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Andrew O’Hehir (page 37)

Facebook: @andrew.ohehir

Andrew O’Hehir is executive editor of Salon. He has been a writer and editor in various roles at the pioneering online news site since 1997, including many years as a film critic and arts reporter, and more recently a columnist on international relations. He was previously an editor at SPIN and was founding editor of the award-winning SF Weekly in the early 1990s. He has written for the New York Times, the Washington Post, Nautilus, Sight and Sound, the Hollywood Reporter and other publications, and is the author of three produced plays and a forthcoming family memoir. Follow him on Bluesky.

Pat Healy, David Koechner and Ethan Embry (L to R) in "Cheap Thrills."

“Cheap Thrills”: Meet the hipster Mephistopheles

Andrew O'Hehir

“Noah”: Aronofsky’s deranged biblical action flick

Andrew O'Hehir

“The Raid 2”: Come for the violence, skip the plot

Andrew O'Hehir
Shailene Woodley and Theo James in "Divergent"

“Divergent” and “Hunger Games” as capitalist agitprop

Andrew O'Hehir

Lars von Trier’s dizzying, tragic, hilarious sex odyssey

Andrew O'Hehir
(Strand Releasing)

“The Missing Picture”: Cambodia’s killing fields, in miniature

Andrew O'Hehir
Charlotte Gainsbourg (Reuters/Ina Fassbender)

Charlotte Gainsbourg on “Nymphomaniac”: “People who want porn will be really disappointed!”

Andrew O'Hehir
(Fox News)

How did my fellow Irish-Americans get so disgusting?

Andrew O'Hehir

How big oil destroys the world: A real-life saga of greed

Andrew O'Hehir

The search for the Higgs boson – and why science will defeat stupidity

Andrew O'Hehir

“The Grand Budapest Hotel”: Wes Anderson’s bittersweet historical candy

Andrew O'Hehir

“Stalingrad”: A national myth for Putin’s Russia

Andrew O'Hehir
Matthew McConaughey accepts the Oscar for best actor for his role in "Dallas Buyers Club" at the 86th Academy Awards in Hollywood, California March 2, 2014. (REUTERS/Lucy Nicholson)

Oscars: Hollywood’s conflicted selfie

Andrew O'Hehir
Chiwetel Ejiofor and Michael Fassbender in "12 Years a Slave." (Fox Searchlight Pictures)

Best moments of the Oscar front-runners: Facing the challenge of “12 Years a Slave”

Andrew O'Hehir
Sandra Bullock in "Gravity"

Best moments of the Oscar front-runners: The dazzling breakthrough of “Gravity”

Andrew O'Hehir
THE WIND RISES. © 2013 Nibariki - GNDHDDTK (Studio Ghibli)

Miyazaki’s haunting farewell: A dreamer who made warplanes

Andrew O'Hehir
Christian Bale in "American Hustle"

Best moments of the Oscar front-runners: Love gone wrong in “American Hustle”

Andrew O'Hehir
Abraham Lincoln, Ted Cruz (AP/Alexander Gardner/Pat Sullivan)

Will the Republicans go the way of the Whigs?

Andrew O'Hehir

“Omar”: A devious Hitchcock thriller, in Palestine

Andrew O'Hehir
Luminita Gheorghiu in "Child's Pose"

“Child’s Pose”: A gripping mother-son thriller

Andrew O'Hehir
Martin Scorsese (AP/Axel Schmidt)

Martin Scorsese: “You can’t make pictures to be liked”

Andrew O'Hehir
(Warner Bros. Pictures)

“Winter’s Tale” and America’s tortured quest for the divine

Andrew O'Hehir
Emma Roberts in "Adult World" (Treehouse Pictures)

“Adult World”: John Cusack’s best role in years

Andrew O'Hehir
Joel Kinnaman in "RoboCop" (Kerry Hayes/Columbia Pictures)

“RoboCop”: An ’80s classic reengineered — but why?

Andrew O'Hehir
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