The Go-Go’s “explosive and crazy” energy together and her new book of insider photos
Annie Zaleski
Tori Amos’ “Strange Little Girls” is a quietly triumphant covers collection that endures 20 years on
Annie Zaleski
Pearl Jam’s “Ten” at 30: A raw, dynamic debut that’s both sonically and emotionally exquisite
Annie Zaleski
“Beauty and the Beat” at 40: The Go-Go’s landmark debut ushered in a musical new wave
Annie Zaleski
“I’m a Scottish witch, I think”: Shirley Manson on the prescient lyrics in Garbage’s dark new album
Annie Zaleski
From Fleetwood Mac back to Crowded House, Neil Finn weighs in on the band’s open-hearted new album
Annie Zaleski
In praise of Cher, the self-proclaimed “Betty White of Rock ‘n’ Roll”
Annie Zaleski
“Hungry Like the Wolf” began a new era for Duran Duran and U.S. rock charts
Annie Zaleski
The unrepentant joy and popularity of R.E.M.’s polarizing “Shiny Happy People”
Annie Zaleski
Todd Rundgren on no more Trump songs, his high-tech “spectacle” of a tour, and the new Sparks collab
Annie Zaleski
“Planet Earth” at 40: The perfect debut single that boldly launched Duran Duran
Annie Zaleski
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