“The Eclipse”: Horror grows up
Andrew O'Hehir“Hot Tub Time Machine”: Just jump in!
Andrew O'Hehir“City Island”: Family secrets, boiled and steamed
Andrew O'Hehir“Vincere”: Young Mussolini, crazy in love
Andrew O'HehirAre French films just … better?
Andrew O'HehirWhy our kids don’t go to kindergarten
Andrew O'Hehir“Mother”: A brilliant Hitchcock mystery, made in Korea
Andrew O'HehirBanned from the screening room!
Andrew O'HehirOscars: Hollywood’s war against itself (continued)
Andrew O'Hehir“Brooklyn’s Finest”: Dark knights of the NYPD
Andrew O'Hehir“The Secret of Kells”: Oscar’s dazzling Irish surprise
Andrew O'HehirOscar showdown: Dolphins vs. free-range cattle
Andrew O'Hehir“A Prophet”: Brilliant fable of a crime lord’s rise
Andrew O'HehirOscar shorts: Wallace & Gromit in Chernobyl
Andrew O'Hehir“The Ghost Writer”: Polanski strikes back
Andrew O'Hehir“Shutter Island”: Scorsese goes crazy!
Andrew O'Hehir“Videocracy”: Berlusconi’s empire of boobs
Andrew O'Hehir“Valentine’s Day”: The pain of L.A.’s gorgeous and lovelorn
Andrew O'Hehir“Ajami”: Israel’s gritty answer to “Crash”
Andrew O'HehirThe “Red Riding” trilogy: ’70s England as hell
Andrew O'HehirThe Oscar nominations: Trying to please everyone
Andrew O'HehirBest of Sundance: Year of the woman
Andrew O'Hehir
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