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Topic: Movies
(page 328)
"The 13th Floor": Between the 12th and 14th floors, boredom awaits!
Andrew O'Hehir
"Notting Hill": Hugh and Julia's fumbling romance, and other limey crap
Stephanie Zacharek
"The Love Letter": Terrific acting in surprisingly subtle summer romance film
Andrew O'Hehir
"Besieged": Bertolucci's Freudian slip
Daniel Mangin
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"Black Mask": Jet Li kicks ass and doesn't let the plot get in his way
Mary Elizabeth Williams
"Phantom Menace": The spirit is willing, but the Force is weak
Charles Taylor
"Midsummer Night's Dream": A disenchanting forest of frivolity
Stephanie Zacharek
George Lucas is an opportunistic hack: Why you should exorcise "The Phantom Menace"
Toby Young
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"Tea with Mussolini": Zeffirelli's soft-focus adaptation of his own memoir
Andrew O'Hehir
"Edge of Seventeen": Remembrance of things from a gay man's past
Daniel Mangin
"Three Seasons": The sensation of the year in American independent film
Andrew O'Hehir
"The Mummy": Stick this well-preserved corpse back in the ground
Andrew O'Hehir
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Queen of the cross-dressers: Costume designer Sandy Powell remakes fashion history
Stephanie Zacharek
"Idle Hands": The teen horror genre gasps its dying breath
Mary Elizabeth Williams
"Entrapment": Ruined Rembrandts, gaping plot holes and other crimes against humanity
Stephanie Zacharek
Crazy about Keanu: Why men and women can't take their eyes off him
Charles Taylor
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Getting even with Ted Turner: David Cronenberg on "Existenz"
Alan E. Rapp
Primary school colors: A nasty high school campaign in hilarious "Election"
Mary Elizabeth Williams
Cronenberg's "Existenz": The world as a virtual reality game
Craig Seligman
"Pushing Tin": Sexual tension crackles in smart comedy about air trafficcontrollers
Stephanie Zacharek
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A comedy about AIDS? "Jeanne and the Perfect Guy" is a peculiar delight
Andrew O'Hehir
"Hands on a Hard Body": Why would 24 Texans spend days groping a truck?
Dakota Smith
"Tout Truffaut": Remembering a film legend
Charles Taylor
"SLC Punk": Starts out kicking ass, ends up an Afterschool Special
Mary Elizabeth Williams
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