“Marvel’s Jessica Jones” maps the rough road to recovery — for all of us
Melanie McFarland“Mister Rogers: It’s You I Like”: a special, with feeling
Melanie McFarlandThe 90th Oscars: Kimmel succeeds by not trying too hard
Melanie McFarlandNo fairy tale: “The Magicians” conjures empowerment after violation
Melanie McFarlandThe striking hindsight of “The Looming Tower”
Melanie McFarland“Atlanta” returns to FX with its “robbin’ season”
Melanie McFarlandAMC’s “McMafia”: From Russia, with reservations
Melanie McFarlandWhy Oprah offends Trump to his very (dark) soul
Melanie McFarlandWhy we still can’t stomach Jimmy Fallon
Melanie McFarlandUp close and personal with Matthew Heineman, director of “The Trade”
Melanie McFarland“Tell Them We Are Rising”: An education in resilience
Melanie McFarlandTelevision takes on death and magical thinking
Melanie McFarlandIt’s official: Jeffrey Tambor is no longer part of “Transparent”
Melanie McFarland“Everything Sucks”: Another feat of Netflix engineering
Melanie McFarland“Black Lightning”: How Marvin Jones III makes a villain a hero
Melanie McFarland“Here and Now” and the unbearable whiteness of progressives
Melanie McFarland“Our Cartoon President”: That joke isn’t funny anymore
Melanie McFarland“Strike Back” brings women into the action
Melanie McFarland“Queer Eye” and the view from here
Melanie McFarland
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