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Andrew O’Hehir (page 35)

Facebook: @andrew.ohehir

Andrew O’Hehir is executive editor of Salon. He has been a writer and editor in various roles at the pioneering online news site since 1997, including many years as a film critic and arts reporter, and more recently a columnist on international relations. He was previously an editor at SPIN and was founding editor of the award-winning SF Weekly in the early 1990s. He has written for the New York Times, the Washington Post, Nautilus, Sight and Sound, the Hollywood Reporter and other publications, and is the author of three produced plays and a forthcoming family memoir. Follow him on Bluesky.

A still from "Evergreen" (First Run Features)

“Evergreen” reveals the weird lessons of Washington’s weed battle

Andrew O'Hehir

“Burning Bush”: HBO tackles the age of Communism

Andrew O'Hehir
(<a href='http://www.shutterstock.com/gallery-84025p1.html'>Mopic</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>)

Slenderman: Nightmarish info-demon or misunderstood cultural icon?

Andrew O'Hehir
Jan Bijvoet in "Borgman" (Drafthouse Films)

“Borgman” is a deeply disturbing look at the dark side of suburbia

Andrew O'Hehir
Jenny Slate in "Obvious Child."

“Obvious Child”: An abortion rom-com makes history

Andrew O'Hehir
Tom Cruise in "Edge of Tomorrow"

“Edge of Tomorrow” makes a wild spectacle of Tom Cruise’s war fever

Andrew O'Hehir
David Koch in a still from "Citizen Koch"

“Citizen Koch”: The movie about our sick democracy PBS tried to kill

Andrew O'Hehir
Arthur Chu, Elliot Rodger (AP/YouTube)

Hey, guys: Elliot Rodger is our problem

Andrew O'Hehir
Angelina Jolie in "Maleficent" (Disney Enterprises)

“Maleficent”: A reborn Angelina Jolie is the perfect heroine-villain

Andrew O'Hehir
Jesse Eisenberg in "Night Moves"

“Night Moves”: A nail-biting procedural explores the “eco-terror” left

Andrew O'Hehir

“A Million Ways to Die in the West”: How Seth MacFarlane became the new Adam Sandler

Andrew O'Hehir
Don Johnson (Reuters/Andrew Kelly)

Don Johnson: “Fame is a prison” (with lots of women and drugs)

Andrew O'Hehir
Judd Apatow, Seth Rogen (AP/Chris Park)

How Seth Rogen proved Ann Hornaday’s point about Elliot Rodger

Andrew O'Hehir
(AP/Kin Cheung/Salon)

The empire strikes back: How Brandeis foreshadowed Snowden and Greenwald

Andrew O'Hehir

How one sexy gay novel derailed Gore Vidal’s literary career

Andrew O'Hehir
Hugh Jackman in "X-Men: Days of Future Past"

“X-Men: Days of Future Past”: Superheroes face the sunset

Andrew O'Hehir
James Gray (Reuters/Regis Duvignau)

“It’s a very, very personal movie”: James Gray, the great American director Americans have never heard of

Andrew O'Hehir
Marco Rubio, Thomas Jefferson (Reuters/Gary Cameron/Salon)

This is not what democracy looks like: The long, slow death of Jefferson’s dream

Andrew O'Hehir

“Godzilla” is the best action movie since “Jaws”

Andrew O'Hehir

“Horses of God”: The real roots of Islamic terrorism

Andrew O'Hehir
(Disney/Ishika Mohan)

Jon Hamm’s “Million Dollar Arm” and the slow death of the sports movie

Andrew O'Hehir
Jon Favreau in "Chef," Seth Rogen in "Neighbors"

What “Neighbors” and “Chef” can teach us about white male privilege

Andrew O'Hehir

“The Double”: Two Jesse Eisenbergs and one gripping dystopian satire

Andrew O'Hehir
James Franco and Emma Roberts in "Palo Alto"

“Palo Alto”: Gia Coppola’s haunting suburban dream

Andrew O'Hehir
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