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Annie Zaleski (page 10)

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Kristin Hersh

“No one can live with this much pain and anger, it’s gonna kill me”: Throwing Muses’ Kristin Hersh on Vic Chesnutt’s suicide, PTSD and why songwriters are “pretty broken”

Annie Zaleski
The Edge of Daybreak's "Eyes of Love" (Numero Group/<a href='http://www.shutterstock.com/gallery-953707p1.html'>sunfun</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>/Salon)

Prison inmates recorded the most amazing album in 1979: “The guard was at the door saying, ‘Y’all got to go, y’all got to go'”

Annie Zaleski
(<a href='http://www.shutterstock.com/gallery-438058p1.html'>pio3</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>)

Quit chasing “passionate millennial males”: Their tastes shouldn’t dictate what we read and hear

Annie Zaleski
(BB Gun Press)

“If we came out now, we wouldn’t have a chance in hell”: Shirley Manson looks back at 20 years of Garbage

Annie Zaleski
(APRichard Shotwell)

Laura Jane Grace’s rebel music: “I doubt you’re gonna find a successful civil movement or social movement that doesn’t have a soundtrack”

Annie Zaleski
(Jacob Blickenstaff)

“We’re not living in a golden age of music”: Joe Jackson on why the ’90s were better than the ’80s and the “musical doldrums” we’re in right now

Annie Zaleski

Hillary’s Taylor Swift problem: What the fight over “authenticity” — in politics and in pop — is really about

Annie Zaleski
(Jamie Harmon)

Lucero loves Crowded House: How the masters of whiskey-drinking, Southern-rocking bar-room punk made their delicate, sophisticated new album

Annie Zaleski
(Reuters/Chip East)

“Shut up and sing” syndrome: Why do fans hate it when pop stars get political?

Annie Zaleski

There’s a recipe for an iconic Bond theme song — does Sam Smith have what it takes?

Annie Zaleski
(AP/Matt Sayles)

Our viral ruin: Our thirst for maximum “likes” is killing live shows and pop music

Annie Zaleski
(AP/Franka Bruns/Franco Greco)

Lessons from the Britpop wars: Brush off the pre-social media era dust and the relics of 1995 feel almost fresh again

Annie Zaleski
(I.R.S./Paul Natkin)

R.E.M.’s “Fables of the Reconstruction” hit a major milestone this summer, quietly: A look back at the oddball album that never quite found its place in time 

Annie Zaleski
(Reuters/Mark Makela)

Morrissey gives the most Morrissey interview possible to Larry King: “Obama — is he white inside? It’s a very logical question”

Annie Zaleski
(AP/Reed Saxon)

We are all “Amabots” now: Jeff Bezos just perfected the “burn and churn” philosophy that’s sucking American workers dry

Annie Zaleski
(<a href='http://www.shutterstock.com/gallery-56478p1.html'>Elena Elisseeva</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>)

R.I.P. Columbia House: Cheap, disposable music lives on, but the one club to which everyone could belong is finally broke

Annie Zaleski
CBGB in New York City, November 28, 1993. (AP/Jim Cooper)

Requiem for a club: What we lose when intimate music venues close

Annie Zaleski
Katy Perry (EMI)

A taxonomy of summer jams: Here are the 8 types of songs that cure the summertime blues

Annie Zaleski
Stacey Dash and Alicia Silverstone in "Clueless" (Paramount Pictures)

“Clueless” wasn’t supposed to be a hit: “I don’t think they necessarily saw a teen female audience as being much of a boon”

Annie Zaleski
Toad the Wet Sprocket (<a href='http://www.shutterstock.com/gallery-586510p1.html'>Glynnis Jones</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>)

Don’t feel guilty about not keeping up with new music: The bands you loved as a kid can still be your favorites

Annie Zaleski
Taylor Swift, Prince (AP/Chris Pizzello/John Shearer)

If Apple Music wins, what will we lose? Here’s the corporate clampdown we didn’t see coming

Annie Zaleski
(AP/Rich Fury)

Leave U2 alone: Why did one of our best rock bands become so loathed?

Annie Zaleski
(<a href='http://www.shutterstock.com/gallery-295834p1.html'>Ivica Drusany</a> via <a href='http://www.shutterstock.com/'>Shutterstock</a>)

“You are not welcome here”: At concerts and music festivals, fans with disabilities are too often shut out, endangered and ignored

Annie Zaleski
Rush singer/bassist Geddy Lee (Reuters/Paulo Whitaker)

I’m a woman and I love Rush (and I am not alone)

Annie Zaleski
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