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Topic: Movies (page 328)

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"The 13th Floor": Between the 12th and 14th floors, boredom awaits!

Andrew O'Hehir
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"Notting Hill": Hugh and Julia's fumbling romance, and other limey crap

Stephanie Zacharek
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"The Love Letter": Terrific acting in surprisingly subtle summer romance film

Andrew O'Hehir
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"Besieged": Bertolucci's Freudian slip

Daniel Mangin
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"Black Mask": Jet Li kicks ass and doesn't let the plot get in his way

Mary Elizabeth Williams
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"Phantom Menace": The spirit is willing, but the Force is weak

Charles Taylor
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"Midsummer Night's Dream": A disenchanting forest of frivolity

Stephanie Zacharek
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George Lucas is an opportunistic hack: Why you should exorcise "The Phantom Menace"

Toby Young
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"Tea with Mussolini": Zeffirelli's soft-focus adaptation of his own memoir

Andrew O'Hehir
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"Edge of Seventeen": Remembrance of things from a gay man's past

Daniel Mangin
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"Three Seasons": The sensation of the year in American independent film

Andrew O'Hehir
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"The Mummy": Stick this well-preserved corpse back in the ground

Andrew O'Hehir
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Queen of the cross-dressers: Costume designer Sandy Powell remakes fashion history

Stephanie Zacharek
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"Idle Hands": The teen horror genre gasps its dying breath

Mary Elizabeth Williams
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"Entrapment": Ruined Rembrandts, gaping plot holes and other crimes against humanity

Stephanie Zacharek
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Crazy about Keanu: Why men and women can't take their eyes off him

Charles Taylor
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Getting even with Ted Turner: David Cronenberg on "Existenz"

Alan E. Rapp
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Primary school colors: A nasty high school campaign in hilarious "Election"

Mary Elizabeth Williams
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Cronenberg's "Existenz": The world as a virtual reality game

Craig Seligman
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"Pushing Tin": Sexual tension crackles in smart comedy about air trafficcontrollers

Stephanie Zacharek
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A comedy about AIDS? "Jeanne and the Perfect Guy" is a peculiar delight

Andrew O'Hehir
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"Hands on a Hard Body": Why would 24 Texans spend days groping a truck?

Dakota Smith
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"Tout Truffaut": Remembering a film legend

Charles Taylor
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"SLC Punk": Starts out kicking ass, ends up an Afterschool Special

Mary Elizabeth Williams
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