“Stalingrad”: A national myth for Putin’s Russia
Andrew O'HehirOscars: Hollywood’s conflicted selfie
Andrew O'HehirMiyazaki’s haunting farewell: A dreamer who made warplanes
Andrew O'HehirWill the Republicans go the way of the Whigs?
Andrew O'Hehir“Omar”: A devious Hitchcock thriller, in Palestine
Andrew O'Hehir“Child’s Pose”: A gripping mother-son thriller
Andrew O'HehirMartin Scorsese: “You can’t make pictures to be liked”
Andrew O'Hehir“Winter’s Tale” and America’s tortured quest for the divine
Andrew O'Hehir“Adult World”: John Cusack’s best role in years
Andrew O'Hehir“RoboCop”: An ’80s classic reengineered — but why?
Andrew O'HehirHow do we watch Woody’s movies now?
Andrew O'HehirGeorge Clooney’s boring European vacation
Andrew O'Hehir“The LEGO Movie”: Plastic blocks fight for freedom!
Andrew O'Hehir“A Field in England”: A 17th-century ‘shroom trip
Andrew O'HehirPhilip Seymour Hoffman: As great as Bogart?
Andrew O'HehirWeinstein, Tarantino and the standoff over movie violence
Andrew O'HehirPick of the week: The Oscar-nominated shorts you have to see
Andrew O'HehirAaron Swartz: The painful saga of a rebel genius
Andrew O'Hehir
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