FX’s “Trust” bequeaths unto us the golden return of Brendan Fraser
Melanie McFarland
“Barry” allows Bill Hader’s dark side to shine
Melanie McFarland
“Portlandia”: The end of the Rose Route
Melanie McFarland
Rebels of “Krypton”: A Superman prequel for the Resistance
Melanie McFarland
David Letterman, Van Jones, Sarah Silverman and our empathy gap
Melanie McFarland
“Jessica Jones” tells every woman’s origin story
Melanie McFarland
“Counterpart”: a prime example of prestige TV in any universe
Melanie McFarland
It’s time for Annabella Sciorra to be the star she deserves to be again
Melanie McFarland
“Hap and Leonard: The Two-Bear Mambo”: A dance with racial toxicity
Melanie McFarland
“For the People”: Justice in Shondaland, USA
Melanie McFarland
“Mary Kills People” loses some of its spirit
Melanie McFarland
“Rise”: NBC’s spring awakening
Melanie McFarland
“Marvel’s Jessica Jones” maps the rough road to recovery — for all of us
Melanie McFarland
“Mister Rogers: It’s You I Like”: a special, with feeling
Melanie McFarland
The 90th Oscars: Kimmel succeeds by not trying too hard
Melanie McFarland
No fairy tale: “The Magicians” conjures empowerment after violation
Melanie McFarland
The striking hindsight of “The Looming Tower”
Melanie McFarland
“Atlanta” returns to FX with its “robbin’ season”
Melanie McFarland
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