AMC’s “McMafia”: From Russia, with reservations
Melanie McFarlandWhy Oprah offends Trump to his very (dark) soul
Melanie McFarlandWhy we still can’t stomach Jimmy Fallon
Melanie McFarlandUp close and personal with Matthew Heineman, director of “The Trade”
Melanie McFarland“Tell Them We Are Rising”: An education in resilience
Melanie McFarlandTelevision takes on death and magical thinking
Melanie McFarlandIt’s official: Jeffrey Tambor is no longer part of “Transparent”
Melanie McFarland“Everything Sucks”: Another feat of Netflix engineering
Melanie McFarland“Black Lightning”: How Marvin Jones III makes a villain a hero
Melanie McFarland“Here and Now” and the unbearable whiteness of progressives
Melanie McFarland“Our Cartoon President”: That joke isn’t funny anymore
Melanie McFarland“Strike Back” brings women into the action
Melanie McFarland“Queer Eye” and the view from here
Melanie McFarland“The Gilded Age” reflects upon our divisions then, and now
Melanie McFarlandThis week on “This Is Us”: It’s the Super Bowl of TV deaths!
Melanie McFarlandThe Multiple Lives of J.K. Simmons
Melanie McFarland“The Trade” and the many faces of our opioid crisis
Melanie McFarland“Altered Carbon”: Same bleak future, different title
Melanie McFarland“Great Performances” gives us Nas’ Illmatic, orchestrated
Melanie McFarlandFractured feminism and “Citizen Rose”
Melanie McFarland
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