Philip Seymour Hoffman: As great as Bogart?
Andrew O'HehirWeinstein, Tarantino and the standoff over movie violence
Andrew O'HehirPick of the week: The Oscar-nominated shorts you have to see
Andrew O'HehirAaron Swartz: The painful saga of a rebel genius
Andrew O'Hehir“Young Ones”: In the bone-dry future with Michael Shannon
Andrew O'Hehir“Whiplash”: Blood on the drum kit
Andrew O'HehirA gorgeous, haunting portrait of Nick Cave
Andrew O'HehirSundance: Richard Linklater’s dazzling 12-year family epic
Andrew O'HehirSundance, Oscar and why the movies aren’t dead
Andrew O'HehirUp close at the Egyptian revolution
Andrew O'HehirOscars: No Hanks, no Coens, no Oprah — and no big shockers
Andrew O'Hehir“Lone Survivor”: A pro-war propaganda surprise hit
Andrew O'HehirThe long, strange saga of Armond White
Andrew O'HehirWhat the Golden Globes say about the Oscar race
Andrew O'HehirMaking sense of Woody Allen’s confusing career
Andrew O'HehirCan shop class save small-town America?
Andrew O'HehirViolent women blast away the winter blahs
Andrew O'HehirSteve McQueen heckled at star-studded NYFCC dinner
Andrew O'HehirThe war over “Wolf of Wall Street”
Andrew O'HehirRalph Fiennes: Dickens “was fueled by a kind of fury”
Andrew O'Hehir“The Wolf of Wall Street,” inequality and the Gatsby myth
Andrew O'Hehir
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