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Topic: Movies
(page 326)
"American Movie": I'm a loser, baby, so why don't you film me
Andrew O'Hehir
"The Bachelor": Chris O'Donnell bewares the bridal wave
Mary Elizabeth Williams
"Portraits Chinois": A sunny Helena Bonham Carter lifts French relationship comedy
Charles Taylor
"The Bone Collector": There's only one good reason to see this thriller, and her name is Angelina Jolie.
Stephanie Zacharek
Mike Wallace is nuts, and I'm an asshole: "60 Minutes" producer Lowell Bergman sets the record straight on the real story i
David Weir
"The Insider": Michael Mann finds humanity in corporate swine and spineless journalists
Andrew O'Hehir
Living the real "Living in Oblivion": An interview with horror filmmaker and "American Movie" star Mark Borchardt
Dakota Smith
"American Movie" maker shoots and scores: Chris Smith talks about winning the indie-film lottery
Martin Knelman
"Legend of 1900": Tim Roth drowns in director Tornatore's sappy sentimentality
Jeff Stark
"Dreaming of Joseph Lees": Samantha Morton, the best actress to emerge in a decade, finds a film worthy of her talents
Charles Taylor
"Music of my Heart": Blood-curdling
strings
? Wes Craven goes soft on us -- too soft.
Mary Elizabeth Williams
"Being John Malkovich": Only Spike Jonze would think to cast Cameron Diaz as a mousy dork -- and make it work
Andrew O'Hehir
Night of the big, fat, money-grubbing losers: Another "anniversary edition" DVD picks the flesh off of a 30-year-old classic
Daniel Kraus
"Princess Mononoke": George Lucas, eat your heart out -- next to this, "Star Wars" looks like a seventh-grade science project
Andrew O'Hehir
"Body Shots": Angst, ennui and date rape in the singles scene -- it's "Looking for Mr. Goodbar" meets "Kids"!
Charles Taylor
"Bringing Out the Dead": Nicolas Cage haunts Scorsese's hyperkinetic ambulance ride back into New York
Stephanie Zacharek
"Crazy in Alabama": Melanie Griffith is a so-so actress in a cheap black wig
Mary Elizabeth Williams
"Show Me Love": Two Swedish teenage lesbians liven up a bad movie -- not
that
kind of bad
Charles Taylor
"Julien Donkey-Boy": Harmony Korine's preciously confrontational picture shocks for shock value
Ana Marie Cox
"Fight Club": Brad Pitt preaching about the emptiness of materialism? Co
Andrew O'Hehir
"The Story of Us": Willis and Pfeiffer in a warped hybrid of "Who's Afraid of Virginia Woolf" and "Mrs. Doubtfire"
Stephanie Zacharek
"The Straight Story": Forget the G rating -- this is as weird as David Lynch gets
Charles Taylor
So much ass to kick, so little time: "Fight Club" author Chuck Palahniuk offers expert advice on how you can fit chaos into your
Sarah Tomlinson
"Boys Don't Cry": Sensationalistic storytelling with a heart
Stephanie Zacharek
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